Rock-Pop Collection

These titles should make up the core of any serious collection of rock and pop music. Drawing on our shootout expertise, the emphasis here is on the highest quality recordings.

David Bowie – Low

More of the Music of David Bowie

  • Boasting killer Nearly Triple Plus (A++ to A+++) grades on both sides, this vintage pressing of Bowie’s rock Masterpiece is practically as good a copy as we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • Huge amounts of studio space can be heard on this copy, along with the Tubey Magical richness only the better UK pressings can offer
  • We shot out a number of other imports and this one had better midrange presence, bass, and dynamics than practically any other copy we played
  • 5 stars: “Though a handful of the vocal pieces on Low are accessible – ‘Sound and Vision’ has a shimmering guitar hook, and ‘Be My Wife’ subverts soul structure in a surprisingly catchy fashion – the record is defiantly experimental and dense with detail, providing a new direction for the avant-garde in rock & roll.”
  • If you’re a fan of the man, this is a Top Title from 1977 that belongs in your collection

As I’ve mentioned on the site numerous times, I spent a good portion of the 70s playing art rock records like Taking Tiger Mountain, Siren, Crime Of The Century, Deceptive Bends and scores of others. I remember being blown away when Low came out, and with this shootout we had a blast hearing just how good a killer Hot Stamper UK pressing can sound on the much more highly-evolved stereo system (equipment, room, set-up, tweaks, electricity, etc.) we have today.

It’s difficult to find a pressing that gets both sides of this album right, perhaps in part because the two sides are so different. Side one of this album features the more traditional (not really the right word, but it will have to do) Bowie rockers like “Sound and Vision” and “Be My Wife,” while side two sounds more like the instrumental synth music of Kraftwerk and Eno.

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The Beatles – Magical Mystery Tour

More of the Music of The Beatles

  • This vintage import copy was doing practically everything right, earning killer Nearly Triple Plus (A++ to A+++) grades from top to bottom, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • A stunning True Stereo pressing with some of the best Beatles sound money can buy – superb work from Ken Scott here
  • Demo Disc quality sound for “I Am The Walrus,” “Strawberry Fields Forever,” “Baby You’re A Rich Man” and more
  • You won’t believe how powerful the sound is – it’s big, rich, open and lively beyond all expectation
  • A longtime Top 100 album and psych rock masterpiece that knocks us out every time we do the shootout
  • Any list of the best rock and pop albums of 1967 would have to have this record on it, along with its predecessor, Sgt. Pepper, released in May of the same year if you can believe it

The soft cardboard covers for these German pressings almost always show some seam wear. We will include the best cover we have at the time of your order. Of course, your satisfaction is always guaranteed.

Drop the needle on “Fool On The Hill” and you’ll see why we get so worked up over top copies that sound as good as this one does. This is a STUNNING recording, but you need a killer Hot Stamper pressing to appreciate just how well recorded the album is.

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Bloomfield-Kooper-Stills – Super Session (on 360)

More of the Music of Al Kooper

More of the Music of Stephen Stills

  • With solid Double Plus (A++) grades or close to them from top to bottom, this 360 Label pressing will be very hard to beat
  • Engineered by Roy Halee, the man behind one of the best sounding rock records of all time (the self-titled Blood, Sweat and Tears album), the oh-so-analog sonics here are especially dynamic and spacious (particularly on side one)
  • Our most recent shootout was a tough one: we had six clean 360 pressings, but only two copies earned White Hot grades and one of them was too noisy to sell
  • Even worse, none of our Supers earned even two pluses on both sides, so those of you looking for anything better than what we’re offering here are going to be as disappointed as we are
  • When we talk about some records being hard to find with top quality sound and audiophile playing surfaces, this is the kind of record we have in mind!
  • For fans of BS&T’s first album (and everybody else), Super Session is a Must Own
  • “Season of the Witch” is quite good here on this original Stereo 360 pressing
  • 4 1/2 stars: “This is one of those albums that seems to get better with age… This is a super session indeed.”
  • If you’re a fan of any or all of these guys, this vintage pressing of their 1968 classic belongs in your collection

