Best on Vintage Imported Vinyl

The right import pressings of these albums have the potential to sound better than even the best domestic pressings.

The Beatles – The White Album

More of the Music of The Beatles

  • You’ll find solid Double Plus (A+++) sound or BETTER on all FOUR sides of these vintage British reissue pressings
  • This copy of the Beatles’ Masterpiece (my personal favorite of all their albums) is going to thrill and delight the lucky person who snags it
  • If you’ve heard the Half-Speed and Heavy Vinyl versions of The White Album, then you know how riddled they are with unacceptable flaws
  • They are simply not enjoyable on high-quality equipment, unlike this copy, which is guaranteed to be an unalloyed joy to play
  • Problems in the vinyl are sometimes the nature of the beast with these Classic Rock records, but once you hear how superb sounding this copy is, you might be inclined, as we were, to stop counting stitches and just be swept away by the music
  • “If there is still any doubt that Lennon and McCartney are the greatest song writers since Schubert, then next Friday – with the publication of the new Beatles double LP – should surely see the last vestiges of cultural snobbery and bourgeois prejudice swept away in a deluge of joyful music making…” Right On!
  • Our customers often write us to tell us how much they like their Hot Stamper pressings of The Beatles, and they have been especially enthusiastic when it comes to The White Album

Our White Album Hot Stampers have always been a big hit with the folks who’ve been lucky enough to snare them. If you’re ready for a high-quality copy of The White Album that’s sure to massacre all the pressings you’ve heard up until now, you should jump right on this bad boy.

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Genesis / A Trick Of The Tail – A Must Own Prog Masterpiece

More of the Music of Genesis

  • This early UK Charisma import boasts solid Double Plus (A++) grades from top to bottom
  • Here’s an outstanding Trick of the Tail that blows the typical pressing out of the water!
  • The sound is big, bold and open, breaking free from the compressed and cloudy sound the average copy offers
  • Here is the deep, note-like, well-articulated bass that the MoFi and 95% of all the other pressings don’t have
  • 4 1/2 stars: “[The] album returns the group to the fanciful fairy tale nature of its earlier records…this is about the sound of the band playing, not individual songs, and it succeeds on that level quite wildly…”
  • This is our pick for the band’s best sounding album. Roughly 150 other listings for the best recording by an artist or group can be found here on the blog.

It was a thrill to finally hear this album sound great after all these years. The cymbals are clean and silky, the vocals are present, the bass has real weight and the overall sound is balanced and natural! You’ve got to clean and play a TON of copies to have any hope of finding one that’d come anywhere near this one.

At the end of the second track on side one, Entangled, there is a wonderful sounding choral effect which Alan Parsons liked so much he decided to use it liberally on his own recordings. He’s famous for having admitted to analyzing classic rock records, then taking the best bits and pieces, cobbling them together and producing the “music” that he is known for. I prefer the original bits and pieces myself. (more…)

Beethoven – Symphony No. 7 / Solti

More of the Music of Beethoven

  • Solti and the Vienna Phil’s commanding performance of Beethoven’s Symphony No. 7 (CS-6777) debuts on the site with big, spacious, and lively Shootout Winning Triple Plus (A+++) sound or close to it throughout this vintage London pressing
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • These sides are doing practically everything right – they’re rich, clear, undistorted, open, and has depth and transparency to rival the best recordings you may have heard
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail utterly, and without good string reproduction, especially in the lower registers, a Beethoven symphony is simply not a pleasurable experience on highly resolving equipment

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Overtures in Hi-Fi / Wolff

More Imported Pressings on Decca and London

  • This vintage London Stereo pressing was doing practically everything right, with both sides earning KILLER Shootout Winning Triple Plus (A+++) grades
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • Both of these sides are big, clear, rich, dynamic, transparent and energetic, and will surely put to shame any pressing of the album you own
  • Although not long, every second is packed with color and energy, exactly what a good overture needs (And it even has a glockenspiel! How can you go wrong?)
  • Also notable is the choice of material, with a few of the more obscure overtures really brought to life here, such as the opening piece by Adam on side one: “Si j’etais roi”

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The Rolling Stones – Aftermath

More of the Music of The Rolling Stones


  • Killer Tubey Magical 60s British sound throughout this vintage UK Decca pressing, with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them – exceptionally quiet vinyl too
  • “Lady Jane,” “Under My Thumb” and “Mother’s Little Helper” are three of the best sounding tracks – all are lively and solid here on this amazing side one
  • 5 stars: “… the group began incorporating the influences of psychedelia and Dylan into their material with classics like ‘Paint It Black,’ an eerily insistent number one hit graced by some of the best use of sitar (played by Brian Jones) on a rock record. Other classics included the jazzy ‘Under My Thumb,’ where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad ‘Lady Jane,’ where dulcimer can be heard…”

