OJC-002! Fantasy’s second release in the series, but not a very good one.
The copy (or copies; who can remember?) we’ve auditioned in the past did not impress us sonically, so don’t expect to see Hot Stampers of this title on OJC coming to the Better Records website any time soon.
The music might be wonderful — we unreservedly follow the maxim de gustibus non est disputandum — but the sound of this pressing is not likely to be of audiophile quality.
There may be great sounding pressings of the album – how could we possibly know there aren’t without playing every version ever pressed — but we’re pretty sure the OJC pictured here will always fall short of the mark.
If you know of a great sounding pressing of the album, feel free to let us in on what pressing you have and we might just pick one up and give it a listen.
We’ve auditioned countless pressings like this one in the 33 years we’ve been in business — buying, cleaning and playing them by the thousands. This is how we find the best sounding vinyl pressings ever made. Not the ones that should sound the best. The ones that actually do sound the best.
If you’re an audiophile looking for top quality sound on vintage vinyl, we’d be happy to send you the Hot Stamper pressing guaranteed to beat anything and everything you’ve heard, especially if you have any pressing marketed to you as an audiophile.
And if we can’t beat whatever LP you own or have heard, you get your money back. It’s as simple as that.
Bass – Percy Heath
Drums – Connie Kay
Engineer – Van Gelder
Piano – John Lewis
Supervised By – Bob Weinstock
Vibraphone – Milt Jackson
Recorded in 1955.
I may have played it many years ago — I’ve played OJC’s by the hundreds at this stage of the game — but I don’t remember anything about it.
Horace Silver on piano? Recorded by Rudy Van Gelder?
Hey, maybe it’s a good one and the OJC series did get off to a good start.
If I find one and it sounds good, I will admit my error and put this very listing in our We Was Wrong section.
We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.
You can find this one in our Hall of Shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some records in the Hall of Shame the sound is passable but the music is bad. These are also records you can safely avoid.)
Note that most of the entries are audiophile remasterings of one kind or another. The reason for this is simple: we’ve gone through the too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.
When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more inexcusable.