pricing

Letter of the Week – “I’m still listening to the copy you sold me every few days, and loving it…”

More of the Music of Led Zeppelin

Reviews and Commentaries for Led Zeppelin II

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I noticed that a Super Hot of Zep 2, and now a Nearly White Hot, both sold out within hours of you listing them, despite some jaw-dropping prices.

Meanwhile, I’m still listening to the copy you sold me every few days, and loving it at least as much as I did on the first play. I’m still wincing at the price, but also feeling very glad you reached out to me about it. So, thanks again.

Aaron

Aaron,

Just think how many times you will play that record in your lifetime. A few bucks a play, for an experience like that, what a bargain!

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Ella and Louis – I Was Outbid on Ebay at $320

Ella Fitzgerald Albums with Hot Stampers

Ella Fitzgerald Albums We’ve Reviewed

Recently I tried to win a copy of this album on ebay, since I rarely see them locally anymore. Most of them are too noisy and groove damaged to do much with, but that’s the cost of doing business if your business is selling Hot Stamper pressings in audiophile playing condition.

A week or two ago I was outbid at $200+, beyond what I thought I should have to pay. How wrong I was. Yesterday I was outbid at $320.

There is a reason that at least some of our records are getting a lot pricier than they used to be.

And some titles, like this very album, are so rare in clean condition that we go years between shootouts.

Really, nothing is cheap anymore. The record bins in our local stores are badly picked over no matter how often we stop in. Plenty of Heavy Vinyl reissues are sitting there if that’s your thing. It sure isn’t ours.

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We Get Letters – “Have never seen such ridiculous pricing…!!”

Welcome to the Skeptical Audiophile

Click here to see more letters from fans and detractors alike.

This one comes from a fellow who, judging by the number of exclamation marks he saw fit to use, seems more than a little upset with us.

WHERE DO YOU GET THESE PRICES.!!!!!!!! Talk about overcharging customers…..
I’ve been collecting vinyl for over 35 years… Have Never seen such ridiculous pricing…!!
Even from Elusive Disc.!!!
What a joke.!!!!

Yes, we readily admit it, we are quite a bit more expensive than Elusive Disc.

But their records don’t sound good.

Shouldn’t that count for something?

To be fair, some of them might, but nobody that works there could tell you which ones do and which ones don’t, not even if you put a gun to their head.

If you would like to write us a letter, about our pricing or anything else, you may use as many exclamation marks as you deem sufficient to express the outrage you’re feeling. The more the merrier! (We’ll just go with one here.)

People ask us: How can your records possibly be worth these prices?, and we think we have a good answer.

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Carmen Fantaisie / Introduction And Rondo Capriccioso on Ebay for $787

Hot Stamper Pressings of the Music of Georges Bizet Available Now

NEWSFLASH 2021:

We sold this copy last night (10/10), immediately after one had sold in an auction on ebay for $787, a price almost two hundred dollars more than what we were asking.

Note that our copy was cleaned and auditioned and found to be both phenomenally good sounding and reasonably quiet. None of these things could be said of the record on ebay of course, but apparently the word is out that this is an amazing recording and the bidding reflected that fact. I have never seen one go for anything like this kind of dough. Now that they do — there were four bidders about $550 — you should not expect to see a Hot Stamper pressing of the album show up on our site again unless we get very lucky locally, and that is highly unlikely.


Our White Hot copy:

  • Unbelievable Shootout Winning Demo Disc quality sound throughout — Triple Plus (A+++) on both sides and vinyl that is as quiet as any that can be found from this era
  • This is a spectacular recording, and one of the Greatest Violin Showpiece Albums of All Time
  • It is certainly a record that belongs in every right-thinking audiophile’s collection. If you’re on our site and taking the time to read this, that probably means you.
  • Ruggiero Ricci is superb throughout – we know of no better performances of this works than those found on this very record
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case

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After The Gold Rush – Why So Expensive?

More of the Music of Neil Young

We built our reputation on finding Demo Disc Quality pressings like this. Who else can offer you a copy of After the Gold Rush that delivers this kind of Tubey Magical Analog sound?

