Album Debuts

Black Sabbath / Self-Titled

More of the Music of Black Sabbath

  • Boasting two STUNNING Shootout Winning Triple Plus (A+++) sides or close to them, this copy of Sabbath’s debut LP rocks like nothing you’ve heard – remarkably quiet vinyl too for any record pressed in this era
  • Massive, powerful and spacious throughout – this original Green Label pressing is big, rich and solid like you won’t believe
  • The better copies are stunning Demo Discs – crank it up good and loud and if you have the right system for it you can be sure your audiophile friends will never forget it
  • 4 1/2 stars on AllMusic and one of the best sounding hard rock recordings from the era, or, to be honest, from any era
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life.
  • We think this is the band’s best sounding album. Roughly 150 other listings for the Best Sounding Album by an Artist or Group can be found here.

Top 100

Back in 2018 we wrote:

This title will surely make the cut next time we update our Top 100 Rock and Pop List. I would go so far as to say that the best copies of this album have sound as good or better than anything I’ve heard all year, and that’s an awful lot of great sounding records, hundreds and hundreds of them.

It did in fact make the Top 100 a while back. The album is hard to find in audiophile playing condition, but we make the effort and this killer Hot Stamper is the result.

Sabbath recorded their set list more or less live in the studio. This give the recording an unprocessed quality that really stands out on the best copies. The best Green Label pressings sound raw and real, with sound that is a perfect match for the band’s powerfully dark music.

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The Allman Brothers – The Allman Brothers

More Southern Rock

  • A vintage copy of the band’s debut LP with killer Nearly Triple Plus (A++ to A+++) grades on both sides – just shy of our Shootout Winner
  • Our last shootout was more than five years ago, which simply reflects the fact that the right pressings of this album in clean condition are all but unfindable
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
  • 4 1/2 stars: “This might be the best debut album ever delivered by an American blues band, a bold, powerful, hard-edged, soulful essay in electric blues with a native Southern ambience. There isn’t a bad song here, and only the fact that the group did even better the next time out keeps this from getting the highest possible rating.”

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Ry Cooder – Self-Titled

More of the Music of Ry Cooder

  • This vintage Reprise pressing of Ry Cooder’s 1970 debut was doing most everything right, with both sides earning solid Double Plus (A++) grades – fairly quiet vinyl too
  • If you want to hear the brilliant Lee Herschberg‘s All Analog Recording skills brought to bear on so many different instruments serving an assortment of sonic textures, this is the copy that will let you do it
  • 4 stars: “Cooder’s debut creates an intriguing fusion of blues, folk, rock & roll, and pop, filtered through his own intricate, syncopated guitar; Van Dyke Parks and Lenny Waronker’s idiosyncratic production… Cooder puts this unique blend across with a combination of terrific songs, virtuosic playing, and quirky, yet imaginative, arrangements.”
  • This is clearly Ry Cooder’s best sounding album. Roughly 150 other listings for the Best Sounding Album by an Artist or Group (sounds like a Grammy Awards category, doesn’t it?) can be found here.
  • This is a Must Own Title from 1970, a great year for Rock and Pop music, perhaps the best ever

The music reminds me a lot of early Little Feat, which is a good thing. The sound is somewhat similar as well, which is to say that it is natural and musical, nothing like the hyped-up hi-fi sound of his TAS-listed album Jazz — and that’s a good thing as well.

There are some great songs here, including My Old Kentucky Home, One Meat Ball and How Can A Poor Man Stand Such Times And Live. It may even be his best album. (more…)

King Crimson – In The Court Of The Crimson King

  • You’ll find incredible Nearly Triple Plus (A++ to A+++) sound throughout this vintage import copy of the band’s Prog Rock Masterpiece – just shy of our Shootout Winner
  • We had a wide variety of Islands (Pink and Sunray) and UK Polydor pressings, and only two of those labels can have Hot Stampers based on the many shootouts we’ve done over the years
  • On a pressing as good as this one, turned up to seriously loud levels, the horns blasting away on “21st Century Schizoid Man” are guaranteed to blow your mind
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “The group’s definitive album, and one of the most daring debut albums ever …. it blew all of the progressive/psychedelic competition out of the running, although it was almost too good for the band’s own good — it took King Crimson nearly four years to come up with a record as strong or concise.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. In the Court of the Crimson King is a good example of a record many audiophiles may not know well but should get to know better

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Carly Simon – Self-Titled

More of the Music of Carly Simon

  • An early Elektra pressing that was doing practically everything right, with both sides earning INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them
  • Impossibly quiet vinyl too – it’s the rare Butterfly Elektra pressing that can play quiet enough to earn even our Mint Minus Minus grade
  • Can you believe that the producer and engineer of Carly’s debut is none other than Eddie Kramer?!
  • “That’s The Way I’ve Always Heard It Should Be” is the killer track here and it sounds fantastic on this copy
  • These sides really brought this big production to life and allowed so many elements to work in harmony
  • It’s a good example of what a truly Hot Stamper pressing is supposed to do – let the music work as music

The richness and the sweetness of the midrange on the better copies are exactly what you’d be looking for on this heavily-produced pop album, and this copy gives you that sound like no other copy you’ve ever heard.

