Top Producers – Tom Dowd

Allman Brothers / Eat a Peach – Transparency, Energy, and Whomp

More Allman Brothers

xxx

What do high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL!

This and Live At Fillmore East are the two monumental albums these guys ever put out, and they have a lot in common. You know what you’re gonna get with the Allmans: dueling electric guitars, sweet acoustic guitars, energetic drumming, and full-bodied vocals throughout. There’s obviously a lot of exploration — two complete sides are dedicated to the song Mountain Jam — but the heartfelt radio-friendly songs such as Melissa and Little Martha keep up the energy and provide maximum enjoyment factor.

The Three Keys: Transparency, Energy, and WHOMP

A great copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs. The huge WHOMP factor throughout kicks up the excitement factor and sets the foundation for the extended guitar jams to work their Southern bluesy magic. The top end extends beautifully to bring out all the ambience and spaciousness of the Fillmore. (more…)

Rod Stewart – A Night On The Town

More Rod Stewart

xxxxx

  • Stewart’s 1976 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
  • You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
  • 4 1/2 stars: “A Night on the Town isn’t a revival of Atlantic Crossing, it’s its inverse, with Stewart shining as an interpreter on the fast songs and writing the best slow ones, but it’s also its equal, proving that Stewart could still stay true to his open-hearted, ragged soul while on a big budget.”

(more…)

Cream / Disraeli Gears – Live and Learn

More Cream

A classic case of Live and Learn

xxxxx

Our shootout quite a while ago for Cream’s classic second album provided proof positive that We Was Wrong when we said:

No reissue we’ve ever played sounded especially good and none likely ever will.

Ah, but some do! We would love to tell you exactly what to look for so that you can go find one for yourself, but that’s bad for business as I’m sure you can see. Let’s just say there will be at least one later reissue of the album with very good grades coming soon to a site near you.

We also have to admit to being wrong about this:

If you’re expecting Sunshine of Your Love to rock on record like you remember it rockin’ on the radio back in the day, forget it. When you heard that song your brain added the bass and dynamics that are missing from the record. Either that or you did it through the loudness control on your old receiver. There’s maybe five db of dynamic range on that song and there can never be more than that.

There are copies with dynamic vocals on that track. The vocals are practically the only thing that do get loud, but on some copies they do; we heard it. Likewise, on some copies the drums have much more body and punch than than they do on most.

So, when it comes to bass and dynamics, yes, some copies have some, maybe even more than you remember. (more…)

Rod Stewart – Atlantic Crossing

More Rod Stewart

xxxxx

  • You’ll find truly exceptional Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this vastly underrated Rod Stewart classic
  • One of the few to hit our site over the years, and for that we apologize – Atlantic Crossing should be enjoyed by everyone in Hot Stamper form
  • This is some of the best Muscle Shoals rock- and soul-inflected pop from producer Tom Dowd we know of
  • It’s the last consistently good record Rod Stewart made – I bought it when it came out and I listen to it to this very day
  • AMG awards 4 1/2 stars and raves, “Three Time Loser and Stone Cold Sober catch fire,” and on this copy we guarantee they do

The copies we liked best were the biggest and richest, the least thin and dry. Many of the brighter copies also had noticeable sibilance problems, which the richer and tubier ones did not. (more…)

Eric Clapton’s 461 Ocean Boulevard – Stick with the UK Pressings

More Eric Clapton

xxx

  • One of the best copies to eve hit the site with an amazing Triple Plus (A+++) side one and and excellent Double Plus (A++) side two
  • Big and full-bodied with wonderfully breathy vocals, tons of energy and none of the smear that plagues so many copies
  • As good as the best domestic pressings can be, these early British LPs seem to capture more of the 461 magic
  • “…the pop concessions on the album don’t detract from the rootsy origins of the material, whether it’s Johnny Otis’ “Willie and the Hand Jive,” the traditional blues “Motherless Children,” Bob Marley’s “I Shot the Sheriff,” or Clapton’s emotional original “Let It Grow.” ” – All Music

It is insanely tough to find copies that aren’t murky, overly smooth and/or lifeless. If you’re a fan of this music and want to hear it come to life, this pressing should be just the ticket.

This album has some of Clapton’s best material, including Motherless Children and the famous cover of Bob Marley’s I Shot The Sheriff.

