- Mr. Guitar makes its Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound on both sides
- Big, rich and lively, this trio is having a blast and we think you will too
- Features Keter Betts joining Byrd on bass and Bertell Knox’s “deft touch” on drums
- 4 1/2 stars: “A delightful trio outing with an adroit and light feel… Byrd’s playing combines jazz swing with influences from both Spanish guitar and classical music on a session comprised of both Byrd originals and covers, usually of Gershwin and Ellington
- A stunning copy of this Fusion Guitar classic with Shootout Winning Triple Plus (A+++) sound from start to finish
- Both sides are incredibly lively, full-bodied, open and present — the sound, in a word, is HUGE
- 4 1/2 stars: ” A very impressive beginning to di Meola’s solo career”
- A great lineup including Chick Corea, Jaco Pastorious, Stanley Clarke, Lenny White, Steve Gadd and more
If you’ve enjoyed the sonics on one of our Hot Stamper Return To Forever, Weather Report or Santana LPs, I think you’d find a lot to like about this record. (more…)
- Bola Sete’s superb 1963 release makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound from first note to last
- Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied sound that blew away every other copy we played
- A distinguished member of the Better Records Jazz Hall of Fame and my favorite Latin jazz guitar record of all time
- 4 1/2 stars: “[Tour de Force] tilts a little to the mellower, more sentimental side than more driving sessions such as the one he did the previous year for Bossa Nova. It’s still quality by-the-fire jazz bossa nova music, Sete’s playing a lesson in both skill and discreet economy.”
Brought to you by the folks at Better Records. We know a good sounding record when we hear one.
And the music is interesting and fun from first song to last. With Joe Pass on guitar how could it not be – the guy’s a very talented player.
With two Triple Plus (A+++) shootout winning sides, this original stereo World Pacific copy simply could not be beat
- Huge and rich, here is the kind of Tubey Magical presentation that lets this big group of musicians (four trombones!) come alive
- The engineering by none other than Bruce Botnick is brilliant in all respects, as good as his work with The Doors
- This is FUN West Coast Pop Jazz built around the superb arrangements of Bob Florence and the great songs of the Stones
- We’re so sure you’ll like this music that if for any reason you are unhappy the domestic return shipping is on us!
Engineering by Bruce Botnick
Botnick is of course the man behind the superb recordings of The Doors, Love and others too numerous to mention.
He also recorded another of our favorite West Coast jazz ensemble records, Bud Shank And the Sax Section. That undiscovered gem — well known to us but heretofore undiscovered by the audiophile public as far as we can tell — has a lot in common with this album. Top players, smart arrangements, superb sound, the album is as fun as Fun West Coast Jazz gets.
This copy is spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)
- A stunning copy of Jazz Samba with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
- Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a noticeable step up over practically every other pressing we played
- 5 stars: “[Jazz Samba] was the true beginning of the bossa nova craze, and introduced several standards of the genre… But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that’s as subtly advanced — in harmony and rhythm — as it is beautiful.
- A superb sounding original stereo pressing with solid Double Plus (A++) sound from first note to last
- Gil Evans wrote the superb orchestral arrangements and Rudy Van Gelder captured them on lovely analog tape – what’s not to like?
- We’ve really been digging these Creed Taylor productions for years now – it may not be serious jazz, but it’s no less interesting and captivating for it
- “His landmark 1965 collaboration with Gil Evans, Guitar Forms rivals anything the arranger did with Miles Davis. Indeed, the track “Lotus Land” has a bolero form very reminiscent of Sketches of Spain. Throughout, Burrell takes thoughtful, concise, and utterly musical solos, and even switches to acoustic classical guitar on “Prelude #2” and “Loie.””
For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1965 All Tube Analog sound can be, this killer copy will do the trick. (more…)
- A KILLER sounding copy with Shootout Winning Triple Plus (A+++) Live Jazz sound from start to finish
- This original stereo pressing is the first copy to make it to the site in years – boy are these hard to find in this kind of clean condition with top quality sonics
- Rich, tubey and musical, the sound is wonderful for these live performances of two very different groups, one featuring Getz, the other Jobim
- 4 1/2 Stars: “Getz/Gilberto #2 holds its own with an appealing selection of fine jazz and bossa nova cuts.”
This original Verve Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in a real jazz club, this is the record for you. It’s what Vintage Records are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)
- Larry Coryell returns with this outstanding copy of Spaces, boasting a Shootout Winning Triple Plus (A+++) side one
- Just as rich, lively and clear, with plenty of space for this exceptional ensemble to occupy as you would expect from a vintage Vanguard recording (1970)
- Features jazz greats John McLaughlin on guitar, Chick Corea on electric piano, Miroslav Vitouš on bass, and Billy Cobham on drums
- 4 stars: “This album features the pioneer fusion guitarist Larry Coryell with quite an all-star group… contains some lyricism often lacking in fusion of the mid-’70s… a stimulating album worth searching for.”
- This outstanding pressing boasts solid Double Plus (A++) grades from start to finish
- With richness, clarity, space and timbral accuracy, this is guaranteed to be one of the best sounding bluesy jazz records you’ve heard in a while
- Val Valentin, Phil Ramone and Rudy Van Gelder engineered, and the results are every bit as good as you would expect from these pros, assuming you have a vintage stereo copy that sounds like this one
- 5 stars: “Kenny Burrell’s smooth, tasteful guitar greatness and Jimmy Smith’s intense, fire breathing approach on the Hammond B-3 had been complementing in sheer harmony between each other since the two jazz masters first recorded together in 1957, until they decided to record this superb duet album in July of 1963.”
- You’ll find SUPERB nearly Triple Plus (A++ to A+++) sound on both sides of this CTI pressing of Benson’s Must Own Masterpiece – just shy of our Shootout Winner – exceptionally quiet vinyl too
- Open and transparent throughout, with wonderfully full-bodied guitars, solid bass and huge amounts of swingin’ jazz energy
- Superb engineering by Rudy Van Gelder – White Rabbit features jazz legends Herbie Hancock, Ron Carter, Billy Cobham, Airto, and more
- 4 stars: “For George Benson’s second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such… In this prime sample of the CTI idiom, everyone wins.”