Best on Vintage Imported Vinyl

The right import pressings of these albums have the potential to sound better than even the best domestic pressings.

Cream – Wheels Of Fire

More of the Music of Cream

  • Cream rocks on these vintage UK import pressings with solid Double Plus (A++) sound or close to it on all FOUR sides – remarkably quiet vinyl too
  • The power and energy of these live sides is off the charts — punchy, open, and spacious with bass and WHOMP you have never experienced for this music, guaranteed (particularly on side three)
  • Everything you’d want sonically from a live Cream recording is present on this copy – big-time presence, an abundance of life, tonal correctness, and loads of Tubey Magic (also particularly on side three)
  • 4 stars: “…[Eric] Clapton is at a peak here, whether he’s tearing off solos on a 17-minute ‘Spoonful’ or goosing ‘White Room’ toward the heights of madness. But it’s the architect of ‘White Room,’ bassist Jack Bruce, who, along with his collaborator Peter Brown, reaches a peak as a songwriter…. [I]n many ways Wheels of Fire is indeed filled with Cream’s very best work.
  • If you’re a fan of Clapton and the band, this RSO UK import from 1968 belongs in your collection.

It’s exceptionally difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues over the years, and it’s very rare to find a copy that sounds this good on all four sides. (more…)

Deep Purple / Who Do We Think We Are

More British Blues Rock

  • A vintage British Import Purple Records pressing with two solid Double Plus (A++) or BETTER sides – remarkably quiet vinyl too
  • The sound here is big, bold and lively with real weight down low and excellent presence
  • The big hit song from this one was “Woman From Tokyo” and it sounds amazing on this copy — very natural with real texture to the guitars and lots of WHOMP down low

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Ultravox – Vienna

More Rock and Pop

  • A Vienna like you’ve rarely heard, with very good Hot Stamper grades throughout this early UK Chrysalis pressing – exceptionally quiet vinyl too
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • 4 1/2 stars: “…Vienna kicked off Ultravox’s second phase with former Rich Kids vocalist Midge Ure at the helm. Trading [departed vocalist] John Foxx’s glam rock stance for Ure’s aristocratic delivery, Vienna recasts the band as a melodramatic synth pop chamber ensemble with most of the group doubling on traditional string quartet instruments and the synthesizers often serving to emulate an orchestra. It was a bold move that took awhile to pay off, but when the monolithic title track was released, the Ure lineup became the band’s most identifiable one almost overnight.”

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Steve Winwood – Arc of a Diver

More Records We Only Sell on Import Vinyl

  • This early UK Island pressing boasts two solid Double Plus (A++) sides or close to them – exceptionally quiet vinyl too
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied – Winwood’s leads really soar (particularly on side one)
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Arc of a Diver
  • 4 1/2 stars: “Utterly unencumbered by the baggage of his long years in the music business, Winwood reinvents himself as a completely contemporary artist on this outstanding album, leading off with his best solo song, ‘While You See a Chance.'”

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Schumann and Grieg Piano Concertos / Lupu / Previn

More of the Music of Grieg

  • With solid Double Plus (A++) sound from first note to last, this vintage London pressing of this wonderful classical Masterpiece is doing just about everything right
  • These sides boast full brass and an especially clear, solid, present piano, one with practically no trace of vintage analog tube smear
  • Dynamic, huge, lively, transparent and natural – with a record this good, your ability to suspend disbelief will require practically no effort at all
  • Back in the days when the TAS Super Disc list meant something, this record was on it and deservedly so
  • Our two favorite recordings of the Grieg Piano Concerto are this one and Rubinstein’s for RCA in 1962
  • There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.

