Month: October 2022

The DCC Pressing of Hotel California – Not Bad!

Hot Stamper Pressings of the Music of The Eagles Available Now

Side one: B+ / Side two: B-

The DCC for this album is not a total disaster. In fact, the first side of the DCC is one of the better DCC sides we’ve played in recent memory. We dropped the needle on a few copies we had in the back (pressing variations exist for audiophile records too, don’t you know) and they averaged about a B+ for sound on side one. Side two was quite a bit too clean for our tastes — no real ambience or meaty texture to the guitars, about a B- for sound.

To flip something we say often: you can do worse, but you can do a LOT better.  

Differing Grading Scales

Note that the grading scale for Hot Stampers is slightly different than the grading scale we all grew up with in school.

The best Hot Stampers receive a grade of A Triple Plus.

This DCC record for side one is three steps down from that.

Three steps down from an A+ grade in school, the highest grade one could earn, would be a B+, hence the B+ grade you see above.

Our Most Recent Commentary

  • This vintage copy was giving us the big and bold sound we were looking for, earning excellent grades from top to bottom
  • In our experience, whatever the reasons may be, finding quiet vinyl on this album almost never happens – New Kid in Town is fairly ticky on probably 80% of what we can find of the originals (which are the only ones that sound any good)
  • If you have any modern remastered pressing of the album, please order this one so you can hear what you have been missing all these years
  • A Better Records Top 100 pick – here’s a copy that’s transparent and hi-rez, with all the energy and Tubey Magic that can only be found on the right pressings of the originals
  • Speaking of the right pressings, the right stampers are ten or twenty times as rare as the run-of-the-mill stampers that show up on ebay every day, which should explain why this multi-million selling title rarely makes it to the site

We are having a devil of a time finding this album in audiophile playing condition these days, which is why you practically never see them on the site anymore, and copies quieter than Mint Minus Minus are rare indeed

We just finished a shootout for this title and this bad boy is truly a Demo Disc quality classic rock LP.

From first note to last, this pressing has superb, mind-blowing, Demo Disc Quality Sound. Drop the needle on any track on either side to hear what we’re talking about. The highs are silky and delicate, the bottom end is tight and punchy, and the vocals sound AMAZING. The bass is PERFECTION, which really brings out the feel of the song “Hotel California.” It’s so deep and loping, the effect is practically narcotic.

“Life In The Fast Lane” is possibly the toughest song on the album to get right — it tends to have that transistory, compressed sound that we’ve come to expect from Bill Szymczyk. On this copy, it REALLY ROCKS — super-punchy with amazing presence and lots of meaty texture to the guitars. It will always sound a bit harsher than ideal on any copy with real presence, texture, and energy; that’s just the sound they were going for. It is what it is, which makes it not a good track to judge the first side by.

On side two, one of the better sounding tracks is “Try And Love Again.” On a superb copy like this one, it’s off the charts. The wonderful clarity and punchy bass here take this song to a whole new level.

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Strauss / New Year’s Concert / Boskovsky

More Classical and Orchestral Recordings

  • New Year’s Concert makes its Hot Stamper debut with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it throughout this original unboxed Decca pressing
  • Tons of musical energy, loads of rich detail and texture, superb transparency and excellent clarity – the very definition of DEMO DISC sound
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate

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Byrd at the Gate – Another Hyped-Up MoFi

An Audiophile Hall of Shame pressing and another MoFi LP reviewed [decades ago] and found seriously wanting.

This is a title Mobile Fidelity ruined (what else is new?), and having just played an early Riverside LP I can see how their mastering approach was — as is so often the case — misguided to say the least.

First off, the guitar and the drums on the original are tonally right on the money. They sound like bass and drums should. They sound, in a word, correct.

Mobile Fidelity felt it necessary to brighten up both and the results are a phony sounding guitar and phony sounding drums, with tizzy cymbals thrown in for good measure.

(The Wes Montgomery MoFi title has many of the same faults, but it’s not quite as bad as this one. We’ve had Hot Stamper copies of the originals so we know they can sound superb, some of RVG’s best work.)

The old Mobile Fidelity — the pre-Heavy Vinyl Mobile Fidelity — rarely met a master tape they didn’t think needed a healthy dose of top end boost. They also never understood what an acoustic guitar sounds like. They blew it on every last one of the Cat Stevens albums, brightening up the guitars, which, as we all know from playing with the treble controls on our receivers way back when, emphasizes the “picking” of the strings at the expense of the resonating guitar body as well as the vibrating string harmonics.

What makes Byrd At The Gate a good record is the natural acoustic guitar tone. Once you screw that up, what’s left?

An audiophile record, for audiophiles who like phony sounding guitars. (Chesky anyone?)

Another reason the Mobile Fidelity is such a joke is that this recording inherently has a lot of ill-defined bass. Since Half-Speed mastering causes a loss of bass definition, their pressing is even WORSE in this respect. Bad guitars, bad drums and bad bass — that pretty much covers everybody in the trio. Resulting score: 0 for 3. (more…)

Haydn / Symphonies 100 & 101 – Reviewed in 2010

More of the Music of Joseph Haydn

The New York Times review for these performances called them “matchless” and we see no reason to disagree! With Super Hot Stamper sound for No. 100, “Military”, we’re confident you will have a very hard time finding better sound and music from Haydn than is found on this original Black Label Vanguard Stereophonic Demonstration Disc.

Side one, containing Symphony No. 100, “Military,” is smooth and rich and full of tubey magic, the kind of analog sound that has not been recorded for more than thirty years. Because the top end is not boosted and phony like most audiophile pressings, you can play a record like this at much more realistic levels without fatigue or harshness.

Try that with the average Reference or Telarc.

