pi-con

Reviews of piano concerto recordings

Mozart / Piano Concerto No. 17 and No. 21 – Anda

More of the Music of Wofgang Amadeus Mozart (1756-1791)

  • This vintage Large Tulip label copy of these classical masterpieces boasts solid Double Plus (A++) sound from first note to last
  • Spacious, three-dimensional and real beyond practically any DG recording you’ve heard – you hear into the soundstage on this record like you will not believe
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • “Mozart’s piano concertos are filled with assured transition passages, modulations, dissonances, Neapolitan relationships and suspensions. Today, at least three of these works (nos 20, 21 and 23) are among the most recorded and popular classical works in the repertoire…”

The string tone here is especially rich and sweet, yet full of texture and that lovely rosiny quality that vintage pressings capture so well. (Sometimes capture so well. We’ve played plenty of copies with a smeary quality that robs the strings of their lovely sheen.)

The piano is beautifully recorded as well. Geza Anda’s performance is hard to fault here. You will have a very hard time finding better recordings of these Mozart piano concertos, of that we have no doubt. (more…)

Chopin – Piano Concerto No. 2 / Rubinstein

More Classical and Orchestral Recordings

  • Chopin’s 2nd piano concerto returns to the site for only the second time in four years, here with stunning Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • The reproduction of the piano on this exceptional Shaded Dog pressing is clear, solid, and present – in other words, hard to fault
  • The sound was simply bigger, more transparent, less distorted, more three-dimensional and more real than practically all the other copies we played
  • We were also impressed with the vibrant orchestra surrounding the piano, with plenty of the Living Stereo Tubey Magical strings we audiophiles swoon over
  • There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.
  • 1958 just happens to be one of the truly great years for analog recordings, as evidenced by this amazing group of albums, all recorded or released in that year.

The original version of LSC 2265 as pictured above is known as The Rubinstein Story. It comes with a deluxe gatefold cover and a lovely illustrated booklet tucked into an inner flap with biographical information about Rubinstein and commentary about the music of Chopin. The second picture is of the reissue of the album which came out soon thereafter, still with the Shaded Dog label.

Those of you who know your Shaded Dogs no doubt have had a few problems with your Rubinstein pressings in the past being too midrangy and forward, a sound that Rubinstein supposedly insisted on for his records. Not so on this pressing, I am happy to report. The sound is overflowing with Tubey Magic.

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Schumann – Concerto in A Minor / Van Cliburn / Reiner

More Classical and Orchestral Recordings

More Living Stereo Recordings

  • Solid Double Plus (A++) Living Stereo sound brings Van Cliburn and the Chicago Symphony’s performance of Schumann’s Concerto in A Minor to life on this original Shaded Dog pressing (the first copy to hit the site in years)
  • Both of these sides are remarkably transparent, high-rez, and open – all signs that the cutting was done on very high quality equipment, properly EQ’d and not bandwidth limited or overly compressed
  • Lewis Layton engineered this recording and he nailed it, perfectly capturing the rich, textured sheen on the strings, the hallmark of Living Stereo sound in the 50s and 60s
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings, but this particular title had so many condition problems that, as good as the music and sound might have been, we may not be able to do a shootout for it again

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Tchaikovsky / Piano Concerto No. 1 – Our Favorite Performance and Sound By Far

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

More Masterpieces of Classical Music

  • A Large Tulip label pressing of this wonderful piano concerto with solid Double Plus (A++) grades or BETTER from start to finish
  • Side one was sonically very close to our Shootout Winner – you will be amazed at how big and rich and tubey the sound is
  • It’s also impossibly quiet at Mint Minus to Mint Minus Minus, a grade that practically none of our vintage classical titles – even the most well-cared-for ones – ever play at
  • By far our favorite performance for the work, and fortunately for us audiophiles, it is also the best sounding recording of the work that we know of
  • With huge amounts of hall space, weight and energy, this is Demo Disc quality sound by any standard
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing
  • Virtually no smear to the strings, horns or piano – this is Golden Age recording done right!
  • There are about 150 orchestral recordings we think offer the best performance coupled with the highest quality sound. This record has earned a place on that list.
  • This link with take you to more entries in our core collection of well recorded classical albums.

