Month: October 2023

Columbia Released Mariah Carey’s Bad Sounding Debut in 1990

Digital Recordings with Honest to Goodness Audiophile Quality Sound

Very digital sounding, with way too much sizzle on the top end. Best to give this one a pass if you are looking for audiophile sound. If you are looking for audiophile sound quality, this site is full of the best sounding records ever made.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

You can find this one in our hall of shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some records in the Hall of Shame the sound is passable but the music is bad.  These are also records you can safely avoid.)

Note that most of the entries are audiophile remasterings of one kind or another. The reason for this is simple: we’ve gone through the all-too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.

When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more inexcusable.

Further Reading

Brian Eno – Music for Films

More Brian Eno

More Art Rock Records

  • Music for Films returns to the site on this original UK pressing with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • Rich, smooth, tonally correct, spacious, this collection of recordings made between 1975 and 1978 was compiled and transferred with consummate skill, ensuring that the highest fidelity was maintained – this pressing sounds right
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • “It is a conceptual work intended as a soundtrack for imaginary films, although many of the pieces had already appeared in actual films.”
  • 5 stars: “Eno’s analog music definitely benefits from presentation in the digital domain… it is essential Eno, and a landmark collection drawn from among his work.”

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The Best Policy for Any Label that Sells Bad Sounding Records

More of the Music of Stevie Ray Vaughan

A good customer, initials CF, bought some SRV Hot Stampers from me a while back. He then told me he was going to spend $400 on the AP SRV Box Set in the hopes that the rave reviews from audiophile reviewers were justified.

The complete story of his disappointment can be found here. An excerpt:

What do you do with the Box Set if you find out these reviewers are full of horse pucky and it sounds as awful as our friend CF say it does? Can you send it back to Acoustic Sounds?

Oh, sorry, you can’t.

Within 30 days of purchase, we will accept returns of any physically or audibly defective or damaged item. We do not guarantee that you will like the music or recording quality of a LP or CD, and personal taste does not qualify as a reason for return.

There is a reason they have that policy. They sell bad sounding records.

We have the opposite policy. You can return any record for any reason within 30 days and get 100% of your money back.

We can do that because we sell good sounding records.

PS from CF

Great stuff, love it. Someone’s gotta keep this industry as a whole accountable. It’s like we’re in the dark ages with just a few devoted monks scouring the libraries and preserving the truth of what once was. Hopefully due to your lifetime’s commitment to this we’ll one day see a renaissance of quality, but it’s looking pretty bleak currently.

Ain’t that the truth.

We leave you with this comment from Michael Fremer, a man who apparently cannot get enough of this crap.

With all of the reissues coming from questionable sources or proudly proclaiming their ‘digital-ness’ ala The Beatles Box, we’re fortunate to have labels like Analogue Productions, Mobile Fidelity, ORG, IMPEX, Rhino and the others cutting lacquers from analog tapes. Acoustic Sounds’ Chad Kassem sent this image of the master tape box from Couldn’t Stand the Weather one of the many Stevie Ray Vaughan albums his reissue label is currently readying for release, pressed at his Quality Record Pressings pressing plant in Salina, Kansas. That’s a form of vertical integration we like! I have heard some truly miserable vinyl reissues from labels like Vinyl Lovers and ZYX some of which didn’t even sound like the same music when compared to original pressings. I’ve also heard test pressings of these SRV albums and they will rock your world! So, we are lucky to have these companies that are doing things correctly lavishing vinyl goodies on us all year long. Sometimes we wish they’d stop long enough for us to catch up, but then we come to our senses and say “more please!” even when the shelves are stuffed.

Lucky to Have Analogue Productions Around?

If you think his pressing of Tea for the Tillerman sounds good, it’s a near certainty you will want to be the first on your block to collect all the newly remastered Steely Dan Heavy Vinyls (the first of which has been reviewed here).

The same goes for this pressing of Stand Up. If this is the sound you are looking for, you can be sure Chad will give it to you, good and hard (apologies to H.L. Mencken). Here are some of the other titles of theirs we’ve reviewed:

Do these records sound fine to you? You’re happy with them, are you?

Then you have much to look forward to with the release of the complete Steely Dan LP collection!

These Analogue Productions releases will no doubt share many of the sonic characteristics of the above-mentioned titles.

How could they not? They are guaranteed to sound the way Chad wants them to sound. Chad is the customer, and the customer is always right.

If you’re Bernie Grundman, it might take you seven runs at it until you find that indescribable and elusive “Chad” sound, but you will have to keep at it until you do, assuming you plan on getting paid.

