- Simply phenomenal amounts of Tubey Magic can be heard on every strum of the guitars, along with the kind of richness, body and harmonic coherency that have all but disappeared from modern remasterings.
- Becker and Fagen spared no effort in the recording of this album – the mix is PERFECTION
- A Top 100 Album and our pick for The Best Sounding Steely Dan Recording of Them All
- 5 stars: “Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one.”
- With solid Double Plus (A++) grades or BETTER on both sides, this UK pressing boasts outstanding Let It Be sound
- There’s no studio wizardry, no heavy-handed mastering, no phony EQ – here is some of the most realistic, natural Beatles sound you can get
- Copies like this one make good on the promise that Let It Be captures the greatest rock band of all time playing and singing their hearts out
- 4 1/2 stars: “The album is on the whole underrated… it’s an album well worth having, as when the Beatles were in top form here, they were as good as ever.”
At its best, Let It Be has the power of live music, but it takes a special pressing such as this one to show you that sound. It’s a bit trickier trying to find good sound for this album than it is for some of the other albums in the Beatles’ catalog. (more…)
- Presenting THE sleeper Tchaikovsky Violin Concerto recording of the (previous) century
- One of the better sounding copies we played with outstanding Double Plus (A++) sound throughout
- The orchestra is big, rich and tubey, yet the dynamics and transparency are first rate
- One of the most shockingly REAL and full-bodied violins we have yet to hear on record
- Outstanding Double Plus (A++) sound from start to finish – this Decca recording of the 1812 from 1958 is the only one we know of that can show you the power of Live Music for this important work
- This UK pressing is BIG, lively, clear, open and resolving of musical information like no copy of the 1812 you’ve heard
- The two coupling pieces, Marche Slave and the Capriccio Italien, also have rich, powerful, weighty brass and lower strings
- The most exciting and beautifully played 1812 we know of – we encourage you to compare this to the best orchestral recording in your collection and let the chips fall where they may
There is some noticeable low frequency rumble under the quietest passages of the music for those of you with the big woofers to hear it!
The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.
The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.
The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound or close to it from first note to last – a sonic powerhouse and Demo Disc par excellence, with vinyl that’s about as quiet as we can find
- If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers sound, this is the album for you
- A Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
- 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).
Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Led Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least.
The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.
Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)
STUNNING! This insanely good pressing earned the rare FOUR PLUS (A++++) grade on side one — it’s OFF THE CHARTS! Side two is incredible as well, earning our standard top grade of Triple Plus (A+++) The sound is incredibly lively, punchy, and powerful; with all due respect, it should MURDER whatever copies you may have. Relatively quiet for this album, Mint Minus to Mint Minus Minus on both sides.
We award this copy’s side one our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea could even exist. We estimate that less than one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.
This is an amazing album, but a pressing like this takes it to a whole new level! The average copy of this record is aggressive and unpleasant. You either have to work very hard to find a good one (which means buying, cleaning and playing lots and lots of them), or you have to luck into a good one by accident.
- With seriously good Double Plus (A++) sides, this 360 stereo pressing has Demo Disc sound – sound that’s guaranteed to make you want to take all of your remastered pressings and dump them off at the Goodwill, followed by a heartfelt “Good riddance!”
- KOB is the embodiment of the big-as-life, spacious and timbrally accurate 30th Street Studio Sound Fred Plaut was justly famous for
- Space, clarity, transparency, and in-the-room immediacy are some of the qualities to be found on this pressing
- It’s guaranteed to beat any copy you’ve ever played, and if you have the new MoFi pressing, please, please, please order this copy so that you can hear just how completely they defiled the sound
- 5 stars: “KOB isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence.”
- With two amazing Shootout Winning Triple Plus (A+++) sides, this original pressing has the analog magic in its grooves
- We love the All Analog Tubey Magical sound of the recording, especially on a copy as rich and full-bodied as this one
- Arguably the best of the solo CSN albums – a founding member of our Top 100 Rock and Pop List and, with grades like these, a True Demo Disc
- 4 1/2 stars: “From the soaring “I Used to Be a King” through the gossamer “Simple Man” to the wah-wah-laden “Military Madness,” the record is filled with gorgeous melodies, flawless singing, and lyrical complexities that hold up decades later.”
When you hear Chicago here you will not believe how cinematic the sound is! It’s everything we love about analog and then some.
Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best. Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.
Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlety is highlighted by the big productions surrounding them. This is the rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale. (more…)
- This outstanding pressing of the Eagles’ first Number One Album boasts solid Double Plus (A++) sound or BETTER from start to finish – fairly quiet vinyl too
- On an exceptionally good sounding copy such as this one, the soaring guitar solo of the title track really comes alive – assuming you have it turned up GOOD and LOUD
- Lyin’ Eyes and Take It To The Limit sound the way they should – we guarantee you have never heard them sound remotely as good as they do here
- 4 stars: “…a lyrical stance — knowing and disillusioned, but desperately hopeful — had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles’ best-realized and most popular album so far.”
This is one of the toughest Eagles albums to find with good sound, which is why only a small handful has ever made it to the site. This album may never sound quite as good as Hotel California or the self-titled debut, but there are some wonderful songs here and a Hot Stamper like this brings them to life in a way most pressings cannot begin to do.
The best copies are richer and sweeter. When you turn them up, they really come to life. When you play the better sides at Rock Music Volumes they really ROCK. When a copy is cut really clean, as the best ones are, the louder you play them the better they sound. They’re tonally correct at loud levels and a bit dull at what we would call “audiophile” levels. That’s the way it should be. (more…)
- With outstanding Double Plus (A++) sonic grades or BETTER on both sides, this early EMI pressing is guaranteed to be the best copy of Holst’s Magnum Opus, The Planets, you have ever played
- Orchestral power like practically no other music on vinyl you may have heard, and Previn’s and the LSO’s performances are without peer in our estimation
- These sides are rich, clear and dynamic, with weighty brass, and the kind of dynamic power that lefts the energy level right into space
- A TAS List Super Disc, with a performance that’s as spectacular as the recording by the two Christophers
These sides have some of the best sound we have ever heard for the work, and that’s saying something considering the scores of recordings we have played of this famous and famously well-loved piece.
Fortunately for audiophiles who love The Planets but are disappointed by most performances, a group that includes us to be sure, the amazing sound found on this copy is coupled with a superb performance.
As you might imagine, on a big system this would make for a powerful listening experience, which is exactly the experience we ourselves had during our recent shootout. This copy actually deserves its place on the TAS List.
Both sides earned strong grades for their powerful energy and orchestral excitement, especially from the brass section, a subject we discuss at length below. (more…)