Month: August 2025

Queen – News of the World

More of the Music of Queen

  • This vintage British EMI import was giving us the big and bold sound we were looking for, with a STUNNING Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • If you’re looking for sonics that jump out of your speakers, a killer Hot Stamper pressing is guaranteed to have that quality, because that’s what we’re looking for too
  • The emotional power of these songs is communicated so completely through this copy that the experience will be like hearing it for the first time
  • “…it’s massive, earth-shaking rock & roll, the sound of a band beginning to revel in its superstardom.”
  • If I were to compile a list of my favorite rock albums from 1977, this album would definitely be on it
  • If you’re looking for sound that jumps out of your speakers, a killer Hot Stamper pressing is guaranteed to have that quality, because that’s what we’re looking for too

Side one starts out with Queen’s back-to-back anthemic classics, “We Will Rock You” and “We Are the Champions.” Does it get any better for a Queen fan? Hell no!

The stomps and claps that introduce the former should make you feel like you are in a stadium full of people with a single goal — to rock you. Those stomps and claps need weight and clarity, an unusual combination. One without the other is not going to cut it.

The record needs to be able to reproduce the room everybody is in, while still conveying the tremendous impact and power. Most domestic pressings are severely lacking in these areas. This kind of anemia can be frustrating — you want to rock but the sound won’t let you.

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Bernie Finds the Right Sound for The Genius After Hours

charlgeniusHot Stamper Pressings of Titles that Sound Better in Mono Available Now

This commentary from ten years ago has been updated with the latest information from the shootout we did in 2025.

Proof positive that there is nothing wrong with remastering vintage recordings if you know what you’re doing. These sessions from 1956 (left off of an album that Allmusic liked a whole lot less than this one) were remastered in 1985 and the sound — on the better copies mind you — is correct from top to bottom.

The highest compliment I can pay a pressing such as this is that it doesn’t sound like a modern remastered record.

It sounds like a very high quality mono jazz record from the 50s or 60s.

Unlike modern recuts, it doesn’t sound EQ’d in any way.

It doesn’t lack ambience the way modern records do.

It sounds musical and natural the way modern records rarely do.

If not for the fairly quiet vinyl, you would never know it’s not a vintage record. The only originals we had to play against it were too noisy and worn to evaluate critically. They sounded full, but dark and dull and somewhat opaque.

UPDATE 2025

The originals on the Atlantic Plum and Red Label are not the way to go on this album. Our shootout notes below make that clear. Take our friendly and helpful advice and avoid them.

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Bob James – Three

More Jazz Recordings Engineered by Rudy Van Gelder

  • A vintage CTI pressing with very good Hot Stamper sound from first note to last
  • It’s richer, fuller and with more presence than the average copy, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
  • “The five tracks here reflect [James’s] obsession with hard, danceable grooves that take as much from the soul-jazz book as they do his years with CTI. Using many of the same session players he bonded with at his former label…and a large host of stellar horn players, James offers five selections of simple but fun jazz-pop.”

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The Association Greatest Hits – Gold, Green or Palm Tree?

Hot Stamper Pressings of Sixties Pop Recordings Available Now

UPDATE 2025

This commentary was written way back in 2008. It appears to confirm much of the conventional wisdom we criticize when it comes to records and the sonic qualities of their various pressings, but sometimes the conventional wisdom turns out to be right.

Not just sometimes, but most of the time. That’s why rules of thumb seem to work more often than not.

It’s all the times that they don’t work that are the problem, the exceptions to the rule, especially if one of those exceptions just happens to be a favorite album of yours.

Then you’re really up a creek. You followed a general rule that sometimes works and sometimes fails and now you really don’t know of any other way to solve the problem. Fortunately for readers of this blog, we do.

For more on The Association, please click here.

The sound on this record is as good as this album gets. Don’t think you’re too cool to enjoy this 60s pop rock. These songs are still a blast and very enjoyable. The sound on this record is as good as this album gets. 