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Peter, Paul & Mary / In The Wind

More Peter, Paul and Mary

Hot Stamper Pressings of TAS List Super Disc LPs in Stock

  • An original Gold Label stereo pressing of this TAS-approved Super Disc that was doing just about everything right, with both sides earning solid Double Plus (A++) grades
  • Exceptionally quiet vintage vinyl too – Gold Label pressings are almost never this quiet in our experience
  • The sound is big, open, rich and full, with the performers front and center (as well as left and right)
  • Very few folk records offer the kind of realistic, lifelike sound you get from this pressing
  • “Their third recording was one of the group’s stronger outings… In particular, this record was essential to boosting the profile of Bob Dylan, including their huge hit cover of ‘Blowin’ in the Wind,’ their Top Ten version of ‘Don’t Think Twice, It’s All Right,’ and the bluesy ‘Quit Your Lowdown Ways’…”

Warners pressings are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule. That’s been our experience anyway. This copy gives you more life and energy than others by a long shot. The highs are extended and silky sweet and the bass is tight and punchy.

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Outliers & Out-of-This-World Sound

More Outlier Pressings We’ve Discovered

This commentary was written about ten twenty years ago and has been updated a few times since.

A while back we did a monster-sized shootout for Blood, Sweat and Tears’ second release, an album we consider THE Best Sounding Rock Record of All Time.

In the midst of the discussion of a particular pressing that completely blew our minds — a copy we gave a Hot Stamper grade of A with Four Pluses, the highest honor we can bestow upon it — various issues arose, issues such as: How did this copy get to be so good? and What does it take to find such a copy? and, to paraphrase David Byrne, How did it get here?

  • We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.
  • Nowadays we usually place them under the general heading of breakthrough pressings. These are records that, out of the blue, reveal to us sound that fundamentally changes what we thought we knew about these familiar recordings.
  • When this pressing (or pressings) landed on our turntable, we found ourselves asking “Who knew?“
  • Perhaps an even better question would have been “How high is up?”

Which brings us to this commentary, which centers around the concept of outliers.

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Tchaikovsky / 1812 Overture / Marche Slave / Alwyn

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Spectaculars

  • Outstanding sound from start to finish – this Decca recording of the 1812 from 1958 is the only one we know of that can show you the power of Live Music for this important work
  • This UK pressing is BIG, lively, clear, open and resolving of musical information like no copy of the 1812 you’ve heard
  • The two coupling pieces, Marche Slave and the Capriccio Italien, also have rich, powerful, weighty brass and lower strings
  • The most exciting and beautifully played 1812 we know of – we encourage you to compare this to the best orchestral recording in your collection and let the chips fall where they may
  •  When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from 1970, but that’s precisely what it is. Even more extraordinary, the right copies are the ones that win shootouts
  • There are about 150 orchestral recordings we’ve awarded the honor of offering the Best Performances with the Highest Quality Sound, and this recording certainly deserve a place on that list.

There is some noticeable low frequency rumble under the quietest passages of the music for those of you with the big woofers to hear it!

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.

The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.

The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer.

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Letter of the Week – “No amount of anything can replace the joy in my being upon listening to these sounds.”

More of the Music of The Beatles

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hi Tom,
I just had to shoot you this quickie email. I just put on side 2 of my recently purchased WHS of the White Album.

When “I’m So Tired” came on, I found myself standing there in disbelief, mouth wide open, going are you fucking kidding me?!!

Such a simple song sounded like I have never heard it before. Unbelievable… I had not idea it could sound that good.

Simply and absolutely amazing. I am so stoked to be listening to these amazing sounds.

Thanks Again,
Michel

P.S. No amount of anything can replace the joy in my being upon listening to these sounds. I feel so lucky to be experiencing this. Never will I take any of this for granted, as it is really special. You and your team deserve a medal or something!

Michel,

Glad you liked our White Album as much as you did! We feel lucky to be able to play amazing recordings like The White Album and get paid to do it.

We never knew any copy could sound as good as the one you bought either, not until we started doing shootouts for the album around 2005, and it took us until about 2015 before we stumbled upon the right combination of stampers for all four sides. As I wrote to another letter writer:

It’s amazing how good it sounds once you know which pressings are the good ones and which to avoid.

Hint: it’s the originals that are to be avoided, but don’t tell that to the average record collecting audiophile. They will think you have lost your mind.

Thanks for your letter. By the way, no medals needed. We’re just doing our job. Once you catch on to how records work, then finding the best sounding pressings ever made is just a matter of applying the needed resources. It took a staff of half a dozen about ten years to unlock the secrets of The White Album, so if you are trying to do this on your own, you will need something like 10 times 6 man-years, or a total of 60 years if my record collector math is right.

The relatively high price you paid, $1100, covers the costs of running a business with more than ten people dedicated to buying, cleaning, and critically auditioning the greatest recordings of all time, as well as the ten years of research we had to do before we could dare to price “common rock records” for more than a thousand dollars.

The result is the record you now own and can enjoy for the rest of your life.

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Earth, Wind and Fire – Gratitude

More of the Music of Earth, Wind and Fire

More Recordings by George Massenburg

  • Outstanding sound throughout this vintage 2-LP set, with all FOUR sides earning Double Plus (A++) grades or BETTER – remarkably quiet vinyl too
  • My personal favorite EWF song of all time is here on side four, “Can’t Hide Love,” and on that same side you can find “Sing a Song,” “Gratitude” and “Celebrate”
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 4 1/2 stars: “Gratitude brilliantly captures the excitement EWF generated on-stage at its creative peak… Neither hardcore EWF devotees nor more casual listeners should deprive themselves of the joys of the live versions of “Shining Star” and “Yearnin’ Learnin’.”