The reason a record like this needs to sell for the kind of serious bread we charge is that there just aren’t that many clean copies that have survived; there aren’t that many copies with the right stampers; and there aren’t that many copies that were pressed just right, the way this one was.

I’ve been picking up originals of this record for 20 years. Nowadays we pick up every clean original copy that we see. People loved this album and played it to death. Who can blame them; it’s Young’s masterpiece. It’s actually a better album than Harvest, and Harvest is an awfully good album.

Most original copies of this album leave a lot to be desired. Some are clean but lack Tubey Magic and warmth. Others are thick, dull, and compressed sounding. And almost all of them are pressed on dubious vinyl or have been treated poorly.

Subtracting all the problematical copies, you’re left with only a handful of real contenders, copies that are good enough to go into a shootout with the potential to win it. If you would like to spend a couple of years finding, cleaning, and playing original pressings of After The Gold Rush, the chances are very good that you would eventually come across one like this.

Anyone can do it. But do you want to? Would you rather spend your free time searching for an amazing copy of Neil Young’s masterpiece or enjoying it?.

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Company Better Records Searches and Sells Most the Best Prints of Vinyl Albums!

Most the Best Prints of Vinyl Albums Available Now!

Years ago we were contacted by a Russian reporter who wanted to do a story on Better Records and our Hot Stampers. How could we possibly turn down the chance to spread the word to our liberated friends on the other side of the world about these amazing sounding pressings?

Note that the key feature of the article is how high the prices are. This is apparently big news in Russia, yes?

The full newspaper page shows three records, each of which is many hundreds of dollars. Crazy Americans? Maybe so, but we say put that on your revolving object and spin it if you don’t believe these are the most musical records. You will see that each cent spent for them is justified.

SOUND AND COLOR

Selectors from California

Company Better Records searches and sells most the best prints of classical vinyl albums

If still one week ago you I am ready to give the sum for well written down vinylic disk, I, perhaps, have stopped on fifty dollars. The price reissue disks in the catalogue of Company Acousticsunds.com is those at the maximum. But in the same catalogue there are disks and on 20 dollars.

Purchase of disks – not cheap pleasure. But who has told, what the illness, known to us as “audiophilia” – for those who wishes to save? What component of a stereosystem take, fluctuations in the price – thousand dollars. It is possible to get a revolving object both for 500 dollars, and for 50 thousand Difference – hundredfold, thus, I assure you, what is also more dear what for, to limit the most valuable component of a stereosystem – the most musical record?

Recently I have learned, that there are records which cost in tens times more expensively. They for elites, and these elites approve, that each cent spent for them is justified.

It is a question of Californian company Better Records which main goods – Hot Stampers, Is a plate which correspond to the highest requirements of sounding.

[words missing in newspaper scan]… a way – to hear to it. You can trust only to the ears, instead of all those advertising labels which today decorate disks for audiophiles.

– Means, you listen to each disk which you then sell as hot-stamper?
– Only so.

– How many at you leaves on it of time?
– It is enough to hear to 10 seconds to define its quality. If it sounds well – we put aside it. Then we listen to it more closely and we estimate according to ours and after a sink [I think this means record cleaning] will be huge. Therefore the machine for a sink of disks also costs thousand dollars! (more…)

Our “Hard” Work in 2005 Continues to Pay Dividends

More of the Music of Neil Young

Below you will find our first Hot Stamper listing for Neil’s masterpiece from 1970.

This is an album we admit to being obsessed with. We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

Folks, your Hot Stamper collection is just not complete without a knockout copy of After The Gold Rush; that’s why we’ve named it a Better Records All Time Top 100 title. We built our reputation on finding records that sound like this, because who else can find a copy of this album that delivers so much magic? When you drop the needle on any track on side two, you’ll know exactly why we are able to charge these kind of prices for a record like this — because on the right system, it’ll sound like a million bucks! (more…)

We Have to Pay $18 for Albums Like This Now?

More of the Music of The Talking Heads

UPDATE 2020

Our first shootout was in 2011. You will see below that we complain about copies of this record costing us all of $18.

They run us about four to five times that much now.

