- A KILLER sounding copy with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one – exceptionally quiet vinyl too
- Both of these sides were clean, clear and lively with tons of detail and a solid bottom end
- 4 stars: “Metheny’s softly focused, asymmetrical guitar style, with echoes of apparent influences as disparate as Jim Hall, George Benson, Jerry Garcia, and various country guitarists, is quite distinctive even at this early juncture.”
We highly recommend you make every effort to find yourself a copy of this album and use it to test your system. The right pressing can be both a great Demo Disc and a great Test Disc.
Transparency Is Key
The best Hot Stamper Original pressings have the Tubey Magic we’ve come to expect from Contemporary circa 1958, with that warm, rich, full-bodied sound that RVG often struggles to get on tape. However, some pressings in our shootout managed to give us an extra level of transparency and ambience that most original pressings rarely did.
There’s a room around this drum kit. So many copies don’t show you that room, not if they have the full sound that a copy like this does.
It’s amazing all the detail you can hear in a leaned-out record, but what good is that? The sound is all leaned out.
If you like that sound, buy the OJC or the CD. Leave these originals to those of us who are after this sound. (more…)
- Bola Sete’s wonderful 1966 release finally makes its Hot Stamper debut with excellent STEREO sound from first note to last
- This LP was bigger, richer and clearer, with less smear and distortion, and more Tubey Magic, than most every other pressing we played
- We have a devil of a time finding early pressings of this album in audiophile playing condition – the music is so good, but the surfaces of his records almost always have some issues…
- 4 stars: “With the solid classical technique of Sete leading the way, this is a gently swinging set of mostly low-key Brazilian jazz (with a few livelier exceptions), as played by Sete’s New Brazilian Trio.”
- Jazz guitar great Bill Connors makes his debut on the site with this phenomenal sounding copy of Of Mist And Melting
- This pressing boasts Shootout Winning Triple Plus (A+++) sound on side two and an outstanding Double Plus side one
- The sound of this vintage ECM pressing is really quite amazing – fans of adventurous jazz, the kind ECM is known for, should get a lot out of this LP
- “A beautiful session by the ever searching guitarist Bill Connors… intense, lyrical, and introspective… continued to show his great talents as a composer…
- This STUNNING pressing offers Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
- Gil Evans wrote the superb orchestral arrangements and Rudy Van Gelder captured them on lovely analog tape – what’s not to like?
- We’ve really been digging these Creed Taylor productions for years now – it may not be serious jazz, but it’s no less interesting and captivating for it
- “His landmark 1965 collaboration with Gil Evans, Guitar Forms rivals anything the arranger did with Miles Davis. Indeed, the track “Lotus Land” has a bolero form very reminiscent of Sketches of Spain. Throughout, Burrell takes thoughtful, concise, and utterly musical solos, and even switches to acoustic classical guitar on “Prelude #2” and “Loie.””
For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1965 All Tube Analog sound can be, this killer copy will do the trick.
This pressing is super spacious, sweet, and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)
Sonic Grade: D?
The Speakers Corner remastered Heavy Vinyl pressing of this famous jazz album has two big strikes against it from the get go. It’s both congested and hard.
When these guys are hell-bent on one-upping each other right off of the stage, even our best Hot Stamper pressings struggle with clarity, transparency and harmonic sweetness
Do you really want to add all the problems of the modern remastered heavy vinyl pressing to a tape that has no small share of its own?
Congested and hard is the kind of sound Speakers Corner should be quite familiar with by now. You can hear it on plenty of their mostly mediocre pressings. Sourced from a digital tape of the master? Maybe, but who cares what tape was used to make this dog?
It’s a loser and should be avoided at any price.
Our Hot Stamper pressings of this very album will be dramatically more transparent, open, harmonically-correct, resolving of musical information, clear and just plain REAL sounding, because these are the most obvious areas in which heavy vinyl pressings tend to fall short, if our experience with hundreds of them over the last few decades has any bearing.
- This superb collaboration has KILLER Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
- Musically, this is by far our favorite Poll Winners record – these guys got back together after 15 years and were eager to prove that they still had their youthful exuberance, and even better chops, which they did have and did prove!
- 4 1/2 stars: “Kessel in particular is heard in excellent form… Overall this is the best all-around recording by The Poll Winners and is easily recommended to bop fans.”
These guys play with more spunk here than on any other album of theirs I’ve heard. And you have to love those ’70s leisure suits they’re wearing on the cover. I remember my commentary when this record was around, mentioning that Roy DuNann had lost none of his engineering skills in the intervening years either.
This is a very dynamic recording, one of his best. You almost never hear cymbals sound this good on an RVG Blue Note, that’s for sure. The bass definition on this record is amazing — you can really hear Ray Brown pulling and bending the strings of the instrument. He’s tearing it up. (more…)
White Hot Stamper sound on both sides — this is some killer jazz guitar “trio” sound. There are actually two guitarists on this record, John Pisano being the other one, plus bass and drums. We’re big fans of Pacific Jazz recordings from this era, with 1964 live in the studio Tubey Magic to die for.
We’ve played quite a few of these early jazz guitar records by the likes of Kenny Burrell, Joe Pass, Charlie Byrd, Grant Green, Wes Montgomery and others. Can’t say I’ve ever heard a better sounding one than this.
The All Tube live in the studio approach to the recording results in natural, open, rich, clear, spacious, dynamic sound the likes of which you may have never experienced. The exceptionally clear, tight, note-like bass is an added bonus — not many tube recordings get the bass to sound that way! (more…)
- This excellent Wes Montgomery title returns to the site for the first time in two years with a Shootout Winning Triple Plus (A+++) side one and outstanding Double Plus (A++) sound on side two
- Both sides here are OUT OF THIS WORLD, incredibly big, bold, clear, rich and dynamic – this is DEMO DISC Quality Big Production Guitar-led Jazz
- Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
- Forget the critics, this is one of Wes’s Best Albums of All Time I tell you!
This White Hot Stamper has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is. Since this is one of Wes’s best albums, hearing this incredible White Hot copy was a THRILL for us and we’re sure it will be as big a thrill for you too.
As Good As It Gets Sound
So natural, transparent and clear. Listen to all the space around the guitar. (On the Cisco you might hear 20% of that space. That’s Heavy Vinyl for you. What a load of crap.)
Beware any and all imitations (even the one I used to like somewhat, the Cisco version). They barely BEGIN to convey the qualities of the real master tape the way this pressing does. This White Hot Stamper exhibits huge amounts of ambience and spaciousness, with far more energy and the kind of “see into the studio” quality that only the real thing ever seems to have. (more…)
- KILLER Triple Plus (A+++) grades or very close to it on both sides, this is a wonderful vintage stereo pressing of a classic jazz collaboration from 1966
- Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
- 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”
The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)