I did a shootout with this copy and a later pressing just now, after having just listed a Gold Label Original LP of Insight Out, which allowed me to compare the sound of three different generations of Warner Brothers records.

I heard pretty much what you would expect to hear. The best Gold Label pressings have the most sweetness, richness, the best bass (amazingly good for a ’60s pop recording) and the most Tubey Magic.

The Green Label Greatest Hits sounds very sweet and analog, but it’s obviously made from sub-generation copy tapes, as Greatest Hits albums usually are. Still the sound is very smooth and sweet. There is a loss of transparency but the tonality is correct.

The Palm Tree Label pressing, the best sounding one I’ve ever heard by the way, is brighter and more modern sounding. On some tracks that brightness helps cut through the murk, but most of the time it sounds more transistory and less musical.

So this Green Label copy has the best sound for all the hits. If you want better sound, you have to find the right pressings of the individual albums. Since most of those are full of filler, this is actually a pretty good way to go.

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It’s A Beautiful Day – Self-Titled

More Psych Rock

  • This Columbia Stereo 360 pressing (only the second copy to hit the site in over four years) boasts solid Double Plus (A++) grades or BETTER from top to bottom – fairly quiet vinyl too
  • If this price seems high, keep in mind that the top copy from our most recent shootout went for $1200
  • Add to that the fact that in our previous shootout from 2021 there were few records that did not have scratches that played or noisy vinyl
  • One of our favorite 60s Psych Rock albums, a true Demo Disc for three-dimensional space, and a Desert Island Disc for musical originality
  • Full and rich, detailed and transparent, this copy is doing just about everything we could ask it to do
  • We’ve been working on this title for more than ten years, during which time we must have returned nine out of ten copies that came our way
  • 4 stars: “It’s a Beautiful Day remains as a timepiece and evidence of how sophisticated rock & roll had become in the fertile environs of the San Francisco music scene.”

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Another Substandard Pressing of Coltrane’s Music — What Is Going On?

Hot Stamper Pressings of the Music of John Coltrane Available Now

We played an early Blue Label Prestige mono pressing of Standard Coltrane that was thankfully not as awful as the original Yellow Label mono we played, but it wasn’t very good either.

We characterize a record that earns one plus on both sides as having passable sound.

Which means you could listen to it, maybe even enjoy it for the most part, but you would have no idea just how well Rudy Van Gelder recorded the sessions in 1958 that went into the making of the album, which as you know was not compiled for release until 1962.

As you can see from the notes above, it was crude, smeary and thick. We try to avoid selling records with those faults, but sometimes you do the best you can and you still end up with records that have those shortcomings to some degree.

But if you know what to look for, and you know how to clean records and do shootouts, you know that there are great sounding pressings of this album. You just have to do the work it takes to find them.

I can’t say that most modern remastered records are crude, although some of them are, but a great many we’ve played are smeary, and almost all of them are thick — that is, lacking in transparency.

That last quality — a lack of transparency — may be the most irritating of all, a subject we discuss here.

(A great many records we’ve auditioned over the years are good for testing transparency. Those wanting to improve this aspect of their playback should consider making use of them.)

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Ray Charles / The Genius After Hours

More of the Music of Ray Charles

charlgenius

  • The Genius After Hours debuts on the site with INSANELY GOOD Shootout Winning Triple Plus (A+++) MONO sound from first note to last
  • Both of these sides are doing everything right – richer, fuller, better bass, more Tubey Magic, and the list goes on
  • We wasted a lot of time and money chasing after early pressings, but no matter what stampers they might have, none of them could compete with this late reissue, and it wasn’t even close
  • This collection of instrumentals gives you a taste of Ray’s prowess at the piano, with amazing sound to boot
  • 4 1/2 stars: “Taken from the same three sessions as The Great Ray Charles but not duplicating any of the performances, this set casts Charles as a jazz-oriented pianist in an instrumental setting. Fine music – definitely a change of pace for Ray Charles.”