If you have a clean original MASTERDISK pressing that you want to sell, please contact us, we may want to buy it and we do we will happily pay you good money for it.


AMAZING SOUND ON BOTH SIDES of this White Hot Stamper LP. Side two rates A+++ and side one is not far behind at A++ – A+++. This copy murdered the typical pressings in an incredibly enjoyable shootout.We couldn’t believe how amazing this album can sound on a top copy. I’d even say that it’s a sonic step up from More Songs About Buildings and Food, Fear Of Music and Remain In Light, probably tying with Little Creatures for top Talking Heads honors.

We’re huge Talking Heads fans at Better Records, but we’ve never tried to shoot out this album before this year because the copies we had played to this point were no great shakes. Regular copies of this album are now getting priced up to $17.99 at our local stores, so we just hadn’t bothered to pick up too many until we heard a surprisingly good copy earlier this year. We started stocking up on them and we ended needing a big stack, because only a few of them were able to show us what this album can really do.

This album, and specifically this Hot Stamper, has the energy and power of live rock and roll, no doubt about it. The sound here is so analog — warm, rich and smooth. This copy has the kind of fullness and life that are hard to come by for this music. Put this one up against your old copy and you’ll hear what I’m talking about.


Further Reading

Fleetwood Mac – A Ten to Twenty Dollar Used Record? Yeah, We Know Already

Hot Stamper Pressings of the Music of Fleetwood Mac Available Now

You would have to go through at least a dozen or more copies of Rumours to even hope to find one in a league with our best pressings. That’s a lot of record hunting, record cleaning and record playing!

If you know anything about this record, you know that the average domestic pressing of this album is quite average sounding; the good ones are few and far between.

And the stampers, as we’ve come to learn, aren’t the whole story. For one thing, there are at least 75 different side ones and 75 different side twos, all cut by Ken Perry at Capitol on the same three cutters from — we’re assuming, we weren’t there — the same tapes.

But of course they all sound different. Ken also cut the original English and Japanese pressings; his KP is in the dead wax for all to see. The two import KP copies that I heard were quite good, by the way. Not the best, but very good. He only cut the originals though, so practically every import copy you can find will be a reissue made from a dub, ugh.

A Ten to Twenty Dollar Used Record? Yeah, We Know Already

So if you’re the kind of person who likes to complain about us charging hundreds of dollars for a record that can be found in every used bin in town for under twenty, save yourself some typing: that’s the price we pay too.

And if the copy you paid fifteen bucks for sounds good enough, more power to you. Go with god, as they say.

But if your copy doesn’t thrill you — and it’s unlikely that it does — then you have a lot of work ahead of you if you expect to find one that sounds like ours. We wish you well. We wish everybody who likes to do his own shootouts well.

We know the kind of time and energy it takes to find great records, probably better than anyone on the planet. If you have that kind of time and energy available to you, go for it. It takes us a staff of six and access to all the records in the record capitol of the world to pull it off, with thirty years experience doing it no less.

But it can be done, and you can do it. You just have to be willing to put in the time and effort. The records are cheap, right? Fifteen bucks each, we know already.

Miles Davis / Steamin’ – A Thousand Bucks and Worth Every Penny (When It Sounds Like This)

More of the Music of Miles Davis

  • Insanely good sound throughout for this extremely rare original Prestige Yellow and Black label pressing with both sides earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
  • This early Mono pressing takes the sound of the recording to a place we never thought it could go – never have we heard an album from these famous sessions sound as good as this very LP
  • An original in pristine condition, with this kind of sound, is a record that is very unlikely to pass our way again
  • 5 stars: “The end results are consistently astonishing. At the center of Steamin’, as with most outings by this band, are the group improvisations which consist of solo upon solo of arguably the sweetest and otherwise most swinging interactions known to have existed between musicians.”

WOW — this Prestige Yellow Label Mono pressing has some of the most realistic, natural Miles Davis sound we’ve ever heard! Both sides earned A+++ grades and play Mint Minus to Mint Minus Minus, truly exceptional for a vintage pressing such as this one. You will have an incredibly difficult time finding a copy that can hold its own with this one. (more…)