Roger is up to his old tricks again, doing shootouts with our Hot Stampers and all the great pressings he already owns, in this case putting our humble Brown Label A&M domestic LP up against the legendary Pink Label Island British Import and a couple of MoFis. We’ll let Roger tell his own story, since by now we all know he does it as well as anyone.
Just a note on another hot stamper shootout I recently did, this time on Cat Stevens Tea for the Tillerman. It was interesting comparing itto the regular MFSL half-speed, the MFSL UHQR pressing, and a UK Pink Island 3U pressing, which was my all-time champ.
The regular MFSL was up first and I now remember why I don’t like this pressing: the guitars are entirely too bright, forward, and stand too proud of the rest of the mix, completely overwhelming the other instruments and voices.
When I had a detail-challenged stereo 25 years ago I recall thinking that MFSL really improved the detail on the guitars and the highs were more crystalline, but with a vastly improved stereo I can see what MFSL was doing in artificially hyping the details.
After taking this ear-bleeding pressing off my turntable and replacing it with the UHQR, I was actually relieved that the UHQR was not as annoying as the regular half-speed, although the UHQR had its faults also. The tonal balance was weird, thin and bright, and dynamics were suppressed, the worst of the four pressings I had. Also, the bass on both MFSL versions, as you often say, was an amorphous blob with little dynamics, speed, and extension.
Sometimes I wish I kept my old crappy stereo to see if I could now tell what it was that made these audiophile pressings so attractive then. (more…)