ledzeledze2

Letter of the Week – “Just curious as to why you never point out a Bob Ludwig “RL” pressing?”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I am an avid vinyl cat and have been all of my life. I am super curious about your vinyl. I have a pretty good ear myself for top-shelf LP’s but I am just curious as to why you never point out a Bob Ludwig “RL” pressing? Or maybe you have and I just have not noticed?

Thanks so much for a response and much respect for what you are doing and selling…

Dana

Dana, we explained it here, in a commentary we called The Book of Hot Stampers.

We give out precious little in the way of stamper numbers, no information about cutting engineers as a rule, although we do break that rule from time to time. Here is an excerpt of a listing for Rock of Ages from way back when:

What We Thought We Knew

In 2006 we put up a copy with with what we implied were Hot Stampers (before we were using the term consistently) on at least one side:

Side One sounds tonally right on the money! This is as good as it gets… Robert Ludwig mastered all of the originals of these albums, but some of them have bad vinyl and don’t sound correct.

I only played side one of the album, so I can’t speak for the other sides, but what I heard was sound about as good as I think this album can have.

There are some truths along with some half-truths in the above comments, and let’s just say we would be quite a bit more careful in our language were we writing about that copy today.

One side is no indication whatsoever as to the quality of the other three, and without the kind of cleaning technologies we have available to us today, I wouldn’t want to make a “definitive” sonic assessment for any of them.

When you play uncleaned or poorly cleaned records, you’re hearing a lot of garbage that has nothing to do with the sound of the actual vinyl. (Note that we are joking above: there is no such thing as a definitive sonic assessment of a record, from us or anybody else.)

Ludwig cut many bad sounding records. Roxy Music’s Avalon original domestic pressings are RL. They’re made from dubs and sound like it.  Same with Dire Straits’ Alchemy.

Some RL Houses of the Holy sound amazing and some only decent. It’s the nature of the beast. (more…)

Led Zeppelin / II – Gee, I Seem to Have No Trouble At All Playing This Record

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I expect that pretty much everyone knows the famous story by now.

Robert Ludwig’s “Hot Mix” (a complete misnomer, mostly propagated by those with a poor understanding of what is involved in making records – the mix never changed, only the mastering) of Zep II was causing the needle to jump the groove when Ahmet Ertegun’s daughter tried to play it on her cheap turntable, so they recut the record with more compression and cut the bass. (The recut, if you have never heard one, may take the cake for the worst sounding pressing of the album ever made.)

Our Triplanar Mark 6 / Dynavector 17dx combination seems to play the original just fine. Amazingly well in fact.

Here’s a challenge for all the Heavy Vinyl fans in the world:

Name all the Heavy Vinyl records that sound as good or better than RL’s cutting of Zep II.

Modern engineers tell us they can cut records better now than ever before, with all the bass and dynamics that previous engineers were supposedly forced to limit for the cheap tables and carts of the past.

So where are these so-called “new and improved” records, the ones with better bass and dynamics?

I have yet to hear one. Perhaps someone can point me in the right direction.

Send your list — even if your list only has one entry! — to tom@better-records.com

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Led Zeppelin II on MoFi — Back to the Stone Age!

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

An audiophile hall of shame pressing and another MoFi LP reviewed.

Yes, it’s yet another record perfectly suited to the stereos of the 60s and 70s, often referred to on this blog as the “stone age” for reasons explained in detail here.

This version of Zep’s sophomore release from 1969 has to be one of the worst audiophile remastering jobs in the history of the world. There is NOT ONE aspect of the sound that isn’t wrong. Not one!

The highs are boosted, the upper midrange is boosted, the mid-bass is boosted, the low bass is missing — what part of the frequency spectrum is even close to correct on this pressing? The answer: none.

If you’re in the market for a Hot Stamper pressing of Led Zeppelin II, we can help you, but prices these days are steep and show no sign of coming down. We typically pay $1000+ or more for the used copies we buy if that tells you anything about what to expect a Hot Stamper pressing will cost you.

Records are getting awfully expensive these days, and it’s not just our Hot Stampers that seem priced for perfection.

If you are still buying these modern remastered pressings, making the same mistakes that I was making before I knew better, take the advice of some of our customers and stop throwing your money away on Heavy Vinyl and Half-Speed Mastered LPs.

At the very least let us send you a Hot Stamper pressing — of any album you choose — that can show you what is wrong with your copy. of the album.

And if for some reason you disagree with us that our record sounds better than yours, we will happily give you all your money back and wish you the best.

Does It Seem to You That This Guy Knows Anything About Records? Any Records?

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

I had posted one of his videos here under the heading “Does it seem like this guy knows anything about Dark Side of the Moon?”

That was too generous. Apparently he does not know anything about records period. Any records. Records with any titles.

