More of the music of Antonin Dvorak

Presenting yet another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, in this case 1961, with the added benefit of mastering courtesy of the more modern equipment of the ’70s, in this case 1970. (We are of course here referring to the good modern equipment of 40 years ago, not the bad modern mastering equipment of today.) 

Dvorák draws the musical threads together in the last movement, weaving new material with moods and themes from previous movements into a grand finale that resulted in extended cheering from the New York audience at its December 1893 premiere.

The New York critic W. J. Henderson raved: “It is a great symphony and must take its place among the finest works in the form produced since the death of Beethoven.”

This combination of old and new works wonders on this title as you will surely hear for yourself on either of these Super Hot sides. And the 1970 British vinyl plays mostly Mint Minus!

Side One

A++ to A+++, just shy of the sound of White Hot shootout winning side. The hall is huge, so wide and deep, spacious and open. The perspective is above all natural. A little more extension up top and this side would have been impossible to beat.

Solid, powerful tympani whacks — listen for them. Sweet woodwinds too.

Side Two

A++, big and lively, with good weight down low for the lower strings and percussion. The sound is slightly blurry and veiled, but about an inch in or so the highs come in stronger, the sound opens up and there is less smear.

A little more weight in the climactic fourth movement would have put this side over the top.

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