Genre – Rock – Southern Rock

The Allman Brothers – The Allman Brothers Band

More by The Allman Brothers

The Allman Brothers – The Allman Brothers

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

The first Hot Stamper copy of the Allman’s incredible debut to EVER hit the site! This album has some of the ABB’s very best music and on a copy like this, sonics, but MAN is it tough to find a good one. We’ve been picking these up for years and the fact that it took us until 2016 to get any copy at all on the site should tell you something. (more…)

What to Listen For on Eat a Peach

xxx

EAT A PEACH

What do high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL!

This and Live At Fillmore East are the two monumental albums these guys ever put out, and they have a lot in common. You know what you’re gonna get with the Allmans: dueling electric guitars, sweet acoustic guitars, energetic drumming, and full-bodied vocals throughout. There’s obviously a lot of exploration — two complete sides are dedicated to the song Mountain Jam — but the heartfelt radio-friendly songs such as Melissa and Little Martha keep up the energy and provide maximum enjoyment factor.

The Three Keys: Transparency, Energy, and WHOMP

A great copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs. The huge WHOMP factor throughout kicks up the excitement factor and sets the foundation for the extended guitar jams to work their Southern bluesy magic. The top end extends beautifully to bring out all the ambience and spaciousness of the Fillmore. (more…)

Letter of the Week – … At Fillmore East

… At Fillmore East

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom,  

Oh. My. God.

Apologies for sounding like a 13-year-old girl at a Justin Bieber concert, but … screw it, that’s the way I feel. I’ve just finished sides one and four of the Allman’s “Live at Fillmore East,” and I am in awe. I have never never NEVER heard this album sound so good, and I’ve been listening to it for almost 40 years, in every format one can.

It’s not just the drums (and cymbals!), it’s the whole thing. It’s energetic, the bass is powerful yet refined, the soundstage is HUGE, and it’s got more air than any live rock recording I’ve ever heard. 

You’ve outdone yourselves on this one, gentlemen. Well worth my $500, and probably a steal at twice the price … but don’t get any ideas!

Keep it up, and thanks,

Bill

Creedence Clearwater Revival – Pendulum

More Creedence Clearwater

Pendulum

xxxxx

  • This Fantasy stereo pressing boasts Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus ( A++) side two
  • Both sides here are quite a bit richer and fuller than most with a big bottom end and solid midrange presence and energy
  • 4 stars: “John Fogerty spent time polishing the production, bringing in keyboards, horns, even a vocal choir. His songs became self-consciously serious and tighter, working with the aesthetic of the rock underground — Pendulum was constructed as a proper album, contrasting dramatically with CCR’s previous records, all throwbacks to joyous early rock records where covers sat nicely next to hits and overlooked gems tucked away at the end of the second side.”

(more…)

Creedence Clearwater Revival – Pendulum

More Creedence Clearwater

Pendulum

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This copy will THRASH any copy you put it up against. This will be especially true if you put it up against the Analogue Productions Heavy Vinyl from years back, which will undoubtedly sound thick, opaque, airless and congealed next to a properly mastered Fantasy original such as this.

Now if you are looking for quiet vinyl, we might not be able to help you there. We didn’t hear any truly quiet copies. Mint Minus Minus is about it, folks. Fortunately, CCR’s music is usually loud enough to obscure the shortcomings of Fantasy’s vinyl. Once the songs get going the vinyl is not really a problem, for us anyway.

Overall the most common problem we run into with Creedence’s records are edgy vocals, a problem that we noticed varied quite a bit from track to track on any given side. Lack of frequency extension on the top and bottom is another big one; few copies have any real highs (and if we weren’t so good at cleaning these old records with the Walker fluid none would have. If you want your records to sound transparent and open the right cleaning fluids and the right cleaning machine are essential). (more…)

Creedence Clearwater Revival – Willy and the Poor Boys

More Creedence Clearwater

More Willy and the Poor Boys

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

The typical copy of this album is grainy, murky, and veiled — and that’s just for starters. It took us a HUGE stack of copies to find ANY that had bottom end weight, midrange presence, freedom from grain (mostly) and real energy.