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Beethoven / Symphony No. 5 / Ansermet

More of the Music of Beethoven

  • A vintage London pressing of this superb performance of Beethoven’s legendary 5th, here with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail utterly, and without good string reproduction, especially in the lower registers, a Beethoven symphony is simply not a pleasurable experience on highly resolving equipment
  • Clear, transparent, natural – throw this one on your turntable and your ability to suspend disbelief will require practically no effort at all
  • Guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own or your money back

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than you are there.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. Practically none of them will ever begin to sound the way this record sounds. Some of the worst of them can be found here.

Quality record production is a lost art, and it’s been lost for a very long time. (more…)

Bernstein – The Music of Leonard Bernstein / Rogers

More Orchestral Spectaculars

  • A STUNNING pressing with Shootout Winning Triple Plus (A+++) sound or close to it throughout – a true Orchestral Demo Disc from 1970
  • Here is a vintage London Phase 4 import pressing with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them on both sides – a true Orchestral Demo Disc from 1961
  • The Symphonic Dances from “West Side Story” sound stunning here – big, rich and Tubey Magical
  • The performances are wonderful – energetic yet lyrical when the score requires it
  • Vibrant orchestrations, top quality sound and fairly quiet surfaces combine for an astounding listening experience
  • We’ve identified a number of Orchestral Demo Discs of superior quality, and they can be found here

This London Phase 4 British import has some of the most spectacular sound we have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presences, EMIs and Deccas we’ve ever played. If we had a Classical Top 100 list, this record would belong in the Top Ten, right near the top judging by what we heard when we played it.

If you have a system with the speed, power, and size to play this record properly (yes, you will need all three and a whole lot more), it’s hard to imagine it would not qualify as one of the best sounding orchestral recordings you’ve ever heard.

Demo Disc barely begins to do it justice. What sound. What music. What a record!

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Eric Clapton – Unplugged

More of the Music of Eric Clapton

  • STUNNING Shootout Winning Triple Plus (A+++) sound or close to it brings Clapton’s latter day Masterpiece to life on this vintage Reprise pressing – exceptionally quiet vinyl too
  • The sonics of this superb import are rich, full-bodied, lively, and warm, with solid bass and breathy, clear vocals
  • There are a number of records that Eric Clapton has made over the years that are Must Own titles, and we would have no problem putting this album on that list
  • Consistency has never been the man’s strong suit, but you will simply not be able to find a bad track on this live album from 1992
  • 4 1/2 stars: “Unplugged is the concert and album that established the MTV program as a classy, tony showcase for artists eager to redefine themselves via reexamination of their catalogs, which is what Clapton cannily did here.”

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The Moody Blues – A Question of Balance

More of the Music of The Moody Blues

  • With INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them on both sides, this vintage UK pressing is doing practically everything right
  • Huge and spacious, as well as wonderfully Tubey Magical – to our way of thinking, if this isn’t exactly the way the band wanted to sound in 1970, we can’t imagine what would be
  • This pressing has some of the best Moody Blues sound we’ve ever heard – it’s a truly exceptional recording in their canon
  • Includes the big hit “Question,” one of the all time greats by the band, which sounds fantastic here of course
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you

Achieving just the right balance of “Moody Blues Sound” and transparency is no mean feat. You have to be using the real master tape for starters.

Then you need top end extension, a very rare quality on these imports, and finally, good bass definition to keep the bottom end from blurring and bleeding into the midrange.

No domestic copy in our experience has ever had these three qualities, and only the best of the British imports (no Dutch, German or Japanese need apply) manages to get all three on the same LP.

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Deep Purple – Burn

More British Blues Rock

  • The Hot Stamper debut of Burn, here with STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on sides of this early import pressing – exceptionally quiet vinyl too
  • Turn it up and you will hear sound that is incredibly powerful and natural with amazing presence, energy and weight down low
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on this album
  • 4 1/2 stars: “The phenomenal title track started things off at full throttle, actually challenging the seminal ‘Highway Star’ for the honor of best opener to any Deep Purple album, while showcasing the always impressive drumming of Ian Paice. Up next, the intro to the equally timeless ‘Might Just Take Your Life,’ however simple from a technical perspective, remains one of organist Jon Lord’s signature moments; and the downright nasty ‘Lay Down, Stay Down’ roared behind wildly careening starts and stops and a fantastic Ritchie Blackmore guitar solo which left no doubt as to who was the band’s primal force, regardless of lineup.”

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