Album Masterpieces

Bob and Ray / Throw a Stereo Spectacular

More Living Stereo Recordings

  • With STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from start to finish, this TAS-approved Living Stereo pressing could not be beat
  • Originally produced as a sampler record for the Living Stereo line, it is an absolute Must Own for serious audiophiles looking to take their system to the next level
  • Our reference copy here at Better Records is so vital to our operation that it would not be for sale at any (well, almost any) price!
  • It has long been my personal favorite test disc, as well as one of our three best cartridge tweaking and turntable setup discs
  • 4 stars: “The gleefully cacophonous Guckenheimer Sour Kraut Band takes the prize for providing the most unusual musical selection, but the overall program is extremely diverse [and] the comedy and music are enjoyable.”

Bob and Ray Throw A Stereo Spectacular just happens to be our favorite Test Disc, eclipsing all others in the areas of naturalness and difficulty of reproduction. Any tweak or new room treatment — we seem to do them almost weekly these days — has to pass one test and one test only: The Bob and Ray Test.

This record has the power to help you get to the next level in audio like no other.

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Jimmy Smith & Wes Montgomery – The Dynamic Duo

More of the Music of Jimmy Smith

More of the Music of Wes Montgomery

  • With solid Double Plus (A++) grades from top to bottom, this is an wonderful sounding pressing of Jimmy and Wes’s classic jazz collaboration from 1966
  • Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
  • 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”

The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)

America – Self-Titled

More of the Music of America

  • Boasting a KILLER Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two, this early Green Label pressing could not be beat – exceptionally quiet vinyl too
  • This was the only copy in our shootout to earn a 3+ grade on any side that did not have a sizable number of marks that played, which is disappointing considering how hard it is to find top quality sound on this title!
  • One of our favorite Hippie Folk Rock albums – the instruments and voices are so well recorded they will seem to be floating right in front of you
  • The Tubey Magical acoustic guitars on this record are a true test of stereo reproduction – thanks, Ken Scott
  • 4 stars: “America’s debut album is a folk-pop classic, a stellar collection of memorable songs that would prove influential on such acts as the Eagles and Dan Fogelberg…”

This is clearly America’s best album. You’ll find the kind of immediacy, richness and harmonic texture that not many records (and even fewer CDs) are capable of reproducing. The version we are offering here has the song “A Horse With No Name.” Some copies without that song can sound very good as well, but with grades this good, this copy is going to be very hard to beat.

Interestingly, “A Horse With No Name” never sounds quite as good as the rest of the album. It was recorded in 1971, after the album had already been released, and subsequently added to newer pressings starting in 1972. Unlike the rest of the album, it was not engineered by Ken Scott at Trident, but by a different engineer at Morgan Studios. The engineer of that song took a different approach to that which Scott had taken, and we leave it to you to decide how well it worked out.

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James Taylor – JT

More of the Music of James Taylor

  • A vintage copy of Taylor’s 1977 breakthrough album that was doing practically everything right, earning STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides
  • It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how big and lively it can sound
  • The big hits “Your Smiling Face” and “Handy Man” both sound great here – thanks, Val Garay!
  • Don’t waste your money on any copy that doesn’t have TML stampers on both sides – they never sound any good
  • Interestingly, this time around even the worst side of any TML pressing earned a (1.5+) Hot Stamper grade
  • If you are using the Prelude Record Cleaning system on the right machines, you can’t go wrong with the early pressings of this title (although you can go much more right if you do a shootout and find a top copy like this one)
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”
  • If I were to compile a list of my favorite rock and pop albums from 1977, this album would definitely be on it

The good copies really rock on songs like Honey Don’t Leave L.A. or I Was Only Telling A Lie, yet have lovely, delicate vocals on ballads such as Another Grey Morning or There We Are (two of our favorite songs on the album).

Just turn up the volume and play the opening to Honey Don’t Leave L.A. — this is James Taylor and his super-tight studio band at the peak of their powers. Russ Kunkel hits the drum twice, then clicks his sticks together so quickly you can hardly notice it, then goes back to the drums for the rest of the intro.

On the best copies, the subtleties of his performance are clearly on display. Until the right copies came along, we had never even noticed that stick trick. Now it’s the high point of the whole intro.

Here are more of our favorite records with exceptionally punchy bass and here are more of our favorite records with exceptionally punchy drums.

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Paganini – Violin Concertos Nos. 1 & 2 / Menuhin

More of the Music of Paganini

  • This vintage EMI pressing of two of the truly great virtuoso/romantic violin concertos boasts a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one – fairly quiet vinyl too
  • It’s simply bigger, more transparent, less distorted, more three-dimensional and more real than practically all of what we played
  • The best balance of orchestra and soloist we know of for both works, with sound to rival the greatest works for the violin we’ve played

Another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, in this case 1961, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 40 years ago, not the bad modern mastering of today.)

This combination of old and new works wonders on this title as you will surely hear for yourself on this wonderful copy.