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The Beatles – Sgt. Pepper’s Lonely Heart’s Club Band

  • With two solid Double Plus (A++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK Parlophone LP – fairly quiet vinyl too
  • Huge, spacious and detailed, with the Tubey Magic of a fresh tape, this is the way to hear Sgt. Pepper in all its analog glory, not remixed and not remastered (and ruined, of course)
  • Most pressings – especially the new ones – have nothing approaching the resolution, Tubey Magic, space and energy of this LP
  • A Better Records Top 100 – “It’s possible to argue that there are better Beatles albums, yet no album is as historically important as this.”
  • It’s hard to conceive of any list of the best rock and pop albums of 1967 that would not have this record on it, and there is a very good chance it would be perched right at the top of that list
  • Quite a few customers have written us letters telling us how much they enjoyed the Hot Stamper pressing of Sgt. Pepper we sent them

The sound here is so big and rich, so clear and transparent, that we would be very surprised, shocked even, if you’ve ever imagined that any pressing of Sgt. Pepper could sound this powerful and REAL. (more…)

Jimi Hendrix – Electric Ladyland

More of the Music of Jimi Hendrix

  • An Electric Ladyland like you’ve never heard, with solid Double Plus (A++) sound on all FOUR sides of this UK import copy – fairly quiet vinyl too
  • Forget the Track originals – they can’t hold a candle to the Hot Stamper reissues like the one we are offering here
  • Big, clear, tubey, sweet analog sound – we played it good and loud and it was rockin’!
  • Probably the best-recorded of Hendrix’s studio albums – huge studio space and the Tubey Magical richness of analog are key to the best sound
  • 5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
  • If you’re a fan of Jimi and his band, this UK import of his 1968 classic belongs in your collection.
  • If I were to make a list of the best Rock and Pop albums from 1968, this album would definitely be on it.

Some of Jimi’s best songs can be found here, including “Crosstown Traffic,” “Voodoo Child (Slight Return)” and his incendiary cover of Dylan’s “All Along The Watchtower.” All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.

Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.

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King Crimson – In The Court Of The Crimson King

  • You’ll find incredible Nearly Triple Plus (A++ to A+++) sound throughout this vintage import copy of the band’s Prog Rock Masterpiece – just shy of our Shootout Winner
  • We had a wide variety of Islands (Pink and Sunray) and UK Polydor pressings, and only two of those labels can have Hot Stampers based on the many shootouts we’ve done over the years
  • On a pressing as good as this one, turned up to seriously loud levels, the horns blasting away on “21st Century Schizoid Man” are guaranteed to blow your mind
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “The group’s definitive album, and one of the most daring debut albums ever …. it blew all of the progressive/psychedelic competition out of the running, although it was almost too good for the band’s own good — it took King Crimson nearly four years to come up with a record as strong or concise.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. In the Court of the Crimson King is a good example of a record many audiophiles may not know well but should get to know better

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Thin Lizzy – Johnny the Fox

More British Blues Rock

  • A Johnny the Fox like you’ve never heard, with solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • This vintage UK pressing has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and lovely analog warmth
  • The sonics are lively, punchy, and powerful – with all due respect, it should murder whatever copies you may have
  • 4 stars: “All the same strengths [of Jailbreak] are still here — the band still sounds as thunderous as a force of nature, Phil Lynott’s writing is still graced with elegant turns of phrase, [and] his singing is still soulful and seductive…”

This vintage UK Vertigo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

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Yes – Time And A Word

More of the Music of Yes

  • You’ll find INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it throughout this vintage UK pressing
  • Some of the best High Production Value rock music of the 60s and 70s, thanks to the band and a Mr. Eddie Offord
  • If you’ve ever heard one of our Yes Album or Fragile Hot Stampers, you’ll know what to expect here – huge and powerful sound
  • “…the group was developing a much tauter ensemble than was evident on their first LP, so there’s no lack of visceral excitement. ‘No Opportunity Necessary, No Experience Needed’ was a bold opening [and] ‘Everydays’ is highlighted by Anderson’s ethereal vocals and Kaye’s dueting with the orchestra.”

On the better copies of Yes’s second album, the cymbal crashes are big and powerful with correct high frequency extension. The sound of the organs and synths is huge, immediate and — above all — real.

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