*Top Rated

Roxy Music / Self-Titled

  • A vintage UK pressing of Roxy’s amazing debut LP with two solid Double Plus (A++) sides – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects – we think the best pressings of this first album reveal a recording that is superior to any other by the band
  • A Top 100 album, Roxy’s Masterpiece, and a Must Own Desert Island Disc of glamorous Arty Rock
  • 4 1/2 stars: “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
  • When it comes to rock and pop music in 1972, our picks for the best of the best, numbering at the moment a mere 21 titles, can be found here
  • This link will take you to the Hot Stamper pressings of our hardest rockin’ albums currently available

Folks, this is a true Demo Disc in the world of Rock. It’s rare to find a recording of popular music with dynamics like these. The guitar solo at the end of “Ladytron” rocks like you will not believe.

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Steely Dan – Aja

More of the Music of Steely Dan

  • Killer sound for Steely Dan’s magnificent Jazzy Pop breakthrough album, with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them
  • Punchy, full and smooth, with the kind of rhythmic energy that brings out the jazzy funk in the music
  • A Better Records Rock and Pop Top 100 album and a true Demo Disc on a pressing that sounds as good as this one does
  • If I were to make a list of my favorite rock and pop albums of 1977, this album would definitely be right at the top
  • Considering how dismal the releases by Cisco Music and Mobile Fidelity were, it seems that no one outside of Bernie Grundman has managed to get Aja sounding right on vinyl, and that was 47 years ago
  • The sound is as heavily processed, artificial and overly glossy as practically anything produced in the 70s, which means that its Mid-Fi appeal is all but assured
  • For those of you on the Higher Fidelity end of the spectrum, our best Hot Stampers get everything sounding as right, balanced and natural as Aja can possibly sound
  • Unfortunately for those of you who don’t like paying our prices or doing your own shootouts, Bernie’s new UHQR leaves a lot to be desired. With mediocre-to-bad sound on all four sides and a price tag of $150, what else can you call it but another Analogue Productions rip-off?
  • 4 1/2 stars: “With Aja, Walter Becker and Donald Fagen’s obsession with sonic detail and fascination with composition reached new heights. A coolly textured and immaculately produced collection of sophisticated jazz-rock, Aja has none of the overt cynicism or self-consciously challenging music that distinguished previous Steely Dan records … a shining example of jazz-rock at its finest. “

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The Who / Meaty Beaty Big & Bouncy – Their Must Own Singles Compilation

More of the Music of The Who

  • With seriously good Double Plus (A++) grades or close to them on both sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK import
  • Features material not available on any of the band’s other albums, making it an absolute Must Own
  • The sound quality of the tracks varies quite a bit but that’s the nature of beast when it comes to these compilation LPs
  • Many tracks were left in mono and that is a big help when it comes to the sound of the early Who recordings
  • “I Can’t Explain” on side one is pretty much right on the money – rich and clear, with good top end extension, there aren’t many sides out there that get as much right as this one does
  • 5 stars: “Meaty Beaty Big and Bouncy has the distinction of being the first in a long line of Who compilations. It also has the distinction of being the best. The Who recorded their share of great albums during the 60s, but condensing their highlights to just the singles is an electrifying experience.”

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Elton John – Self-Titled

More of the Music of Elton John

  • With two solid Double Plus (A++) or BETTER sides, this copy was giving us the sound we were looking for on Elton’s sophomore release – fairly quiet vinyl too
  • These sides are huge, and the music positively jumps out of the speakers – accept no substitutes!
  • A vintage British DJM pressing with sound this good is a Must Own for all right thinking music lovers of the audiophile persuasion – this is a very special recording, one that will reward countless plays for as long as you live
  • Some of the most remarkable string arrangements (and Tubey Magical string sound) ever recorded for a pop album
  • Top 100 and 4 1/2 stars: “Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. …Elton John remains one of his best records.”
  • A permanent resident of our Top 100 rock and pop list — this album is a Must Own from 1970
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. Elton John is a good example of a record many audiophiles may not know well but would certainly benefit from getting to know better.

Folks, if you’re looking for classic popular music that still appeals to sophisticated adults fifty-plus years after it came out, this is the album for you. It’s one of the four classic Elton John records (five if you count GYBR) that belong in every right-thinking audiophile’s collection.

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Doc Watson – Southbound

More Folk Revival Music

  • This vintage pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
  • We were specifically listening for richness, sweetness, warmth and intimacy on Doc’s vocals, and this pressing gave us all those qualities in abundance
  • 5 stars: “Southbound was a pivotal record for Doc Watson… it demonstrated that Watson was capable of more than just dazzling interpretations of folk songs, but that he could also write excellent original material and rework new country songs in a fascinating manner.”

Folks, if you made the mistake of buying the Cisco Heavy Vinyl reissue of this album that came out in the early 2000s, you are in for treat. Instead of Doc and his band mates playing from behind a thick curtain at the back of your sound room, they can now be heard where they should have been all along: front and center between your speakers!