The sound is a bit distant, mid-hall we would call it, but wide and full of depth the way these vintage recordings often are.

Side two has Symphony No. 101, “Clock”, another famous work from the master of the form and well-played by Mogens Woldike and the Vienna State Opera Orchestra.

This side suffers from a problem endemic to vintage pressings from all eras: smear. There is a notable loss of texture to the strings on side two compared to side one. 

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Chet Atkins – The Most Popular Guitar

More Chet Atkins

More Recordings in Living Stereo

  • An original RCA pressing with superb Living Stereo sound from start to finish – just shy of our Shootout Winner
  • If you have ever heard one of our luscious Living Stereo Chet Atkins records, you know what to expect – off the charts Tubey Magic unlike anything made in the last fifty years, or more!
  • This record will have you asking why so few Living Stereo pressings actually do what this one does. The more critical listeners among you will recognize that this is a very special copy indeed. Everyone else will just enjoy the hell out of it.
  • “Chet Atkins hit the jackpot with his 12th 12″ LP release, Chet Atkins’ Workshop, which soared into the pop Top Ten, and RCA Victor Records hopefully released his 13th one with the title The Most Popular Guitar and adorned it with a cover picture of a comely girl in a negligee.”
  • If you’re a fan of Chet’s Guitar Pickiing, this Top Title from 1961 belongs in your collection.
  • The complete list of titles from 1961 that we’ve reviewed to date can be found here.

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The Stills-Young Band – Long May You Run

More Stephen Stills

More Neil Young

  • An early Reprise pressing that boasts incredible Nearly Triple Plus (A++ to A+++) grades throughout – just shy of our Shootout Winner
  • Both of these sides are richer and smoother than practically all of what we played, with lovely studio space for the band to stretch out into
  • This copy is big and clear in a way so few are, which means it’s getting the sound right in the most important areas
  • The wonderfully present and breathy vocals are a clear indication that there is simply more information on these sides than almost all the others we played in our shootout
  • If you’re a fan of these two gentleman, this title from 1976 is surely of interest (more…)

What Are Some Good General Rules for Finding Records with the Highest Quality Sound?

More Entries from Tom’s Audiophile Notebook

The Riverside pressings we’ve auditioned of both The Thelonious Monk Orchestra – At Town Hall and Thelonious Monk Quartet Plus Two – At The Blackhawk were just awful sounding.

The OJC reissues of both albums from the 80s, although better, were not overflowing with the rich, natural, relaxed analog sound we were looking for either.

Ah, but a few years back (2015, maybe?) we happened to drop the needle on one of these Monk Milestone Two-Fers. Here was the sound we were looking for and had had so little luck finding until then.

Which prompts the question that should be on the mind of every audiophile:

What are the rules for collecting records with the best sound quality?

The answer, of course, is that there are no such rules and there never will be.

There is only trial and error. Our full-time staff has been running trials — we call them shootouts  and needle drops — for more than twenty years now, with far more errors than successes. Such is the nature of records.

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Cosi Fan Tutti Frutti – A Personal Favorite from 1985

If you’re a fan of Elvis Costello, Graham Parker, Nick Lowe, Joe Jackson and a few other lesser-knowns from this era, Squeeze is the band for you. I put them right up there with Elvis Costello and Peter Gabriel in the pantheon of Best British Pop Music Bands of All Time.

Cosi Fan Tutti Frutti has long been a favorite album of mine, a Desert Island Disc if you will, with some of the most powerfully produced, intelligently written and passionately performed songs in the entire Squeeze canon.

There’s plenty of Tubey Magical richness and smoothness on the best British pressings — such as this one — qualities the domestic pressings are sorely lacking, having been mastered from dub tapes. If you want to hear this music right on vinyl, it’s British or nothing, and with one of our Hot Stamper pressings it’s British and everything — everything that’s good about this recording is captured on these sides.

What to Listen For

The overall sound needs to be rich and tubey, not dry, thin or modern.

Clarity and space are nice but not if they come at the expense of the smooth, rich, natural sound of tubes (whether there are tubes in the chain or not).

For more What to Listen For advice on other titles we have auditioned, please click here.

This record sounds best to us this way:

For more modestly helpful title-specific advice, click here.

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The Fabulous Thunderbirds – Tuff Enuff

More of The Fabulous Thunderbirds

More Electric Blues

  • The band’s 1986 release makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it throughout – exceptionally quiet vinyl too
  • Rich, full and balanced with Blues-Rock energy to spare, this is a killer copy of a fun album
  • “Their breakthrough success. The title track and soul covers point the band in a new, more mainstream direction.”

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Aretha Franklin – Aretha Arrives

More Aretha Franklin

More Soul, Blues, and R&B

  • With excellent Double Plus (A++) grades throughout this Atlantic Green & Blue label pressing, we guarantee you’ve never heard the Queen of Soul’s 1967 release sound remotely as good as it does here
  • Both of these sides are outstanding – big, full-bodied and Tubey Magical yet still clear, spacious and open
  • The presence, breath and resolution to the vocals is superb, bringing Aretha out of the speakers and into your listening room
  • Tons of great material here, including Aretha’s fun version of the Stones’ “Satisfaction” and the rockin’ classic “96 Tears.”
  • “Recorded in 1967 after the first flush of back-to-back successes with ‘Respect’ and ‘I Never Loved a Man,’ this captures Aretha Franklin in peak form. An essential addition to her discography.”
  • If you’re a fan, this early pressing from 1967 surely belong in your collection
  • The complete list of titles from 1967 that we’ve reviewed to date can be found here.

We finally pulled together enough clean copies for a big shootout recently and most of them sounded the way you’d probably expect — thin, bright, and grainy. But not this one! It was doing pretty much everything we wanted it to, giving you the kind of life and energy this music needs to work its magic.

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