Those of you who have been watching the site for a while have probably noticed that we hardly ever list Hot Stamper copies of Creedence records. That’s because it is DARN NEAR IMPOSSIBLE to find copies that sound any good, a fact that many of you have probably stumbled upon on your own. (more…)

Gregg Allman – Laid Back

More The Allman Brothers

More Gregg Allman – Laid Back

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

We were surprised at how well recorded the album is, dramatically better than the Allmans’ album from the same year, Brothers and Sisters. Full-bodied and Tubey Magical, with especially smooth, present vocals, this is the sound we love at Better Records.

AMG Review

Recorded in the same year as the Brothers and Sisters album, this solo debut release is a beautiful amalgam of R&B, folk, and gospel sounds, with the best singing on any of Gregg Allman’s solo releases. He covers his own “Midnight Rider” in a more mournful, dirge-like manner, and Jackson Browne’s “These Days” gets its most touching and tragic-sounding rendition as well. Although Chuck Leavell and Jaimoe are here, there’s very little that sounds like the Allman Brothers Band — prominent guitars, apart from a few licks by Tommy Talton (Cowboy, ex-We the People), are overlooked in favor of gospel-tinged organ and choruses behind Allman’s soulful singing. (more…)

The Allman Brothers – Idlewild South

More Allman Brothers

More Idlewild South

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

The first Top Copy to ever hit the site! Double Plus (A++) on side one, Triple Plus (A+++) on side two

  • Easily the group’s best sounding studio recording and especially impressive on a copy like this

Drop the needle on Midnight Rider or In Memory Of Elizabeth Read to hear what this copy can do. You get lots of extension here both up top and down low that makes the overall sound far more engaging and musical than what you’d hear on a typical copy.

One of the biggest problems we ran into with this shootout was thin, recessed or edgy vocals. This is a band known for their rockin’ guitar jams, so it shouldn’t be a huge surprise that the vocals are not where they focused their energy when recording. I wish the vocals here were a bit fuller but at least they have enough presence to put them front and center. (more…)

Creedence Clearwater Revival – Bayou Country

More Creedence Clearwater Revival

More Bayou Country

xxxxx

  • Two outstanding sides, earning very strong Double Plus (A++) sonic grades and pressed on fairly quiet vinyl  
  • Proud Mary and Good Golly Miss Molly are two of the best sounding tracks found on the album – they sound great here
  • Our pick for the best sounding CCR recording — when you have a copy that sounds as good as this one does
  • 4 1/2 stars: “All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival’s muscular, spare, deceptively simple sound as an evocative portrait of America.”

Both sides here are Tubey Magical with surprising resolution and freedom from smear, easily heard on the clean, clear guitar transients. (more…)

Creedence Clearwater Revival – Green River

More Creedence Clearwater Revival

More Green River

xxxxx

  • This insanely good pressing boasts superb Triple Plus (A+++) sound on side one and a Double Plus (A++) side two
  • Both sides are rich and full-bodied yet clean, clear and spacious, with note-like bass and relatively smooth vocals
  • An essential, Must Own album for every CCR collection, this LP includes some of the band’s biggest hits: Green River and Bad Moon Rising, Lodi and plenty more
  • 5 stars ” CCR’s third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country.”

This copy is bigger, livelier, harder rockin’, more spacious and more relaxed than most all of the other pressings we have played over the years.

Clean copies with great sound are incredibly hard to find from CCR (but worth the search), and it took us a good-sized stack to find a few with bottom end weight, midrange presence, real energy, and freedom from grain. This pressing will show you just how good this album can sound.

What to Listen For (WTLF)

Here are some of the things we specifically listen for in a vintage Creedence Swamp Rock record.

Our hottest Hot Stamper copies are simply doing more of these things better than the other copies we played in our shootout.  (more…)