The difference between a truly outstanding vintage pressing and a modern mockery of analog could not be more striking. (more…)

Jimmy Smith & Wes Montgomery – The Dynamic Duo

More of the Music of Jimmy Smith

More of the Music of Wes Montgomery

  • With solid Double Plus (A++) grades from top to bottom, this is an wonderful sounding pressing of Jimmy and Wes’s classic jazz collaboration from 1966
  • Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
  • 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”

The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)

“Un******believable that any record could sound that good.”

Hot Stamper Pressings of the Music of America Available Now

One of our good customers had this to say about some Hot Stamper pressings he purchased not long ago, one of which was the album you see pictured: America’s debut.

Hey Tom, 

I want to tell you I bought America’s 1st LP from you some couple of years back. White Hot designation at that time. I don’t know if you have found one better since then.

Paid big dollars and I still cannot believe the sound. Worth every penny. 

When I play that LP, I cannot avoid getting goose bumps or getting totally enveloped with the music. The guitars and vocals are flat out surreal.

It is just as amazing as the Eagles 1st LP Hot Stamper. Un******believable that any record could sound that good.

Bill 

Bill,

Thanks for your letter. I know exactly what you mean. In 1971 or 1972, while still in high school, I got my first copy of America and it quickly became a record I could not get enough of. Only later would I learn from my friend Robert Pincus that it was a landmark pressing in the world of Hippie Folk Rock, a genre that makes up much of the music I listen to these days.

We’ve been promoting the idea that music does the driving for more years than I can remember. Much of what drove me was acoustic folk rock, the kind of music I fell in love with when Crosby, Stills and Nash released their first album in 1969. I credit many of those albums with helping me (later us) improve the quality of our playback.

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Pink Floyd – Meddle

  • You’ll find incredible Nearly Triple Plus (A++ to A+++) sound throughout this British copy of this shockingly well recorded album, just shy of our Shootout Winner – fairly quiet vinyl too
  • Here is the Tubey Magic, presence, size and space we guarantee you have never heard on Meddle no matter what pressing you may own
  • Top 100 audiophile demonstration quality recording on a par with Dark Side of the Moon, which is really saying something
  • 4 1/2 stars: “Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era.”
  • This killer reissue puts to shame the originals we’ve auditioned, and the reissues we offer on the site are guaranteed to do the same
  • If you’re a Pink Floyd fan, and what audiophile wouldn’t be?, this title from 1971 is clearly one of their best

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America – Self-Titled

More of the Music of America

  • Boasting a KILLER Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two, this early Green Label pressing could not be beat – exceptionally quiet vinyl too
  • This was the only copy in our shootout to earn a 3+ grade on any side that did not have a sizable number of marks that played, which is disappointing considering how hard it is to find top quality sound on this title!
  • One of our favorite Hippie Folk Rock albums – the instruments and voices are so well recorded they will seem to be floating right in front of you
  • The Tubey Magical acoustic guitars on this record are a true test of stereo reproduction – thanks, Ken Scott
  • 4 stars: “America’s debut album is a folk-pop classic, a stellar collection of memorable songs that would prove influential on such acts as the Eagles and Dan Fogelberg…”

This is clearly America’s best album. You’ll find the kind of immediacy, richness and harmonic texture that not many records (and even fewer CDs) are capable of reproducing. The version we are offering here has the song “A Horse With No Name.” Some copies without that song can sound very good as well, but with grades this good, this copy is going to be very hard to beat.

Interestingly, “A Horse With No Name” never sounds quite as good as the rest of the album. It was recorded in 1971, after the album had already been released, and subsequently added to newer pressings starting in 1972. Unlike the rest of the album, it was not engineered by Ken Scott at Trident, but by a different engineer at Morgan Studios. The engineer of that song took a different approach to that which Scott had taken, and we leave it to you to decide how well it worked out.

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Sly & The Family Stone / There’s A Riot Going On

More Sly and the Family Stone

  • You’ll find solid Double Plus (A++) grades or BETTER throughout this early Epic Yellow Label pressing of this famously compromised recording – fairly quiet vinyl too
  • The sound is huge – big, wide, deep, and open, with a punchy bottom end and rhythmic energy to spare, as well as cleaner, smoother, sweeter upper mids and a more extended top
  • You just don’t see too many clean copies of this one around – DJs and the like tend to snap them up as soon as they hit the bins (what’s a good party without a little “Family Affair”?)
  • 5 stars: “And damn if this music isn’t funk at its deepest and most impenetrable — this is dense music, nearly impenetrable, but not from its deep grooves, but its utter weariness. Sly’s songwriting remains remarkably sharp, but only when he wants to write — the foreboding opener ‘Luv N’ Haight,’ the scarily resigned ‘Family Affair,’ the cracked cynical blues ‘Time,’ and ‘(You Caught Me) Smilin’.’ Ultimately, the music is the message, and while it’s dark music, it’s not alienating — it’s seductive despair, and that’s the scariest thing about it.”

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