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Journey – Infinity

More of the Music of Journey

  • Both sides of this vintage Columbia pressing have excellent sound for the band’s 1978 release, earning solid Double Plus (A++) grades – fairly quiet vinyl too
  • This copy was bigger and bolder than most others we played, with huge choruses that really come alive – just the way we like our Journey albums to sound
  • Spaciousness, richness and freedom from grit and grain are key to the better pressings, and here you will find all three
  • 4 stars: “Released in January of 1978, Infinity easily proved to be the band’s most cohesive work to date. Dead and buried were the jazz fusion overtones of previous offerings, and with the new songwriting combo of Perry/Neal Schon leading the march, the band set out to completely redefine their sound. Traditional pop arrangements were now adopted, cutting out the unnecessary musical fat, and allowing each bandmember to play to his strength: Perry’s soaring, whale of a voice, Schon’s scorching fret work, and Gregg Rolie’s subtle keyboard arrangements.”

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Orchestral Music Is the Ultimate Test for Proper Turntable-Arm-Cartridge Setup

Hot Stamper Pressings of the Music of Stravinsky Available Now

Dorati’s performance of The Firebird for Mercury is excellent for adjusting tracking weight, VTA, azimuth and the like.

A huge and powerful recording such as The Firebird quickly separates the men from the boys when it comes to the honest recreation of an orchestra performing live in a concert hall.

Recordings of this quality are the reason $10,000+ front ends exist in the first place. Just ask Robert Brook.

You don’t need to spend that kind of money to play this record, but if you do, this might just be the record that will show you what you got for all your hard-earned dough.

Ideally you would want to work your setup magic at home with this record, then take it to a friend’s house and see if the same results could be achieved on his system.

I actually did this sort of thing for years.

Sadly, not so much anymore; nobody I know can play records such as these the way we can.

Playing and critically evaluating records all day, every day, year after year, you get pretty good at it. And the more you do it, the easier it gets.

UPDATE 2025

The above was written about ten years ago. By then I had learned enough to know that all the systems my audio friends owned were woefully inadequate to the proper reproducton of sonic blockbusters such as The Firebird. They simply hadn’t spent the money on their equipment or done the tweaking and tuning work that it takes to play a magnificent recording such as this.

It was about this time that I stopped visiting them. In my experience, mediocre sound is not simply a matter of being less enjoyable than good sound. In fact, I found it to be the opposite of enjoyable. It was frustrating, irritating and unpleasant, and I wanted no part of it. My friends couldn’t hear what was wrong — they had nothing better to compare the sound to. I knew how much better it could sound because I had the killer pressings and the highly-tweaked system that were able to work magic on orchestral spectaculars like The Firebird. (More on that subject here.)

By the way, Robert Brook can get your front end tuned up and working right.

We highly recommend his new service. It might just put you on the path to achieving the next level in audio. (You will definitely struggle to get there with a table, arm and cartridge that aren’t set up with a high degree of precision by a person who knows what they are doing, and Robert has been doing this work for years now.)

Properly set VTA is especially critical on this record, as it is on most classical recordings. The smallest change will dramatically affect the timbre, texture and harmonic information of the strings, as well as all the other instruments of the symphony orchestra of course.

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Prince And The Revolution – Parade

More of the Music of Prince

  • Parade returns to the site after a nearly five year hiatus, here with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • Both of these sides are rich, full-bodied, Tubey Magical and wonderfully present with solid weight on the bottom end
  • 4 1/2 stars: “Prince & the Revolution shift musical moods and textures from song to song… All of the group’s musical adventures, even the cabaret-pop of “Venus de Milo” and “Do U Lie?” do nothing to undercut the melodicism of the record, and the amount of ground they cover in 12 songs is truly remarkable…”

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