- You’ll find incredible Nearly Triple Plus (A++ to A+++) sound throughout this British copy of this shockingly well recorded album, just shy of our Shootout Winner – fairly quiet vinyl too
- Here is the Tubey Magic, presence, size and space we guarantee you have never heard on Meddle no matter what pressing you may own
- A Top 100 audiophile demonstration quality recording on a par with Dark Side of the Moon, which is really saying something
- 4 1/2 stars: “Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era.”
- This killer reissue puts to shame the originals we’ve auditioned, and the reissues we offer on the site are guaranteed to do the same
- If you’re a Pink Floyd fan, and what audiophile wouldn’t be?, this title from 1971 is clearly one of their best
Best on Vintage Imported Vinyl
Eric Clapton – Journeyman
More of the Music of Eric Clapton
- A Journeyman like you’ve never heard, with INCREDIBLE Shootout Winning Triple Plus (A+++) grades on both sides of this vintage import pressing – fairly quiet vinyl too
- Forget the commonly dry-sounding domestic copies – the pressings mastered in Germany and the UK are the only ones good enough for us to put in a shootout
- Rich, lively, spacious – the right pressings are surprisingly good-sounding for a recording from 1989
- The big hit was “Pretending,” but “Bad Love” (both went to Number One) won the Grammy for Best Male Rock Vocal
- 4 1/2 stars: “… a laid-back and thoroughly engaging display of Clapton’s virtuosity. On the whole, it’s the best studio album he’s released since Slowhand.”
Paganini – Violin Concertos Nos. 1 & 2 / Menuhin
More of the Music of Paganini
- This vintage EMI pressing of two of the truly great virtuoso/romantic violin concertos boasts a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one – fairly quiet vinyl too
- It’s simply bigger, more transparent, less distorted, more three-dimensional and more real than practically all of what we played
- The best balance of orchestra and soloist we know of for both works, with sound to rival the greatest works for the violin we’ve played
Another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, in this case 1961, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 40 years ago, not the bad modern mastering of today.)
This combination of old and new works wonders on this title as you will surely hear for yourself on this wonderful copy.
The sound of the best copies is transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way. (more…)
Ravel / Daphnis et Chloé / Monteux
More of the Music of Maurice Ravel
- Boasting INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them throughout, this original London pressing was giving us the sound we were looking for on Ravel’s complete Masterpiece
- It’s also remarkably quiet at the high end of Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
- The sound is big and rich, lively and open, with an abundance of depth and huge climaxes that hold together
- The voices in the chorus are clear, natural, separate and full-bodied — this is the hallmark of a vintage Golden Age recording: naturalness
- We know of no other recording of the work that does as good a job of capturing such a large orchestra and chorus
- Of course, Monteux is a master of the French idiom – his performance of the complete ballet is definitive in our opinion
- There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.
Both sides here are big, with the space and depth of the wonderful Kingsway Hall that the LSO perform in. John Culshaw produced the album, which surely accounts for the huge size and space, not to mention quality, of the recording. The sound is dynamic and tonally correct throughout.
The Human League – Dare
More New Wave
- Superb sound throughout this original UK Virgin pressing, with both sides earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
- We shot out a number of other imports and this one had the midrange presence, bass, and dynamics that were missing from most other copies we played
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the British LPs are the only way to fly on Dare
- 5 stars: “Dare! captures a moment in time perfectly – the moment post-punk’s robotic fascination with synthesizers met a clinical Bowie-esque infatuation with fashion and modern art, including pop culture, plus a healthy love of songcraft. The Human League had shown much of this on their early singles, such as “Empire State Human,” but on Dare! they simply gelled, as their style was supported by music and songs with emotional substance.”
This vintage import pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
Lou Reed – Transformer
More Rock Classics
- This copy of Lou’s Rock Masterpiece boasts solid Double Plus (A++) grades or BETTER from top to bottom – exceptionally quiet vinyl too
- A superb pressing that is guaranteed to blow your mind – there is practically no chance that you have ever heard this album sound this good, especially if you have an original import or domestic pressing
- A side one this good means “Walk on the Wild Side” is a Demo Quality track that will have your audiophile friends turning green with envy
- Our vintage British import Hot Stamper pressing here showed us just how Tubey Magical the midrange of the album could be – thanks, Ken Scott!
