Month: December 2021

Baja Marimba Band – Rides Again

More Exotica and Easy Listening

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • Baja Marimba Band returns with this superb copy of Rides Again, boasting Double Plus (A++) sound on both sides and vinyl that is about as quiet as we can find it
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • If you are familiar with other top recordings released by A&M engineered by Larry Levine, the killer Herb Alpert and Sergio Mendes albums just to mention a few, you know the sound of Rides Again
  • Super tubey, with low end weight and performance energy that leave most other records from 1965 in the dust

Larry Levine was the resident engineering genius at A&M Records, the man responsible for many of the best sounding Sergio Mendes albums.  What most people don’t realize is how good the best Herb Alpert recordings are, as well as the ones Herb produced, such as the second Baja Marimba Band album here.

The reason is simple: most of the A&M pressings out there only hint at the wonderful recording quality of these albums.

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City Boy – Young Men Gone West

More Glam Rock

More Albums from 1977

  • Super Hot Stamper or better sound on both sides of this Arty Glam Rock album
  • Produced by Robert John “Mutt” Lange before he hit it big with Foreigner and Def Leppard
  • As far as I know Mr Lange never produced an album that sounds this good
  • Plenty of Tubey Magical richness, which only the UK Vertigo pressings seem to have

Like many of my personal favorites, this is a band that never caught on in the states. I saw them live back in the late ’70s and thought they were killer — they reminded me of a more accessible version of 10cc. They write amusingly witty, clever lyrics and mate them to catchy melodies with lots of pop hooks, all produced with meticulous care and engineered with top audiophile sound.

They might fit in the general category of Glam Rock, owing, as they do, so much to Supertramp, Badfinger, Queen, 10cc, Ziggy-period Bowie and the like, but even as I write that it seems unfair to the band, which had a unique style all its own, worthy of the respect and admiration due any of these artists (well, maybe not all the respect, but some of it anyway). Fortunately for us record lovers, this is their best album. (more…)

Bill Evans – At Shelly’s Manne-Hole

More Bill Evans

More Jazz Recordings Featuring the Piano

  • This superb live album makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or very close to it throughout – exceptionally quiet vinyl too
  • Both sides are Tubey Magical yet clear, with plenty of performance energy and a lovely musical quality that’s noticeably missing from many of the copies we’ve played over the years (and no doubt the Heavy Vinyl pressing)
  • 4 stars: “. . . a 1964 release that finds the entire band in classic form. . . Jazz is rarely as sensitive or as melodic as this. Another classic from Bill Evans and company.”

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Jackie McLean – McLean’s Scene

More Jackie McLean

One of Our Favorite Titles from 1959

  • Surprisingly rich, lively and clear, with plenty of space for this exceptional group to occupy
  • Credit must go to Rudy Van Gelder once again for capturing the swinging energy of this superbly sympathetic ensemble
  • 4 stars: “McLean never really copied Charlie Parker and was one of the first in his generation to develop his own sound.”

Both sides are Tubey Magical, rich, open, spacious and tonally correct. These guys are playing live in the studio and you can really feel their presence on every track — assuming you have a copy that sounds like this one.

Based on what I’m hearing my feeling is that most of the natural, full-bodied, smooth, sweet sound of the album is on the master tape, and that all that was needed to transfer that vintage sound correctly onto vinyl disc was simply to thread up the tape on a high quality machine and hit play.

The fact that practically nobody seems to be able to make an especially good sounding record these days — certainly not as good sounding as this one — tells me that in fact I’m wrong to think that such an approach would work. Somebody should have been able to figure out how to do it by now. In our experience that is simply not the case today, and has not been for many years, if not decades. (more…)

The Recordings of Antonio Carlos Jobim – These Two Didn’t Make the Grade

More of the Music of Antonio Carlos Jobim

Hot Stamper Pressings of Bossa Nova Albums Available Now

Pictured to the left are a couple of the Antonio Carlos Jobim albums we’ve auditioned over the years.

Without going into specifics, we’ll just say these albums suffer from weak music, weak sound, or both. They may have some appeal to fans of the man, but audiophiles looking for top quality sound and music — our stock in trade — are best advised to look elsewhere.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record-loving friends at Better Records.

You can find this one in our Hall of Shame, along with others that — in our opinion — are best avoided by audiophiles looking for hi-fidelity sound. Some of these records may have passable sonics, but we found the music less than compelling.  These are also records you can safely avoid.