Credit must go to Eddie Kramer, legendary producer and engineer for the likes of Hendrix and Zeppelin. He knows how to get good sound all right, although Female Singer Songwriter albums in his catalog are fairly light on the ground.

(Richard Perry became the go-to guy for those productions as the 70s wore on.)

This may, in fact, be the only one Eddie ever did. But he knows Big Production Rock, and that’s what most of this album is about.

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Tears for Fears – The Hurting

More  of the Music of Tears for Fears

  • Very good sound for TFF’s debut album, with both sides earning Hot Stamper grades – exceptionally quiet vinyl too
  • Classic tracks like “Mad World,” “Pale Shelter,” and “Change” have stood the test of time – they’re played in TFF’s concerts to this day (we saw them not that long ago)
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • 4 1/2 stars: “…powerful pieces of music, beautifully executed in an almost minimalist style…an exquisite sonic painting sweeping the listener up in layers of pulsing synthesizers, acoustic guitar arpeggios, and sheets of electronic sound…”

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Culture Club – Kissing To Be Clever

More Records We Only Sell on Import Vinyl

  • Kissing To Be Clever debuts on the site with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – fairly quiet vinyl too
  • Both sides of this early British pressing are big, rich and punchy with wonderfully breathy vocals, excellent clarity and a plenty of bottom end weight
  • Forget the domestic pressings on Epic — again and again our notes read “dull, thin and gritty,” which is how I remember the album sounding when I bought my first copy back in 1982
  • The sound varies somewhat from track to track — I hope to put something on the blog detailing the differences we heard as we spot-checked every song on both sides
  • 4 stars: “Incorporating pop, rock, dance, new wave, soul, and Caribbean rhythms (an amalgamation of “cultures”), the result was a soulful, progressive pop outing that scored several landmark international hits and made a star out of the band’s outrageous frontman, Boy George.”

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Bad Company – Self-Titled (UK Press)

More of the Music of Bad Company

  • Bad Company’s classic debut LP, here with very good Hot Stamper grades from start to finish
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • A member of the Better Records Rock and Pop Top 100, and a Must Own Classic Rock title from 1974
  • 4 1/2 stars: “Bad Company’s 1974 self-titled release stands as one of the most important and accomplished debut hard rock albums from the 70s … it was one of the most successful steps in the continuing evolution of rock & roll.”
  • If you’re a Classic Rock fan, then Bad Company’s killer debut album from 1974 belongs in your collection.

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Men At Work – Business As Usual

More Titles We Only Offer on Import

  • This UK import copy boasts a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one – fairly quiet vinyl too
  • “Who Can It Be Now” and “Down Under” are the big hits, and we guarantee you’ve never heard them sound as good as they do on this vintage pressing
  • Big and full-bodied, and much smoother than practically all others, with an abundance of energy, the sound here immediately set the sonic bar very high
  • “The production sound was low-key, but clean and uncluttered. Indeed, the songs stood by themselves with little embellishment save for a bright, melodic, singalong quality.”
  • In our opinion, Business As Usual is the band’s best sounding album, and probably the only Men at Work record you’ll ever need. Click on this link to see more titles we like to call one and done.

As a bit of background, just in case you are not familiar with the album, the domestic pressings are horrendously bright. We have never played one that didn’t sound like the treble was jacked up to a level just this side of ear-bleed.

The only way to hear this album sound right is on Australian, Dutch, British and, more than a little surprisingly, even Japanese vinyl. Yes, we have heard them all. We’ve liked about one out of every one hundred Japanese pressings we’ve played over the last twenty years. We were surprised to find that the Japanese copy of Business As Usual we played many years ago was pretty good, for what that’s worth.

(We can’t be sure that on our current system with our current ears we would feel the same.)

We tend to prefer the Brits but it seems that any import is worth a listen. The key, as always, is in the mastering and pressing.

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Blind Faith – Self-Titled

More of the Music of Eric Clapton

  • The band’s debut LP, here with solid Double Plus (A++) grades throughout this original UK Polydor pressing
  • From the moment we dropped the needle and heard all that fluffy, correct-sounding tape hiss, we knew we were in for a treat – the sound on both sides is punchy, open, spacious, big, bold, and alive!
  • If you doubt this record can sound as good as you remember from back in the day, assuming you are an old goat like me, this pressing will be a revelation
  • There are some bad marks (as is sometimes the nature of the beast with these Classic Rock records) on “Had to Cry Today,” but once you hear just how excellent sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 4 stars: “Blind Faith’s first and last album, more than 30 years old [make that 57 years old] and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs. . . it merges the soulful blues of the former with the heavy riffing and outsized song lengths of the latter for a very compelling sound unique to this band.”
  • If you’re a Classic Rock fan, this band’s debut from 1969 is an absolute Must Own, especially when it sounds as good as this copy does

Here is the Blind Faith you’ve been waiting for: Tubey Magical, transparent, full of life and energy — dear friends, it’s all here.

Sick of buying one harsh, thin, distorted, veiled, closed-in, smeary LP after another in a vain attempt to find a copy that reminds you of why you loved this record so much when it came out back in 1969?

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