We Love This Record!

These live tracks are very well recorded. The sound is rich, smooth, sweet, and tonally correct. The soundstage is big, wall to wall as we like to say, and on the best copies the presence of the vocalists puts them right in front of you. You can clearly make out each of the voices in the choruses. What a sound! Nobody does harmonies better than these guys. For audiophiles who like to play their music loud, it’s GLORIOUS!

The great thing about this album is that it allows Earth, Wind & Fire to stretch out and incorporate some funky jazz into their music, like on “Sun Goddess”, a song that they recorded with Ramsey Lewis and which doesn’t appear on any other EW&F album. They do a couple of extended saxophone solos on the live stuff that really take the songs to another level. The band is on fire for practically every track here.

This and The Greatest Hits Volume One get you most of what’s great about the band. Both are Must Owns for anyone who likes Big Production Pop, soulful and otherwise.

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Rimsky-Korsakov / Scheherazade – As Good As It Gets

More of the Music of Rimsky-Korsakov

rimskscheh_6212_1610_1389793105

  • Outstanding Double Plus (A++) sound throughout this vintage London pressing of Ansermet and the Suisse Romande’s superb performance of this dazzlingly symphonic suite
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • This copy will go head to head with the hottest Reiner pressing and is guaranteed to blow the doors off of it
  • The top end is natural and sweet – this is the way the solo violin in the left channel is supposed to sound
  • Extraordinary Demo Disc sound – the brass displays weight and power throughout the powerful first movement like nothing you’ve ever heard in your life, outside of a live performance of course
  • Finding the best sounding pressings of this exceptional recording was a breakthrough for us – here was sound we had never experienced for the work, and let me tell you, that was a thrill we will not soon forget
  • These are the stampers that always win our shootouts, and when you play this copy, you will know why – the sound is big, rich and clear like no other Scheherazade you’ve heard
  • We’ve come up with a simple listening test to help our audiophile brethren judge pressings of Scheherazade, especially those woeful iterations of the music on Heavy Vinyl. We hope you will find time to avail yourself of the lessons we’ve learned
  • There are about 80 orchestral recordings that are personal favorites, and this one deserves a place right at the top of that list

We did a monster shootout for this music in 2014, one we had been planning for more than two years. On hand were quite a few copies of the Reiner on RCA; the Ansermet on London (CS 6212, his second stereo recording, from 1961, not the earlier and noticeably poorer sounding recording from in 1959); the Ormandy on Columbia, and a few others we felt had potential.

The only recordings that held up all the way through — the fourth movement being THE Ball Breaker of all time, for both the engineers and musicians — were those by Reiner and Ansermet. This was disappointing considering how much time and money we spent finding, cleaning and playing those ten or so other pressings.

Here it is many years later and we’re capitalizing on what we learned from the first big go around, which is simply this: the Ansermet recording on Decca/London can not only hold its own with the Reiner on RCA, but beat it in virtually every area. The presentation and the sound itself are both more relaxed and natural, even when compared to the best RCA pressings.

The emotional content of the first three movements (all of side one) under Ansermet’s direction are clearly superior. The roller-coaster excitement Reiner and the CSO bring to the fourth movement cannot be faulted, or equaled. In every other way, Ansermet’s performance is the one for me. We did a monster shootout for this music in 2014, one we had been planning for more than two years. On hand were quite a few copies of the Reiner on RCA; the Ansermet on London (CS 6212, his second stereo recording, from 1961, not the earlier and noticeably poorer sounding recording from in 1959); the Ormandy on Columbia, and a few others we felt had potential. (more…)

Mendelssohn / Symphony No. 3 “The Scottish” / Maag

More of the music of Felix Mendelssohn (1809-1847)

More music conducted by Peter Maag

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish, the equal of the last Blueback pressing we listed back in 2021
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
  • There is a rosiny texture to the strings that no record made in the last 30 years can capture, and if you don’t believe me, we offer this pressing as proof
  • When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from the 70s, but that’s precisely what it is
  • This is one of our Favorite Orchestral Performances with Top Quality Sound

Audiophiles have known of this record’s sublime sonic qualities for decades. As our stereos get better, so do amazingly powerful recordings such as this one.

Both sides of this record have that classic Decca rich, sweet sound. It’s not for everybody, it’s probably not the sound one would hear in a concert hall, but we love it and so do many audiophiles.

The performance here by Peter Maag and London Symphony Orchestra is legendary and definitive. The sound is perfectly suited for this music, with massed strings to die for. This is classic Tubey Magical Decca orchestral sound.

If you want immediacy, buy a Mercury. If you want luscious, rich string tone, this vintage Ace of Diamonds reissue should be right up your alley. This is a sweetheart of a record, full of the Tubey Magic for which Decca recordings are justly famous.

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