1978

Gerry Rafferty – City To City

More Gerry Rafferty

  • This early British pressing boasts a STUNNING Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two – fairly quiet vinyl too
  • City To City is a Must Own album – no right-thinking audiophile can fail to be impressed by the songwriting and production of Rafferty’s masterpiece of British Folk Pop
  • You won’t believe how rich, Tubey Magical, big, undistorted and present this copy is (until you play it anyway)
  • If all you know are audiophile or domestic pressings, you should be prepared for a mind-blowing experience with this UK pressing
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “Rafferty’s turns of phrase and tight composition skills create a fresh sound and perspective all his own… resulting in a classic platter buoyed by many moments of sheer genius.”
  • A list of Must Own rock and pop from 1977 would have to have this album on it, somethere near the top I would think
  • In our opinion, City to City is Rafferty’s best sounding album, and probably the only Rafferty solo release you’ll ever need.
  • Click on this link to see more titles we like to call one and done. Night Owl (1979), Snakes and Ladders (1980) and Can I Have My Money Back (1971) strike us as weak albums, strictly for hardcore fans.

Here you will find the kind of rich, sweet, classically British Tubey Magical sound that we cannot get enough of here at Better Records. (more…)

Willie Nelson / Stardust – A Copy This Good Deserves a Place on a Super Disc List

More of the Music of Willie Nelson

  • From the first few moments of the title track you’ll be blown away by the in-the-room immediacy of The Man himself
  • Boasting two KILLER Shootout Winning Triple Plus (A+++) sides, this vintage pressing of this exceptionally well-recorded album is certainly as good as we have ever heard
  • Here are just a few of the things we have to say about this amazing copy in our notes: “spacious, sweet and dynamic vox”…”big, tubey and up front”…”so rich and weighty”…”excellent detail”
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • This copy is hi-res without sacrificing the analog warmth that makes the recording so exceptional, especially for one from 1978
  • 5 stars: “Stardust showcases Nelson’s skills as a musician and his entire aesthetic — where there is nothing separating classic American musical forms, it can all be played together — perhaps better than any other album…”
  • If you’re a fan of The Great American Songbook, this is a killer recording from 1978 that belongs in your collection.

Georgia On My Mind is a DEMO QUALITY track on this album. You aren’t going to believe all the ambience on this copy. The top end is gorgeous — sweet, delicate, and silky with loads of extension. The sound is extremely hi-res without sacrificing any of the warmth that makes this music so special.

Just listen to the rimshots and the bell in Georgia On My Mind — we guarantee you have NEVER heard those instruments sound so present, clear, and immediate.

Willie’s voice is natural and tonally correct, with all the breathy texture you could ever hope to hear. The acoustic guitars and Booker T.’s organ are perfection. (more…)

The Best of Earth Wind & Fire – A Real Treat for Us Audiophiles

More of the Music of Earth, Wind and Fire

More Recordings by George Massenburg

  • Both of these sides boast unrivaled sound and pop soul energy that is BIGGER and RICHER than anything you’ve ever heard
  • Tubey Magical, rich, smooth, sweet – everything that we listen for in a great record is on display for everyone to hear (everyone with audiophile equipment that is)
  • With a big speaker system turned up good and loud, the first track is simply mind-boggling
  • 5 stars: “The Best of Earth, Wind & Fire, Vol. 1 still ranks as a strong encapsulation of EWF the funk innovators. The singles gathered here constitute some of the richest, most sophisticated music the funk movement ever produced…”
  • This is a personal favorite of yours truly, and a Must Own album from 1978, which, in hindsight, turned out to be a surprisingly good year for music

The first track on the album is “Got To Get You Into My Life” and it sounds incredible on this copy.

What a song. And it’s not on any other EWF album. Three points to make here:

  1. It’s from the real master tape;
  2. It happens to have Demo Disc quality sound, which means:
  3. You need this record in your collection.

Since this is a “best of,” every song is a hit and every one of them will have you singin’ yourself hoarse. If you like pop-soul music at all, you have to like these guys. And these songs. Every one is a gem of popcraft, with arrangements as tight as the sequined white suits the band members wore.