That would include records with the title Led Zeppelin II, the subject of today’s commentary.

This video has to be The. Dumbest. Video. Ever.

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Led Zeppelin / II – A Milestone Event from the 90s

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More Milestone Events in the History of Better Records

Here’s the story of my first encounter with a Hot Stamper Zep II.

I had a friend who had come into possession of a White Label Demo pressing of the second album and wanted to trade it in to me for the Mobile Fidelity pressing that I had played for him once or twice over the years, and which we both thought was The King on that album.

To my shock and dismay, his stupid American copy KILLED the MoFi. It TROUNCED it in every way. The bass was deeper and punchier. Everything was more dynamic. The vocals were more natural and correct sounding. The highs were sweeter and more extended. The whole pressing was just full of life in a way that the Mobile Fidelity wasn’t.

The Mobile Fidelity didn’t sound Bad. It sounded Not As Good. More importantly, in comparison with the good domestic copy, in many ways it now sounded Wrong.

Let me tell you, it was a milestone event in my growth as a record collector. I had long ago discovered that many MoFi’s weren’t all they were cracked up to be. But this was a MoFi I liked. And it had killed the other copies I had heard in the past.

So I learned something very important that day. I learned that hearing a good pressing is the best way to understand what’s wrong with a bad pressing..

Needless to say, the trade didn’t go through: he kept his copy and I was stuck with mine. But I knew what to look for. I knew what the numbers were in the dead wax. And I started hunting them down.

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Letter of the Week – “I’m still listening to the copy you sold me every few days, and loving it…”

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Reviews and Commentaries for Led Zeppelin II

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I noticed that a Super Hot of Zep 2, and now a Nearly White Hot, both sold out within hours of you listing them, despite some jaw-dropping prices.

Meanwhile, I’m still listening to the copy you sold me every few days, and loving it at least as much as I did on the first play. I’m still wincing at the price, but also feeling very glad you reached out to me about it. So, thanks again.

Aaron

Aaron,

Just think how many times you will play that record in your lifetime. A few bucks a play, for an experience like that, what a bargain!

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Letter of the Week – “All I can say is that it was a “Holy Shit!” moment for EVERYONE in the room.”

Hot Stamper Pressings of the Music of Led Zeppelin Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Thanks again!

Got the White Hot ELP s/t Friday afternoon as I was leaving for a weekend at the Capital Audio Fest in Bethesda Maryland but had no time to listen to it at home so brought it and the Led Zep 2 White Hot I bought from you a year or so back with me to the show with the intention of playing it on some of the crazy systems being demo’ed at the show.

The majority of participants demo their systems with Mofi and other heavy vinyl reissues. Rarely will you hear old vinyl.

Saturday night in the “main room” where VAC and Von Schweikert were partnering and demo-ing their million dollar system, there was a presentation by Greg Weaver (a friend of mine) and the theme was great sounding prog rock.

After a few records – all reissues, Greg turns to the 30 or so of us and asked what we wanted to hear next. The guy behind me shouts out “Zep 2 Robert Ludwig hot mix!” and of course he didn’t have it but that was my opening and I took it – “I have it upstairs and happy to bring it down!”

Greg of course said “sure!” so I ran up to my room and grabbed the Zep 2 AND the ELP I just got from you but never played.

The Zep 2 was a revelation to many – some people moved closer to take it all in, it was everything you would have expected and beyond, an unforgettable highlight for all! One guy had me pose with him holding the record after it was done, lol!

Greg was excited to see the ELP too and put it on next. He gave a little history about the band and its members and then dropped the needle.

All I can say is that it was a “Holy Shit!” moment for EVERYONE in the room. Maybe, no…without a doubt, the best record I and many there had ever heard in our lives, coming thru a million dollar system and utterly blowing our minds. What an INSANE sounding record!

No one in that room will ever forget it.

My complements to the chefs at Better Records for making this incredible experience possible.

Mike

Mike,

Wow, what a letter! Thanks for the demo. I can imagine it is quite a shock for these folks to hear a real record after so many Heavy Vinyl imposters. Hearing is believing, right?

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Led Zeppelin – 2 Originals of Led Zeppelin

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This is a very old review from something like twenty years ago so take it with a very large grain of salt.

This is a Minty looking German Import Atlantic 2 LP set, consisting of Zep’s first two records. We dropped the needle on all four sides of this record and WOW! Side one of Zep II was SHOCKINGLY GOOD. Big bottom, lots of top, clean vocals — what more could you ask for? Our Rough Hot Stamper Grade: A+ or better. (Side two was more typical for this album, a bit recessed and flat. Oh well.)

On Zep I, again, side one was definitely the stand out. Very clean, punchy, smooth and sweet, and not smeary at all (which is unusual to say the least). Side two was a little midrangy and didn’t have the fullness and warmth that the best copies do.

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