Robert Ludwig, Engineer – Rev/Com

The Recordings of Steely Dan – These Two Didn’t Make the Grade

More of the Music of Steely Dan

Gold, the album on the left, is from 1982 and was mastered by Robert Ludwig. It’s an OK record, nothing more, and offers few of the thrills that the real albums do when they’ve been mastered and pressed right. (To my knowledge, never by Robert Ludwig.)

The soundtrack album below it might interest collectors, but it has forgettable music with barely passable sound.

Steely Dan is one of our favorite bands here at Better Records.

We’ve written more about their albums than any other group’s outside of The Beatles, with more than 60 reviews and commentaries to date.

Our advice: Stick with the seven real albums that were released between 1972 and 1980. Each and every one of them is a brilliant work of art in its own way. For audiophiles, it just doesn’t get any better than Steely Dan.

The Big Seven

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record-loving friends at Better Records.

You can find this one in our Hall of Shame, along with others that — in our opinion — are best avoided by audiophiles looking for hi-fidelity sound. Some of these records may have passable sonics, but we found the music less than compelling.  These are also records you can safely avoid.

We also have an Audiophile Record Hall of Shame for records that were marketed to audiophiles for their putatively superior sound. If you’ve spent any time on this blog at all, you know that these records are some of the worst sounding pressings we have ever had the displeasure to play.

We routinely play them in our Hot Stamper Shootouts against the vintage records that we offer, and are often surprised at just how bad an “audiophile record” can sound and still be considered an “audiophile record.”

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Does It Seem to You That This Guy Knows Anything About Records? Any Records?

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

I had posted one of his videos here under the heading “Does it seem like this guy knows anything about Dark Side of the Moon?”

That was too generous. Apparently he does not know anything about records period. Any records. Records with any titles.

That would include records with the title Led Zeppelin II, the subject of today’s commentary.

This video has to be The. Dumbest. Video. Ever.

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Led Zeppelin / II – A Milestone Event from the 90s

More of the Music of Led Zeppelin

More Milestone Events in the History of Better Records

Here’s the story of my first encounter with a Hot Stamper Zep II.

I had a friend who had come into possession of a White Label Demo pressing of the second album and wanted to trade it in to me for the Mobile Fidelity pressing that I had played for him once or twice over the years, and which we both thought was The King on that album.

To my shock and dismay, his stupid American copy KILLED the MoFi. It TROUNCED it in every way. The bass was deeper and punchier. Everything was more dynamic. The vocals were more natural and correct sounding. The highs were sweeter and more extended. The whole pressing was just full of life in a way that the Mobile Fidelity wasn’t.

The Mobile Fidelity didn’t sound Bad. It sounded Not As Good. More importantly, in comparison with the good domestic copy, in many ways it now sounded Wrong.

Let me tell you, it was a milestone event in my growth as a record collector. I had long ago discovered that many MoFi’s weren’t all they were cracked up to be. But this was a MoFi I liked. And it had killed the other copies I had heard in the past.

So I learned something very important that day. I learned that hearing a good pressing is the best way to understand what’s wrong with a bad pressing..

Needless to say, the trade didn’t go through: he kept his copy and I was stuck with mine. But I knew what to look for. I knew what the numbers were in the dead wax. And I started hunting them down.

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Letter of the Week – “I’m still listening to the copy you sold me every few days, and loving it…”

More of the Music of Led Zeppelin

Reviews and Commentaries for Led Zeppelin II

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I noticed that a Super Hot of Zep 2, and now a Nearly White Hot, both sold out within hours of you listing them, despite some jaw-dropping prices.

Meanwhile, I’m still listening to the copy you sold me every few days, and loving it at least as much as I did on the first play. I’m still wincing at the price, but also feeling very glad you reached out to me about it. So, thanks again.

Aaron

Aaron,

Just think how many times you will play that record in your lifetime. A few bucks a play, for an experience like that, what a bargain!

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Letter of the Week – “All I can say is that it was a “Holy Shit!” moment for EVERYONE in the room.”

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Thanks again!

Got the White Hot ELP s/t Friday afternoon as I was leaving for a weekend at the Capital Audio Fest in Bethesda Maryland but had no time to listen to it at home so brought it and the Led Zep 2 White Hot I bought from you a year or so back with me to the show with the intention of playing it on some of the crazy systems being demo’ed at the show.

The majority of participants demo their systems with Mofi and other heavy vinyl reissues. Rarely will you hear old vinyl.

