Five Star Albums

Five Star albums in Allmusic

James Taylor – Sweet Baby James

More of the Music of James Taylor

  • An early Green Label pressing with seriously good sound for this inarguable JT Masterpiece, earning solid Double Plus (A++) grades or close to them on both sides
  • All that lovely echo is a dead giveaway that side one of this pressing has resolution far beyond that of the others you may have heard (and of course the Rhino Heavy Vinyl), and side two is not far behind in all those areas
  • Richness and body and Tubey Magic are every bit as important – when those big choruses kick in, you want the sound of all those singers to be as big as life without the strain that accompanies their voices on so many copies
  • Finding early pressings without marks or groove damage is no mean feat these days, but here’s one to prove it can be done
  • Top 100 and 5 stars: “Sweet Baby James launched not only Taylor’s career as a pop superstar but also the entire singer/songwriter movement of the early 70s that included Joni Mitchell, Carole King, Jackson Browne, Cat Stevens, and others…”
  • If you’re a James Taylor fan — and what audiophile wouldn’t be? — this title is clearly one of the best albums released in 1970 and a true Must Own for the singer-songwriter-loving audiophile

Vocal reproduction is key to the better sounding copies of Sweet Baby James, as it is on so many singer-songwriter albums from the era.

To find a copy where Taylor’s vocals are front and center — which is exactly where they should be — but still rich, sweet, tonally correct and Tubey Magical is no mean feat. Only the better copies manage to pull it off.

Out of the dozen or more Green Label early pressings we play every year, relatively few have the full complement of Midrange Magic we know the best copies can have. As a rule of thumb, the hotter the stamper, the better the vocal reproduction on that copy.

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Bob Dylan – Blood on the Tracks

More of the Music of Bob Dylan

  • Boasting two solid Double Plus (A++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage pressing
  • Why this title is so often pressed on bad vinyl is hard to fathom, but it is a fact nevertheless, which is why you see so few copies make it to the site and even fewer on quiet vinyl
  • For tonally-correct, un-hyped acoustic guitars and vocals, the sound of this album is tough to beat in Dylan’s catalog
  • Note that some tracks are clearly better sounding than others throughout the album, and those are the tracks we tend to listen to in our shootouts
  • The better copies are rich, warm, tubey and full-bodied – in other words, they are exactly what’s good about the vintage analog pressings we offer to the discriminating audiophiles who appreciate the difference
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how superb sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 5 stars: “…it’s an affecting, unbearably poignant record, not because it’s a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. Dylan made albums more influential than this, but he never made one better.”

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Crosby, Stills, Nash & Young – Deja Vu

More of the Music of Crosby, Stills, Nash & Young

  • Boasting two solid Double Plus (A++) sides or close to them, this early pressing of CSNY’s magnum opus is doing just about everything right
  • The sound is huge throughout – lively, present and rich in a way that nothing you’ve heard can compete with (particularly on side two)
  • And that’s especially true if you own any audiophile pressing of any kind – none of the ones we’ve heard can begin to compete with the real thing we are offering here
  • One of our all-time favorite albums at Better Records and one that almost never sounds this good (unless you know exactly which stampers to buy, of course)
  • We find ten to fifteen RL Zep II’s for every Déjà Vu with the right stampers – we’ve only done three shootouts since 2020, if that tells you anything
  • 5 stars: “…this variety made Déjà Vu a rich musical banquet for the most serious and personal listeners, while mass audiences reveled in the glorious harmonies and the thundering electric guitars…”

If you play this copy at serious levels and have the kind of full range system that’s both loud and clean like live music, we guarantee you will be nothing less than gobsmacked at the size and power of the music on this album, the band’s inarguable masterpiece.

Both sides here are super high-resolution, tonally perfect, Tubey Magical and ALIVE. The vocals are silky and sweet with very little strain or grain (a very common problem in the loudest choruses). The highs are extended, the bass is deep and punchy, and the overall clarity is breathtaking.

Just listen to the guitars during the solos — you can really hear the sound of the pick hitting the strings. The rhythm guitars sound meaty and chunky like the best sounding copies of Zuma and After The Gold Rush. (more…)

Carmen McRae – The Great American Songbook

More Pop and Jazz Vocal Albums

  • A killer pressing of Carmen McRae’s superb live double album from 1972 with Nearly Triple Plus (A++ to A+++) grades or close to them on all FOUR sides – just shy of our Shootout Winner
  • Everything sounds immediate and unprocessed – this is the kind of natural, analog sound, that puts a living, breathing Carmen McRae right between your speakers
  • Recorded at Donte’s Jazz Club right here in Los Angeles, the lively banter between songs reveals the lady’s charm and wit
  • We may never do this shootout again — our two best sounding copies were too noisy to sell, and it’s hard to justify playing a pile of copies of a double album only to find out that the best pressings are a bust
  • 5 stars: “Joined by pianist Rowles, guitarist Joe Pass, bassist Chuck Domanico, and drummer Chuck Flores, McRae had what was at the time a rare opportunity to record a live, spontaneous, jazz-oriented set. She sounds quite enthusiastic about both her accompaniment and the strong repertoire…'”

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Jimi Hendrix – Electric Ladyland

More of the Music of Jimi Hendrix

  • An Electric Ladyland like you’ve never heard, with solid Double Plus (A++) sound on all FOUR sides of this UK import copy – fairly quiet vinyl too
  • Forget the Track originals – they can’t hold a candle to the Hot Stamper reissues like the one we are offering here
  • Big, clear, tubey, sweet analog sound – we played it good and loud and it was rockin’!
  • Probably the best-recorded of Hendrix’s studio albums – huge studio space and the Tubey Magical richness of analog are key to the best sound
  • 5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
  • If you’re a fan of Jimi and his band, this UK import of his 1968 classic belongs in your collection.
  • If I were to make a list of the best Rock and Pop albums from 1968, this album would definitely be on it.

