A classic case of Live and Learn.
Sonic Grade: D
I’d always preferred the famously rare Half-Speed to the domestic copies I had auditioned back in the day, the day being the ’80s and ’90s — until now of course.
Now, with changes to the stereo and better cleaning techniques and all the rest, that half-speed’s weaknesses are on display for all to hear. Where is the rock ’em, sock ’em bottom end that the best originals have? Gone without a trace.
Yes, the smeary veiled quality of the typical original pressing is gone too, which is why I used to like the DD Labs version better. It’s simply another case of a good Half-Speed beating a bad domestic pressing, and in turn being beaten (soundly) by The Real Thing, the kind of record we like to call a Hot Stamper.
FURTHER READING on the subject of Half-Speed Mastering
People have been known to ask us:
At the very least let us send you a Hot Stamper pressing — of any album you choose — that can show you what is wrong with your copy. And if for some reason you disagree that our record sounds better than yours, we will happily give you all your money back and wish you the best.
To learn more about records that sound dramatically better than any Half-Speed ever made (with one rare exception, John Klemmer’s Touch), please consult our FAQs:
Below you will find our breakdown of the best and worst Half-Speed mastered records we have auditioned over the years.
New to the site? Start here.