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John Lennon / Imagine

More of the Music of John Lennon

  • An early Apple import pressing that was doing just about everything right, earning superb Double Plus (A++) grades on both sides
  • These UK pressings are rich, weighty and oh-so-tubey – it took us a long time to find the right stampers, and these are they
  • Two of our favorite engineers worked their magic on this recording – our deepest thanks go to Eddie Offord and Shelly Yakus
  • 5 stars: “While the album had a softer surface, it was only marginally less confessional than its predecessor [and] it is… a remarkable collection of songs that Lennon would never be able to better again.”

Both sides here are excellent, capturing the essence of what Lennon and Phil Spector (and let’s not forget Yoko, who also gets a producer credit here) were going for. Copies that sound as good as this and play as exceptionally quiet as this do not grow on trees. If it wasn’t ridiculously difficult to find Hot Stamper pressings of Imagine it certainly would not have taken us so long to offer another one on the site.

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Ten Years After – A Space in Time

More British Blues Rock

  • Here is a vintage UK Chrysalis pressing (the first copy to hit the site in over three years) with solid Double Plus (A++) sound or close to it throughout
  • This side two is tonally correct, big and bold, with the kind of rich, full-bodied sound that is the hallmark of rock recordings in the early to mid-70s, and side one is not far behind in all those areas
  • One of the most important records in my growth as an audiophile from 1971 to the present – my stereo was forced to evolve in order to play this kind of big production rock at the loud levels that the album needs to work its Psychedelic Blues Rock magic
  • No matter how many times you play it, you will hear — or at least gain more of an appreciation for — something new in the exceptionally dense, deep, sophisticated soundfield the engineers no doubt sweated to create for the album
  • And each time you make an improvement to the quality of your playback, this is the album that will show you just exactly what you have accomplished
  • 4 stars: “The leadoff track, ‘One of These Days,’ is a particularly scorching workout, featuring extended harmonica and guitar solos. The production on A Space in Time is crisp and clean, a sound quite different from the denseness of its predecessors [that] has its share of sparkling moments.”
  • This is clearly the band’s best sounding album. Roughly 150 other listings for the best sounding album by an artist or group can be found here.

We always knew this great album could sound good, but it’s not often we heard it sound like this!

A Space in Time is just one of the recordings that made me pursue big stereo systems driving big speakers, right from my earliest days in audio. You need large dynamic drivers with plenty of piston area — the kind that can move a lot of air — in order to bring the power of the music to life.

If you have big speakers and a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better than A Space In Time.

I’ve been playing ASIT for decades and I heard lots of things this time around I never knew were there. This is why we keep improving our systems, right? There is never going to be a time when these 50+ year old recordings have nothing new to offer.

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Blondie – Parallel Lines

More of the Music of Blondie

  • With KILLER Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this copy is guaranteed to blow the doors off any other version of Blondie’s One True Masterpiece you’ve heard – fairly quiet vinyl too
  • The powerful sound of this Power Pop Classic really comes through here – and that’s not a claim you can make about very many copies
  • There’s not a bad song to be found on the album, and lots of great ones: “One Way Or Another,” “Heart Of Glass (here in an extended version),” “Hanging On The Telephone,” etc.
  • 5 stars: “Blondie’s best album,” which is actually a bit of an understatement – it’s by far their best album
  • More reviews and commentaries for Blondie’s brilliant Parallel Lines
  • If you’re a Blondie fan, this breakthrough album from 1978 is a Must Own

All the Blondie magic you could ever want is in these grooves. The truly powerful sound of this Power Pop Classic really comes through on this bad boy — and that’s simply not a claim you could make about too many copies out there in record land, which tend to be flat, opaque and compressed. Not so here. This one just plain rocks.