Finding The Good Ones

The Shootout Winning pressings sound amazing, with big-as-life Demo Disc quality sound. Lucky for us, EWF was always an audiophile-oriented band. They produced some of the best 70s multi-track recordings around.

With a big speaker system turned up good and loud the first track is simply mind-boggling. It’s some of the best sound we have heard around here in weeks, and we play a lot of good sounding records!

As you can imagine, most copies of this album leave a lot to be desired. Most were, to one degree or another, dull, smeary, opaque, gritty or shrill.

Our Hot Stampers, on the other hand, depending on how hot they are, will give you the sound you’re looking for. If you’re a fan of big horns, with jump-out-of-the-speakers sound, this is the album for you. Some of the best R&B-pop brass ever recorded can be found here — full-bodied, powerful, fast, dynamic and tonally correct.

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Billy Joel – 52nd Street

More of the Music of Billy Joel

  • This vintage pressing boasts an INCREDIBLE Shootout Winning Triple Plus (A+++) side two mated to an excellent Double Plus (A++) side one – exceptionally quiet vinyl too
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • Some of the man’s biggest hits are here: “You May Be Right,” “Don’t Ask Me Why” and “It’s Still Rock & Roll To Me”
  • 4 1/2 stars: “Instead of turning out to be a fiery rebuttal to his detractors, the album is a remarkable catalog of contemporary pop styles … That’s not a detriment; that’s the album’s strength.”
  • If I were to compile a list of Must Own rock albums from 1978, this album would have to be on it, and it is!
  • This is our pick for Billy Joel’s best sounding album. Roughly 150 other listings for the best recording by an artist or group can be found here on the blog.

When you hear this pressing you’ll understand why.

We heard some amazing sound coming from the grooves of 52nd Street, but let’s give credit where credit is due — the recording and mastering engineers involved with this album. Jim Boyer and Ted Jensen can both take great pride in the SUPERB work they have done here. (more…)

Ed Graham – Hot Stix (45 RPM)

More Direct to Disc Recordings

More Percussion Recordings of Interest

  • Hot Stix appears on the site for only the second time ever, here with solid Double Plus (A++) grades or BETTER throughout this original M&K RealTime direct to disc pressing
  • Side one was sonically very close to our Shootout Winner – you will be amazed at how big and rich and tubey the sound is
  • Both of these West German-pressed sides were more spacious, natural, and transparent than most of the others we played
  • This copy is full-bodied and lively, with solid weight down low, as well as excellent clarity all around – it raises the bar for this kind percussion-based, free improv jazz on vinyl

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Paul McCartney and Wings – London Town

More Paul McCartney

  • A vintage import pressing with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • Here are just a few of the things we had to say about this stunning copy in our notes: “sweet and rich vox”…”big and rich”…”heavy, deep bass”…”weighty and rich [piano] keys”…”jumping out of the speakers”
  • Clean, clear, and full-bodied with a solid bottom end – this copy was a big step up over practically all others in our recent shootout
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on London Town
  • 4 star: “… it’s certainly stronger than Speed and, in its own way, as satisfying as Venus and Mars… It’s a laid-back, almost effortless collection of professional pop and, as such, it’s one of his strongest albums.”

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The Jam – All Mod Cons

More Rock and Pop

More New Wave

  • An early UK pressing of All Mod Cons (only the second copy to ever hit the site) with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – fairly quiet vinyl too
  • We guarantee that you have never heard these songs sound as big, bold and alive as they do here
  • “In 2000, Q placed All Mod Cons at number 50 on its list of the ‘100 Greatest British Albums Ever.’ In 2013, NME ranked All Mod Cons at number 219 on its list of the 500 greatest albums of all time. The album is listed in the reference book 1001 Albums You Must Hear Before You Die.” – Wikipedia
  • 5 stars: “Terms like ‘classic’ are often bandied about, but in the case of All Mod Cons, it is certainly deserved.”