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Jimi Hendrix – Nine to the Universe

More Jimi Hendrix

More Rock Classics

  • This Hendrix instrumental compilation has Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • The five jams contained herein may be for fans, but if you count yourself among those who bow before the amazing improvisational guitar playing of Jimi Hendrix, this is going to be the best sounding copy you will likely ever hear
  • In a contemporary review for The Village Voice, Robert Christgau gave Nine to the Universe a “B+” and called it “bracing progressive” rhythm and blues showcasing Hendrix’s most jazz-oriented improvisations
  • According to music scholar Craig Hansen Werner, “Nine to the Universe was one of the few works that suggested the direction Hendrix and [Miles] Davis would have explored had they worked together.”

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Dead Can Dance – The Serpent’s Egg

More Dead Can Dance

  • An insanely good copy with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
  • These sides were doing everything right — clear, spacious and musical with tons of energy and a big punchy bottom end
  • Perry and Gerrard continued to experiment and improve with The Serpent’s Egg, as much a leap forward as Spleen and Ideal was some years previously. As with that album, The Serpent’s Egg was heralded by an astounding first track, “The Host of Seraphim”… it’s so jaw-droppingly good that almost the only reaction is sheer awe.” – All Music, 4 1/2 Stars

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Bach / Mozart / Two Violin Concertos – Laredo

More Violin Recordings

Hot Stamper Living Stereo Classical and Orchestral Titles Available Now

This original plum label Victrola pressing from 1965 has SUPERB sound on both sides. The Bach piece is a rich tapestry of strings spread across the stage and clearly separated left to right. There’s not much depth but that seems of little consequence; all the instruments are heard in their proper space and location. The tonality is right on the money throughout.

The Mozart concerto starts out sounding a bit opaque, but about an inch or so into the side it opens up wonderfully, with sweet, spacious, natural sound from there on out. Jaime Laredo plays both works superbly, and the Living Stereo quality sound brings his playing to life in a way that few recordings can.

Although never released as a real LSC, this Victrola pressing is every bit the equal of most of the better Living Stereo pressings. (more…)

The Glorious Sound of the SYL Pressing of On The Border

More of the Music of The Eagles

This commentary was written about fifteen years ago, prompted by the discovery of an amazingly good sounding British original pressing. We wrote:

You Never Cry Like A Lover is breathtaking on this copy — Glyn Johns is a genius I tell you!

We’re HUGE fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot. Many of you have probably forgotten how good this album is (assuming you were ever familiar with it in the first place) probably because the typical domestic copy you would have played back in the day is fairly hard on the ears. Most pressings, even the British ones, barely hint at the kind of sound you’ll hear on this Hot Stamper LP!

You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound on this copy. The LIFE and ENERGY of this pressing are going to knock you right out of your seat. Most copies leave you with a headache, but this one will have you begging to turn up the volume!

Let’s talk about the Eagles’ records from an audiophile perspective.

The Last Of The Glyn Johns Eagles Records

For their debut the Eagles recorded what we consider to be one of the Ten Best Sounding Rock Records in the history of recorded media. (We sometimes have some in stock. Click here to see.)

Wait a minute, the Eagles didn’t record anything, Glyn Johns did. He deserves all the credit for turning that first album into a Demo Disc of the highest order. Partway through this album, their third, they fired him. (The British ran Winston Churchill out of office after the war, so go figure.) Johns is credited with only two tracks, and as would be expected, those two are the real Demo Disc tracks on the album.

But as I way playing various copies of these original British SYL pressings (the SYL of Desperado is the one on the TAS List, don’t you know), I could easily recognize the fully-extended, harmonically-rich, super-low distortion, Tubey Magical, Unbelievably Sweet Glyn Johns ANALOG Sound everywhere in the soundfield I happened to look.

Almost every track has some of it.

Some Is Better Than None

Maybe not the full measure you hear on You Never Cry Like a Lover, the standout track from side one, but enough to make you realize that even half of a Glyn Johns recording is quite a bit better than what was to follow.

One of These Nights, recorded by Bill Szymczyk, his replacement, is clearly a step down in sound quality, but it has some very strong material that got played on the radio incessantly. Of course it went right to Number One.

Say what you want about Hotel California — a long in the tooth FM radio staple but not a bad recording by any means — it can’t begin to compete sonically with the likes of the first three Eagles albums that Johns did. (And now that you’re familiar with the two main guys who recorded this band, check the dead wax of your Eagles Greatest Hits pressings for a laugh.)

As good as it may be sonically, Desperado is still a fairly weak concept album that lacks consistency in the songwriting department. With two good songs and lots of filler, the album bombed commercially as well as critically.

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