Can this kind of music get any better? This album is a Masterpiece of Pure Pop, ranking right up there with The Cars’ first album. I can’t think of many albums from the era with the perfect blend of writing, production and musicianship under the guidance of producer Mike Chapman (The Knack) Blondie achieved with Parallel Lines.

As expected, if you clean and play enough copies of a standard domestic major label album such as Parallel Lines eventually you will stumble upon The One, and boy did we ever. The very best copies in our recent shootout were off the charts with presence, breathy vocals, and punchy drums. On top of that they were positively swimming in studio ambience, with every instrument occupying its own space in the mix and surrounded by air.

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Frank Zappa / Fillmore East – June 1971 – The Ultimate Rock Opera

More of the Music of Frank Zappa

  • Boasting two outstanding Double Plus (A++) sides, this original Bizarre Blue Label copy (the only kind we offer as a Hot Stamper) will be very hard to beat
  • The sound is big, lively, open and clear with Tubey Magical richness that only the best of these vintage pressings can show you
  • If you’re a fan of The Firesign Theater, Zappa, improv comedy and other such like, you might just fall in love with this album the way we have
  • If I had to compile a list of my favorite rock and pop albums from 1971, this album would definitely be on it

We’re big fans of this album, and Zappa in general, but it’s incredibly difficult to find copies that do justice to the music. The vinyl is typically thrashed, and even the copies in relatively clean condition usually don’t sound good. This one has about the quietest vinyl you could hope for, playing Mint Minus on both sides, and the sound is just about as good as it gets!

So many pressings don’t let you hear INTO the music. This is a live recording with musicians sprinkled all over the stage — three-dimensional transparency is absolutely key to the better pressings, the ones that let you immerse yourself in the spectacle, never losing sight of the individual performances of Zappa and his merry band of obscene nut jobs. This band works blue. It will have you in hysterics if you get into the down and dirty spirit of the show. If that doesn’t sound like your thing, steer clear of this one. It’s raunchy as hell, and the raunchiest bits are the most hilarious.

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Talking Heads – Little Creatures

More of the Music of the Talking Heads

  • Little Creatures is back on the site for only the second time in eighteen months, here with solid grades on both sides of this original Sire pressing – this one has the Big Beat sound we love, and fairly quiet vinyl too
  • I ask you, what record from 1985 sounds better than Little Creatures?
  • These sides are rockin’ on tracks like “Stay Up Late,” “Road To Nowhere,” “And She Was,” “Creatures of Love” and more
  • Surprisingly big, punchy and open sound for this 1985 pop classic – a Top 100 album and longtime Better Records favorite
  • We used to think that this album was the best sounding one the band had produced, but recently we came across some phenomenally good sounding pressings of their debut, and they now hold the Talking Heads’ crown for best sound
  • 4 1/2 stars: “Ear Candy …a pop album, and an accomplished one, by a band that knew what it was doing.”

We’re huge fans of Little Creatures, and when you hear a copy like this you’ll know exactly why. Not many records from this era sound as amazingly rich as this one, not in our experience anyway.

On the better copies, the sound is punchy, smooth & so ANALOG, with an especially beefy bottom end, the kind a good Big Beat Pop Album record needs. For a good reference think Get The Knack or Parallel Lines.

Tight, punchy, surprisingly deep note-like bass absolutely makes or breaks the sound on Little Creatures. Without the proper bass foundation this funky beat-crazy Talking Heads album can’t BEGIN to do what it’s trying to do: get your feet tappin’ and your body rockin’ to the music.

The better pressings are surprisingly dynamic, with a sweet, often silky top end. The drums are very well recorded throughout — you can really hear the room around that big kit. You will also find that the higher-rez pressings give David Byrne’s vocals the presence and breathy texture they need. The overall sound will be open, spacious, and sweet — even three-dimensional.