Tom Dowd recorded this album at Criteria in Miami, which is where Layla was recorded. I’d say the sound here is substantially better than what you get on that album, for the most part. Even when you find a great pressing of Layla, it’s still pretty much a diamond in the rough, but the sound on this album is consistently good — smooth, rich and natural. (more…)

Eric Clapton – 461 Ocean Boulevard

More Eric Clapton

xxx

  • An outstanding UK pressing with solid Double Plus (A++) sound or BETTER throughout – fairly quiet vinyl too
  • Big and full-bodied with wonderfully breathy vocals, strong rhythmic energy and virtually none of the smear that plagues so many copies
  • As good as the best domestic pressings can be, these British LPs simply capture more of the 461 midrange magic than they do
  • 4 1/2 stars: “…the pop concessions on the album don’t detract from the rootsy origins of the material, whether it’s Johnny Otis’ ‘Willie and the Hand Jive,’ the traditional blues ‘Motherless Children,’ Bob Marley’s ‘I Shot the Sheriff,’ or Clapton’s emotional original ‘Let It Grow.'”

This album has some of Clapton’s best material, including Motherless Children and the famous cover of Bob Marley’s I Shot The Sheriff.

Tom Dowd recorded this album at Criteria in Miami, where Layla was recorded. I’d say the sound here is substantially better than what you typically get on that album, keeping in mind the sonic variations from track to track on Layla, which can be fairly dramatic. (more…)

Cream / Wheels of Fire and its Glaring Lack of Bass

See all of our Eric Clapton and Cream albums in stock

 

xxx

It’s EXCEPTIONALLY difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues — trust me, most of them would make you cringe.

When you get a good copy, this music is AWESOME! For ’60s power trio hard rock, you just can’t do much better than the studio material.

White Room, Sitting On Top Of The World, Politician, Born Under A Bad Sign — this is the very essence of Classic Blues Rock. Unfortunately, the typical copy barely hints at the potential of this recording, and the audiophile pressings are even worse.

The DCC Gold CDs are especially bad in our opinion; they sound nothing like the good pressings we’ve played over the years.

Where’s The Bass?

Most early pressings you find these days are thrashed beyond belief. We used to pick up every clean Plum & Gold label copy we’d find back in he day, but no more. We gave up. The Cream magic was just plain missing from the early domestic pressings. The problem is simple: a glaring lack of bass.

Let’s think about that. Cream is a power trio. The music absolutely demands a solid, weighty bottom end. Sacrifice the bass and the sound is just too lean to rock.

We can sum up the sound of the whomp-less copies in a word: fatiguing. As is always the case, some copies sound better than others, but none could give us the kind of bass that we were hoping for. (more…)

Cream – Disraeli Gears

xxxxx

  • A KILLER UK stereo copy of Cream’s second studio album with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
  • You aren’t going to believe how hard this pressing rocks, with all the WHOMP and ENERGY you never knew was there
  • Surprisingly good sound for classics like Strange Brew, Sunshine Of Your Love and Tales of Brave Ulysses
  • 4 1/2 stars: “…the imagination of the arrangements, the strength of the compositions, and especially the force of the musicianship make this album transcend its time.”

This amazing copy has the kind of smooth, analog sound you need for this music — warm, rich, smooth, and pretty much free of the nasty grain that gets in the way on most pressings. There’s good extension up top, and the bottom end is meaty and well-defined.

The lesson we’ve learned over the years is that when the extremes are properly transferred to the vinyl, the middle will take care of itself. Since the extremes seem to be the hardest thing to get right, at least on this record, that might explain why so many copies don’t really sound the way they should. (more…)

Derek and the Dominos – Layla

More Eric Clapton and Cream

More Layla

xxxxx

  • With a Shootout Winning Triple Plus (A+++) side one and outstanding Double Plus (A++) sides two, three and four, this copy delivers top quality sound for this famously difficult recording – exceptionally quiet vinyl too! 
  • Some of our favorite Clapton songs are here: Bell Bottom Blues, Tell The Truth, Little Wing, Layla and Have You Ever Loved A Woman?
  • One of the most difficult albums to find audiophile sound for, but a lot easier for us now that we know what pressings can actually sound good
  • Clapton’s greatest album: “But what really makes Layla such a powerful record is that Clapton, ignoring the traditions that occasionally painted him into a corner, simply tears through these songs with burning, intense emotion.”

Outstanding sound for all four sides of this classic album. Unless you plan on playing a very big pile of copies you will be hard-pressed to find a copy with sound like this. (more…)

Derek and the Dominos – Layla (2 LPs) – Remastering the Remaster (and Keeping It a Secret)

More Eric Clapton and Cream

More Layla

xxxxx

NEWSFLASH! [circa 2010]

Noticing that this title had recently come back into print, and remembering that we used to like the SVLP of Layla, we decided to order a current copy of the album from SIMPLY VINYL. Soon enough it came in, we played it, and we were pretty shocked to hear that the damn thing sounded just plain AWFUL.

Was I wrong about it before? Only one way to know. I pulled out my old Review Copy from way back when it first came out and sure enough that early pressing sounded dramatically BETTER than the new one. The stampers were completely different of course; someone had remastered it recently and ruined it.

The earlier SVLP pressing, though no award winner by any means, was at least a good record. This new pressing was nothing but a piece of crap.  (more…)