- 4 1/2 stars: “… Bowie and Ronson gave their hero a new lease on life – and a solid album in the bargain.”
- Transformer is his Masterpiece, a Core Collection title, and possibly a case of One and Done since it’s the only Lou Reed album we sell. (You, of course, may feel differently.)
Transformer is an absolute tour de force of 70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott.
Throw in the fact that this is the best set of post-Velvets material Lou would ever write and it is a recipe for success. There are so many good songs on here I won’t bother to list them one by one. Satellite Of Love is especially good though, if you ask me. If you agree, and you’ve never heard the VU demo version, make sure to seek it out. It’s completely different and good fun.
The Eagles / On The Border – A Must Own Country Rock Classic
More of the Music of The Eagles
- An original British SYL copy with STUNNING Shootout Winning Triple Plus (A+++) sound throughout this criminally underrated California Country Rock classic – fairly quiet vinyl too
- If you’ve never heard one of these early pressings, you have simply never heard this album sound the way it should, mastered with the correct polarity, for one thing
- We’re huge fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot coming from us – we’ve been big fans for decades
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. On the Border is a good example of a record most audiophiles don’t know well but should.
Many of you have probably forgotten how good this album is (assuming you were ever familiar with it in the first place) probably because the typical domestic copy you would have played back in the day is fairly hard on the ears. Most pressings, even the British ones, barely hint at the kind of sound you’ll hear on this vintage UK pressing (the only kind we sell of course).
The LIFE and ENERGY of this pressing are going to knock you right out of your seat. Most copies leave you with a headache, but this one will have you begging to turn up the volume.
Tubey Magical acoustic guitar reproduction is superb on the better copies of this album. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings). (more…)
Beethoven / Symphony No. 5 – Solti
More Classical and Orchestral Masterpieces
- This big and lively vintage London pressing of Beethoven’s Masterpiece boasts solid Double Plus (A++) sound or BETTER from top to bottom
- It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
- Good weight to the brass, huge hall space, wonderfully textured string tone – it’s all here and more
- A top performance from Solti and the Vienna Phil – it’s classic Solti: fast-paced, exciting and powerful
- This is Beethoven played with gusto – Solti brings this music to life like no other conductor we know of (with the exception of Dorati, perhaps)
- Watch out for Solti’s later releases for Decca – they usually have an obvious shortcoming which we cannot abide in our classical recordings
We like our recordings to have as many of the qualities of Live Music as possible, and those qualities really come through on a record such as this, especially when reproduced on the full-range speaker system we use. It’s precisely this kind of big, clear, yet rich sound that makes audiophiles prize Decca/London recordings above those of virtually all other labels, and here, unlike in so many areas of audio, we are fully in agreement with our fellow record loving audiophile friends.
Genesis – Self-Titled
More of the Music of Genesis
- The Hot Stamper debut of the band’s 1983 release with solid Double Plus (A++) sound or BETTER throughout this original British import pressing
- We shot out a number of other imports and this one had the midrange presence, bass, and dynamics that were missing from most other copies we played
- Forget the dubby domestic LPs and whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – the UK pressings are the only way to fly on Genesis
- “…as of this record, Genesis was now primarily a pop band. Anybody who paid attention to ‘Misunderstanding’ and ‘No Reply at All’ could tell that this was a good pop band, primarily thanks to the rapidly escalating confidence of Phil Collins, but Genesis illustrates just how good they could be, by balancing such sleek, pulsating pop tunes as ‘That’s All’ with a newfound touch for aching ballads, as on ‘Taking It All Too Hard.'”
The Rolling Stones – No. 2
More of The Rolling Stones
- With KILLER Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom, this vintage copy of The Stones’s sophomore LP could not be beat
- This British MONO pressing (made from the mono tapes) will show you the real, honest sound of the early, early Stones
- Both of these sides have the Midrange Magic that’s surely missing from whatever 180g reissue has been made from the tapes (or, to be clear, a modern digital master copied from who-knows-what-tapes)
- 4 1/2 stars: “… [No. 2 includes] one of the group’s best blues covers, their version of Muddy Waters’ “I Can’t Be Satisfied,” which wasn’t released in America until 1973 and features some killer slide playing by Brian Jones.”