More of the music of Felix Mendelssohn (1809-1847)
More Classical “Sleeper” Records We’ve Discovered
This review is from ten or fifteen years ago. If you see the album for cheap in the bins, pick it up and tell us what you think of it. Our favorite recordings of the work by Ricci, Heifetz and Campoli can be found here.
This Whitehall budget reissue stereo pressing has SUPERB Hot Stamper sound on both sides and a performance by Peter Rybar that can hold its own against any you may have heard.
This recording easily beats most of the vintage Shaded Dogs, Mercurys and London records that we’ve ever played here at Better Records, and it was released on vinyl by a relatively obscure budget label that most audiophiles have never even heard of and would probably not want to be caught dead with.
Which is a good reason to judge records by playing them, not reading about them, on the net or in magazines. The sound of this record is so wonderful that, had it been a rare Shaded Dog, Merc or London it would have sold for something approaching twice the money we are asking here. In my experience relatively few of those recordings are as good as this one.
Whitehall
The best Whitehall records can be superb, but finding them on quiet vinyl is next to impossible. This copy plays Mint Minus Minus which is about as quiet as any we have heard.
Side One
A++ Super Hot Stamper sound, rich and Tubey Magical, smooth and lovely in all respects, with a tonally correct violin that’s neither bright nor edgy. We love the sound here.
Side Two
A++, with an especially rich sounding orchestra. Love those lower strings.
The Hebrides Overture, the coupling work at the end of this side, is not quite as good. We called it A+ to A++. It gets a bit congested when loud.
This is an older classical/orchestral review
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the sonic grades and vinyl playgrades are listed separately.)
We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.
As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.
The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.
Further Reading