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Lee Ritenour – Friendship

More Lee Ritenour

More Audiophile Recordings

  • Superb sound throughout this original Direct-to-Disc Japanese import pressing, with both sides earning Double Plus (A++) grades – fairly quiet vinyl too
  • Full-bodied and warm, exactly the way you want your vintage analog to sound – the guitar is surprisingly real here
  • Both of these sides are Tubey Magical, lively and funky, with the kind of rich, solid sound that will fill your listening room from wall to wall
  • “The third of three Lee Ritenour sets originally cut for Japanese JVC matches the studio guitarist with … Ernie Watts (on tenor and soprano), both Dave and Don Grusin on keyboards, electric bassist Abraham Laboriel, drummer Steve Gadd and percussionist Steve Forman.”
  • Friendship is without a doubt this group’s best sounding album, and, to our way of thinking, their only essential one

This is one of my all time favorite audiophile discs. It’s actually real music.

The song “Woody Creek” is wonderful and reason enough to own this excellent album. The guitar of Lee Ritenour and the saxophone of Ernie Watts double up during a substantial portion of this song and the effect is just amazing.

Special kudos should go to Ernie Watts on sax, who blows some mean lines. But everybody is good on this album, especially the leader, Lee Ritenour. I saw these guys live and they put on a great show.

By the way, looking in the dead wax I see this record was cut by none other than Stan Ricker of Mobile Fidelity fame himself!

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Toto – Self-Titled

More Toto

Reviews and Commentaries for the Music of Toto

  • Outstanding sound for the band’s debut LP, with both sides earning Double Plus (A++) grades
  • Toto’s albums have the kind of analog sound we love here at Better Records – they’re rich, huge and present, with tons of Tubey Magic and wall to wall spaciousness
  • Lukather’s overdriven guitar adds so much power to the music – the perfect combo of grungy guitars and rock star vocals makes “Hold the Line” a staple of rock radio to this day
  • 4 stars: “Toto’s rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. Singles like ‘I’ll Supply the Love’ made the charts, and ‘Hold the Line’ hit the Top Ten.”

This is analog, make no mistake about it. Those smooth sweet vocals, open top and rich full bottom are a dead giveaway that you are playing a record and not a CD. (I understand the CD for this title is awful; bright, thin and downright painful. This is the problem with the CD: if they do a bad job making it, and you no longer own a turntable, what are your options? Squat, pretty much.)

Pop production techniques were very advanced by 1978, providing plenty of natural sounding roomy reverb around the vocals and guitars. Lukather’s overdriven, distorted guitar has near-perfect tonality; it adds so much power to the music.

Just like the Hot Stampers for Aqualung, when the guitar sounds this good, it really makes you sit up and take notice of the guy’s playing. When the sound works the music works, our definition of a Hot Stamper in seven words or less.

Turn up the volume? You better believe it!

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Neil Young – Comes A Time

More Neil Young

  • This wonderful early pressing of Neil’s brilliant Folky album from 1978 (the first copy to hit the site in sixteen months) boasts INSANELY GOOD Shootout Winning Triple Plus (A+++) grades from top to bottom – exceptionally quiet vinyl too
  • Drop the needle on “Comes A Time” or “Look Out For My Love” and hear how rich, warm and Tubey Magical the sound is
  • The better copies of Comes A Time are the sonic equal of the best recordings in Neil’s catalog – and that’s saying a lot
  • 4 1/2 stars: “Comes a Time finally was the Neil Young album for the millions of fans who had loved Harvest, an acoustic-based record with country overtones and romantic, autobiographical lyrics, and many of those fans returned to the fold, enough to make Comes a Time Young’s first Top Ten album since Harvest.”

Here’s a copy of Comes A Time that actually delivers the kind of Tubey Analog Magic you get from the good pressings of his earlier albums.

This superb Demo Disc has been overlooked by the audiophile press for forty years. The best-sounding Neil Young records — just look in our Hot Stamper listings to find them — have Demo Disc sound to beat the band. I defy anyone to play me a better-sounding record than Zuma or Gold Rush. Analog doesn’t get any more magical.

On the best copies, all the Demo Disc qualities are here: breathy vocals with solid body; huge amounts of ambience; super-transparency; dynamics; note-like punchy bass — the list goes on and on.

Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

The All Music Guide is right on the money with their four and a half star assessment. We also wholeheartedly agree that this is the True Successor to Harvest, and would add that it’s the only Neil Young album to merit that distinction. To be blunt about it, Harvest Moon is no Comes a Time. (more…)