The Last Great Talking Heads Album

This is the Last Great Talking Heads album. The first four and this one give you all the Talking Heads music you’ll ever need. Each of them is brilliant in its own way. One of the ways this one is especially brilliant from our admittedly skewed point of view is that it’s the best sounding record the Talking Heads ever made.

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Frank Zappa – Waka/Jawaka

More of the Music of Frank Zappa

  • This vintage copy was doing just about everything right, earning solid Double Plus (A++) grades or close to them on both of these TAS-approved sides – fairly QUIET vinyl too
  • It took whomever is running the TAS Super Disc list about twenty years to catch up to us, but we’re glad they did – this is one of the most amazing sounding records we have the privilege to play, even if it does take us three years to get a shootout going
  • A Top 100 title, and deservedly so – the sound is big, rich, punchy, lively, clear and above all, analog (particularly on side one)
  • This copy will show you the size and power of a big band, Frank Zappa style (also particularly on side one) – there is (almost*) nothing like it
  • Rolling Stone raved that this Jazz Rock Fusion album contains “…some of the best material he’s done in years” and we could not agree more

(*Other than The Grand Wazoo, which can have sound every bit as good but is not the equal of Waka/Jawaka musically.)

What an incredible album. I know of no other like it. It’s not big band, it’s not rock, it’s not jazz, it’s a unique amalgamation of all three with an overlay of some of Zappa’s idiosyncratic compositional predilections (say that three times fast) thrown in for good measure.

In our opinion it’s nothing less than Zappa’s masterpiece, the summation of his talents, and a record that belongs in every right-thinking audiophile’s collection. (We say that about a lot of records audiophiles don’t know well, but we’ve been doing it for most of our 30+ years in this business and don’t see much reason to stop now.)

Most copies, especially the WB brown label reissues, are dull and smeary with little in the way of top end extension, failing pretty miserably at getting this music to come to life.

Not long ago we discovered the secret to separating the men from the boys on side one. On the lively, punchy, dynamic copies — which are of course the best ones — you can follow the drumming at the beginning of “Big Swifty” note for note: every beat, every kick of the kick drum, every fill, every roll — it’s all there to be heard and appreciated. If that track on this copy doesn’t make you a huge fan of Aynsley Dunbar, I can’t imagine what would. The guy had a gift.

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The Beatles – Revolver

Hot Stamper Pressings of Revolver Available Now

  • Both sides of this British stereo pressing were doing most everything right, earning outstanding Double Plus (A++) grades
  • Here is the space, energy, presence, clarity and massive bottom end you had no idea were even possible on Revolver – what a record!
  • 14 amazing tracks including “Taxman,” “Eleanor Rigby,” “Here, There and Everywhere,” “Yellow Submarine,” “Good Day Sunshine,” “Got To Get You Into My Life,” and “Tomorrow Never Knows”
  • 5 stars: “Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.”

Want to be blown away by Beatles sound you never imagined you would ever be able to experience? Drop the needle on Taxman on this very side one — that’s your ticket to ride, baby! We were knocked out by it and we guarantee you will be too.

This Is How Good It Can Get

This superb pressing has all the qualities we look for on Revolver: vocal presence, Tubey Magic, huge weight to the bottom end, and, most importantly of all, energy. It’s also exceptionally smooth, sweet and above all analog-sounding — the upper-midrange grit and grain that compromise most pressings are nowhere to be found here.

It’s as BIG and SOLID as a rock record can sound. The best copies have practically zero coloration. They let us think we are sitting in the control room enjoying the playback with Geoff and George.

Unlike so many copies of the album, the band here is enthusiastic and rockin’ like crazy. This copy brings the music to LIFE in a way that few others can. That’s our definition of Hot Stamper sound in a nutshell.

Listen to how grungy and smooth the guitars are on And Your Bird Can Sing — they are close to perfection.

The trumpet on For No One has rarely sounded as good as it does here — you can really hear air and spit being pushed through the horn. That’s not phony detail, that’s what a real horn sounds like if you are close to it.

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