Saturday night in the “main room” where VAC and Von Schweikert were partnering and demo-ing their million dollar system, there was a presentation by Greg Weaver (a friend of mine) and the theme was great sounding prog rock.

After a few records – all reissues, Greg turns to the 30 or so of us and asked what we wanted to hear next. The guy behind me shouts out “Zep 2 Robert Ludwig hot mix!” and of course he didn’t have it but that was my opening and I took it – “I have it upstairs and happy to bring it down!”

Greg of course said “sure!” so I ran up to my room and grabbed the Zep 2 AND the ELP I just got from you but never played.

The Zep 2 was a revelation to many – some people moved closer to take it all in, it was everything you would have expected and beyond, an unforgettable highlight for all! One guy had me pose with him holding the record after it was done, lol!

Greg was excited to see the ELP too and put it on next. He gave a little history about the band and its members and then dropped the needle.

All I can say is that it was a “Holy Shit!” moment for EVERYONE in the room. Maybe, no…without a doubt, the best record I and many there had ever heard in our lives, coming thru a million dollar system and utterly blowing our minds. What an INSANE sounding record!

No one in that room will ever forget it.

My complements to the chefs at Better Records for making this incredible experience possible.

Mike

Mike,

Wow, what a letter! Thanks for the demo. I can imagine it is quite a shock for these folks to hear a real record after so many Heavy Vinyl imposters. Hearing is believing, right?

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Heavy Cream – Not Recommended

Hot Stamper Pressings of the Music of Cream Available Now

Sonic Grade: D

A Polydor Double LP mastered by Robert Ludwig.

The tonal balance is right on the money, but of course, because this is a compilation, it is made from copies of master tapes, not real master tapes themselves, so it will always have that blurry, smeary, recessed, flat, opaque, airless, sub-generation-tape sound. In short, it’s dubby.

Hey, that’s what we hear on most of the Heavy Vinyl we audition, too. Imagine that.

Eric Clapton / At His Best – But Is It Really?

More of the Music of Eric Clapton

More Reviews and Commentaries for the Music of Eric Clapton

Sonic Grade: D

This pressing, along with the rest of the series, was mastered by Robert Ludwig. The sound may be as rich and full as we described it years ago, but the tapes RL had to work with were dubs, so the sound is not up to audiophile standards, not ours anyway.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

You can find this one in our Hall of Shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some records in the Hall of Shame the sound is passable but the music is bad.  These are also records you can safely avoid.)

Note that most of the entries are audiophile remasterings of one kind or another. The reason for this is simple: we’ve gone through the all-too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.

When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more inexcusable.

His Band And Street Choir – An All But Forgotten Classic

More of the Music of Van Morrison

This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!

For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job.

I wasn’t familiar with this album at all. I knew a couple of the big songs from it: Domino and Blue Money, and that was about it. But this is prime Van Morrison; 1970 was a very good year for him. As I played through the album I was surprised to discover that every track is good; there is simply no filler here. The tracks on each side flow seamlessly from one to the next. The result is an exceptionally involving listening experience.

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Letter of the Week – “You said ‘killer copy.’ Spot on! It is fantastic.”

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

One of our good customers had this to say about a Hot Stamper pressing of Houses of the Holy he purchased recently:

Hey Tom, 

Got the record. You said “killer copy.” Spot on! It is fantastic.

In addition to The Rain Song, Over the Hills and D’Yer Mak’er really amazed!

I definitely enjoyed the whole record though.

Thanks!

Sanjay

Sanjay,

Great news, glad to hear our records are sounding right to you, they sure sound right to us.

Enjoy. It will become more and more awesome sounding with every system upgrade. The Song Remains the Same is a tough test for any stereo.

TP

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Houses of the Holy – Our 4 Plus Shootout Winner from 2010

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

Our lengthy commentary entitled outliers and out-of-this-world sound talks about how rare these kinds of pressings are and how to go about finding them.

We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.

Side two of this copy of Houses of the Holy earned the rare Four Plus (A++++) grade (making it the first copy of Houses ever to do so, I believe) with an insane combination of clarity, presence, size, richness, transparency, bottom end punch and more. Side one is not quite in the same heady league but is certainly very strong with a Double Plus grade. You’re going to have a ridiculously hard time finding another copy that can hold its own against this one. Frankly, I don’t think it can be done without the kind of operation we have here! (more…)