More Country and Country Rock
- This copy was doing practically everything right, earning killer Nearly Triple Plus (A++ to A+++) grades from start to finish – just shy of our Shootout Winner
- Both of these sides are big, rich and sweet with exceptionally breathy vocals, excellent clarity and plenty of bottom end weight
- Old Timers like me remember the ridiculously bright and phony-sounding Mobile Fidelity pressing — one of their much-too-frequent embarrassments from back in the day
- Our Hot Stampers will of course sound dramatically different, with tonally correct mids and highs and none of the blobby bass that is the unavoidable sonic signature of half-speed mastering
- 4 stars: “Quarter Moon in a Ten Cent Town is a transitional effort that bridges the curveballs of Emmylou Harris’ earliest solo work with the more traditional country albums that comprise the bulk of the second phase of her career.”
- If you’re a fan of Emmylou’s, this one from 1978 is surely one of her better albums
The sound that Emmylou and her producers were going for here is clean, detailed and low distortion, which is exactly what the best pressings like this one deliver! What really sets the good copies apart, though, is the natural, relaxed quality of the vocals. Emmylou sounds like a real person, with none of the harsh, sterile sound that ruins so many pressings. Check out the duet with Willie Nelson on “One Paper Kid” — both vocalists sound wonderful. That’s the sound you want. (more…)









