Elgar – Sometimes Tubey Magic Comes at a Price

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This famous Shaded Dog, containing two superb performances by Monteux and the LSO, has many of the Golden Age strengths and weaknesses we know well here at Better Records, having auditioned hundreds upon hundreds of these vintage pressings over the last twenty years or so. 

The wonderful sounding tube compressors that were used back in the day result in quieter passages that are positively swimming in ambience and low-level orchestral detail. Tube compression is often a large part of what we mean when we use the term Tubey Magic.

If you want to know what Zero Tubey Magic sounds like, play some Telarcs or Reference Recordings from the ’70s and ’80s. Or a modern digital recording on CD.

But all that sweet and rich Tubey Magic comes at a price when it’s time for the orchestra to get loud.

It either can’t, or the louder passages simply distort from compressor overload.

Fortunately, on this copy the orchestra does not distort, it simply never gets as loud as it would in a real concert hall, clearly the lesser and more preferable of the two evils.

Production and Engineering

James Walker was the producer for these sessions in glorious Kingsway Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

The gorgeous hall the London Symphony recorded in was one of the best venues of its day. Scores of amazing sounding recordings were made there by Decca using an All Tube Recording Chain being fed by the Decca “Tree” miking setup.

There is a solidity and richness to the sound that goes beyond practically any other recordings we know of, yet clarity and transparency are not sacrificed in the least.

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