Some of Jimi’s best songs can be found here, including “Crosstown Traffic,” “Voodoo Child (Slight Return)” and his incendiary cover of Dylan’s “All Along The Watchtower.” All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.

Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.

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King Crimson – In The Court Of The Crimson King

More of the Music of King Crimson

  • You’ll find incredible Nearly Triple Plus (A++ to A+++) sound throughout this vintage import copy of the band’s Prog Rock Masterpiece – just shy of our Shootout Winner
  • We had a wide variety of Islands (Pink and Sunray) and UK Polydor pressings, and only two of those labels can have Hot Stampers based on the many shootouts we’ve done over the years
  • On a pressing as good as this one, turned up to seriously loud levels, the horns blasting away on “21st Century Schizoid Man” are guaranteed to blow your mind
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “The group’s definitive album, and one of the most daring debut albums ever …. it blew all of the progressive/psychedelic competition out of the running, although it was almost too good for the band’s own good — it took King Crimson nearly four years to come up with a record as strong or concise.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. In the Court of the Crimson King is a good example of a record many audiophiles may not know well but should get to know better

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Thelonious Monk / Brilliant Corners

More of the Music of Thelonious Monk

  • Boasting STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from start to finish, this vintage MONO recording pressed on fairly quiet OJC vinyl was giving us the sound we were looking for on Monk’s 1957 release
  • Rich, full-bodied and present yet still clear and spacious – we guarantee this copy sounds better than any pressing you’ve heard, and should beat the pricey originals hands down
  • With masterful horn playing from Sonny Rollins and Clark Terry, and a rhythm section that can actually keep up with Monk – made up of Max Roach, Oscar Pettiford and Paul Chambers – this is a Must Own for any music loving audiophile
  • 5 stars: “Brilliant Corners may well be considered the alpha and omega of post-World War II American jazz. No serious jazz collection should be without it.”
  • If you’re a fan of Mr. Monk, this All Tube Recording from 1957 belongs in your collection.
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with the accent on the joy these amazing audiophile-quality recordings can bring to your life. Brilliant Corners is a good example of a record most audiophiles probably don’t know well but would benefit from getting to know better

If you’re looking to demonstrate just how good a 1957 All Tube Analog recording can be, this superb copy should be just the record for you. Talk about Tubey Magic! The liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of the album, but those of us in possession of a working turntable could care less.

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The Faces – A Nod Is As Good As A Wink…

More British Blues Rock

  • Two amazing WB Green Label sides, both with INSANELY GOOD Shootout Winning Triple Plus (A+++) sound from start to finish – The Faces are rockin’ their asses off on this copy
  • Punchy, solid and rich through and through, with driving energy like nothing you’ve ever heard from the band
  • There’s a reason you almost never see this title on the site — it’s a lot of trouble to find enough clean copies to do a shootout
  • We send back, or trade in, 80% of what we buy, and that means the hassle factor for a title like this is jsut way off the charts
  • 5 stars: “[It] doesn’t feel cobbled together and it serves up tremendous song after tremendous song… It’s another classic — and when you consider that the band also had Long Player to their credit and had their hands all over Every Picture in 1971, it’s hard to imagine another band or singer having a year more extraordinary as this.”

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Kind of Blue on a Killer 70s Red Label Pressing

More of the Music of Miles Davis

  • With two solid Double Plus (A++) sides or close to them, this Red Label pressing has Demo Disc sound – sound that’s guaranteed to make you want to take all of your remastered pressings and dump them off at the Goodwill
  • After auditioning a Hot Stamper Kind of Blue like this one – a pressing that captures the sound of this amazing group like nothing you have ever heard – you may be motivated to add a hearty, “Good riddance to bad audiophile rubbish and the audiophile reviewers who can’t hear the difference!”
  • KOB is the embodiment of the big-as-life, spacious and timbrally accurate 30th Street Studio sound Fred Plaut was justly famous for (particularly on this side two)
  • Space, clarity, transparency, and in-the-room immediacy are some of the qualities to be found on this pressing (also particularly on side two)
  • It’s guaranteed to beat any copy you’ve ever played, and if you have the new MoFi pressing, please, please, please order this copy so that you can hear just how screwy the sound of the remaster is
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “KOB isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence.”
  • If you’re a fan of the music Davis, Adderley and Coltrane were playing circa 1959, this album clearly belongs in your collection

The Labels of Kind of Blue

The 6 Eye label domestic stereo pressings win our shootouts, in the case of Kind of Blue without exception.

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The Rolling Stones – Beggars Banquet

More of the Music of The Rolling Stones

  • You’ll find INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides of this vintage London pressing of this surprisingly well-recorded Stones album from 1968
  • The long lost Tubey Magic of these early pressings has them sounding better than we ever thought possible with the audio equipment of the day
  • This is exactly the way you want Beggars Banquet to sound and it sure doesn’t take a pair of golden ears to hear it
  • One of a select group of Rolling Stones Must Own titles we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”
  • If you’re a Stones fan, this vintage pressing of their 1968 classic belongs in your collection

No Expectations, the second song on the first side, is one of the greatest Demo Tracks for Tubey Magical guitar reproduction we know of. The next year, Glyn Johns would pull off another acoustic guitar recording of that quality with Love in Vain on Let It Bleed.

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly won’t hear on most of the vinyl that’s been pressed over the 50+ years since this album was released.

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and less upper midrange. Those are the copies that sound tonally correct to us, and you should have no trouble appreciating the difference.

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