The sound of the best copies is transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way. (more…)

Ravel / Daphnis et Chloé / Monteux

More of the Music of Maurice Ravel

  • Boasting INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them throughout, this original London pressing was giving us the sound we were looking for on Ravel’s complete Masterpiece
  • It’s also remarkably quiet at the high end of Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • The sound is big and rich, lively and open, with an abundance of depth and huge climaxes that hold together
  • The voices in the chorus are clear, natural, separate and full-bodied — this is the hallmark of a vintage Golden Age recording: naturalness
  • We know of no other recording of the work that does as good a job of capturing such a large orchestra and chorus
  • Of course, Monteux is a master of the French idiom – his performance of the complete ballet is definitive in our opinion
  • There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.

Both sides here are big, with the space and depth of the wonderful Kingsway Hall that the LSO perform in. John Culshaw produced the album, which surely accounts for the huge size and space, not to mention quality, of the recording. The sound is dynamic and tonally correct throughout.

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Lou Reed – Transformer

More Rock Classics

  • This copy of Lou’s Rock Masterpiece boasts solid Double Plus (A++) grades or BETTER from top to bottom – exceptionally quiet vinyl too
  • A superb pressing that is guaranteed to blow your mind – there is practically no chance that you have ever heard this album sound this good, especially if you have an original import or domestic pressing
  • A side one this good means “Walk on the Wild Side” is a Demo Quality track that will have your audiophile friends turning green with envy
  • Our vintage British import Hot Stamper pressing here showed us just how Tubey Magical the midrange of the album could be – thanks, Ken Scott!
  • 4 1/2 stars: “… Bowie and Ronson gave their hero a new lease on life – and a solid album in the bargain.”
  • Transformer is his Masterpiece, a Core Collection title, and possibly a case of One and Done since it’s the only Lou Reed album we sell. (You, of course, may feel differently.)

Transformer is an absolute tour de force of 70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott.

Throw in the fact that this is the best set of post-Velvets material Lou would ever write and it is a recipe for success. There are so many good songs on here I won’t bother to list them one by one. Satellite Of Love is especially good though, if you ask me. If you agree, and you’ve never heard the VU demo version, make sure to seek it out. It’s completely different and good fun.

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The Pretenders – Learning To Crawl

More of the Music of The Pretenders

  • An excellent pressing of the band’s third studio album with solid Double Plus (A++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • It takes years to get a shootout for this album going – three to five is my best guess, so get while the gettin’s good if you’re a fan of the most muscular rock album this band ever recorded
  • Side one of this (very specific) German pressing was richer, clearer and more energetic than most others we played, and side two was not far behind in all those areas
  • 5 stars: “Three albums into her recording career, Chrissie Hynde found herself having to put the past to bed and carve out a new beginning for herself with Learning to Crawl, but she pulled it off with a striking mixture of courage, strength, and great rock & roll; with the exception of the instant-classic debut album, it’s the Pretenders’ finest work.”

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Julie London – Julie Is Her Name

More Pop and Jazz Vocal Albums

  • This killer MONO pressing of Julie London’s debut LP boasts Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • The midrange immediacy of this early Liberty pressing will put Julie in the room with you – more than anything else, it lets her performance come to life
  • The naturalness of the presentation puts this album right at the top of best-sounding female vocal albums of all time
  • This is a lot of money for a somewhat noisy copy, but the sound is so awesome and quiet pressings of the album so hard to come by that we hope someone will take a chance on it and get the thrill we did from hearing it sound right for once
  • 4 stars: “Her debut is her best, a set of fairly basic interpretations of standards in which she is accompanied tastefully by guitarist Barney Kessel and bassist Ray Leatherwood.”

Listen to how rich the bottom end is on Barney Kessel’s guitar. The Tubey Magic here is off the charts. Some copies can be dry, but that is clearly not a problem on this one.

To take nothing away from her performance, which got better with every copy we played. Julie’s rendition of Cry Me a River may be definitive.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record takes the concept of intimate female vocals to an entirely new level.

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Paul Quinichette – On The Sunny Side, a Wonderful Pressing from the 80s

More Jazz Recordings Featuring the Saxophone

  • Both sides of this long out-of-print OJC title boast lively, big and clear Shootout Winning Triple Plus (A+++) MONO sound or close to it from first note to last
  • With three saxophones and a trombone, this is a fresh combination that really brings out the best in all the players during this Prestige jam session, a format for which they are justly famous
  • I raved about this album when it was in print many years ago – it’s solidly swinging jazz that belongs in your collection
  • 4 stars: “Waldron’s three originals (highlighted by ‘Cool-Lypso’) allow plenty of room for swinging, and Quinichette (who also performs ‘On the Sunny Side of the Street’) sounds comfortable interacting with the younger musicians. An enjoyable and underrated release.”

As I wrote years ago, back in the days when we regularly sent out catalog mailings:

When we discover a record like this, a record with no reputation either in the jazz world or the audiophile world, we try to bring it to people’s attention, usually with some success. Some of my customers called me up to tell me what a great record this is.

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