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Chopin / Concerto No. 1 / Rubinstein / Skrowaczewski

Living Stereo Classical and Orchestral Titles Available Now

  • Rubinstein’s superb performance of Chopin’s concerto for piano is finally back in the site after a three year hiatus, here with INCREDIBLE Shootout Winning Triple Plus (A+++) Living Stereo sound or close to it on both sides of this original Shaded Dog pressing
  • Here are just a few of the things we had to say about this stunning copy in our notes: “3D rich piano”…”big and tubey and dynamic”…”lush brash and strings”…”very full bodied”…”zero smear” (side one)
  • So big and transparent, with weight and heft to the brass, we guarantee you have never heard a better piano concerto recording (unless you already one of our White Hot Stamper LPs)
  • The secret to the superior sound of this particular Rubinstein recording over so many others is the engineering by Kenneth Wilkinson – the glorious hall the London Symphony plays in doesn’t hurt either
  • Chopin, according to Arthur Hedley, “had the rare gift of a very personal melody, expressive of heart-felt emotion, and his music is penetrated by a poetic feeling that has an almost universal appeal…”

“Present-day evaluation places him among the immortals of music by reason of his insight into the secret places of the heart and because of his awareness of the magical new sonorities to be drawn from the piano.”

The latest notes for this RCA recording point out that this is the best combination of sound and performance for Chopin’s first piano concerto, with more emotion and finesse in the playing than other versions we auditioned.

The piano is in the foreground, with the orchestra reasonably balanced and clearly more powerful than some of the other recordings we played.

The biggest issue for the lesser pressings — which means the ones that did not win the shootout — is the possibility of some tube compressor smear on the loudest orchestral passages. (This is a subect we discuss on the blog quite a bit, by the way,)

The strings have lovely Living Stereo (Decca-engineered) texture as well. As befits a Wilkinson recording from 1961, there is no shortage of clarity to balance out the Tubey Magical warmth and richness.

We have lately been surveying some of his recordings from the late-60s and 70s to our great disappointment. The All Tube Recording Chain was gone. Opacity and lack of warmth prevented us from proceeding with any shootouts we might have attempted.

We love the huge, Tubey Magical sound of this recording. The piano is solid and powerful — like a real piano.

With tremendous hall space, weight and energy, this is Demo Disc quality sound by any standard.

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Prokofiev / Piano Concerto No. 3 / Cliburn

More of the music of Sergei Prokofiev (1891-1953)

Reviews and Commentaries for the Music of Sergei Prokofiev

  • An early Shaded Dog pressing of these wonderful performances by pianist Van Cliburn and the Chicago Symphony Orchestra under the direction of Walter Hendl, here with INSANELY GOOD Shootout Winning Triple Plus (A+++) Living Stereo sound from first note to last
  • Both of these sides boast full brass and an especially clear, solid, present piano, one with practically no trace of vintage analog tube smear
  • Most of the Van Cliburn recordings for RCA that we’ve played over the years did not sound very good to us, which is why you haven’t seen one our site since 2005 (!)
  • Back in the days when the TAS Super Disc List meant something, this record was on it and deservedly so
  • To read the 60-odd reviews and commentaries we’ve written for piano concertos, please click here
  • The best sounding piano concerto records that we’ve auditioned to date can be found here

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Brahms – Piano Concerto No. 1 / Curzon

More of the Music of Johannes Brahms

  • Incredible sound throughout this early London pressing of Curzon and the LSO’s dynamic performance, with a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • Both sides boast full brass and an especially clear, solid, present piano, one with practically no trace of smear — the right combination of richness and clarity is what allows the best pressings of this album to sound like live music
  • With huge amounts of hall space, weight and energy, this is a Demo Disc by any standard
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment would need to make that case
  • Speakers Corner did a creditable job remastering the record back in the early days of Heavy Vinyl, but one thing you can be sure of: theirs won’t hold a candle to the Hot Stamper pressings we are offering here

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Beethoven and Richter – Our Favorite Performance on Vinyl

More of the Music of Ludwig van Beethoven

  • A stunning copy of this wonderful concerto performance that boasts a Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one, and reasonably quiet vinyl for a Shaded Dog from 1961
  • This pressing has the real Living Stereo magic in spades, but unlike most of the RCA concerto recordings, Richter, the brilliant soloist featured here, is not overly spotlighted, hence the much more natural “concert hall” sound
  • The piano is part of the orchestra, and properly sized, allowing the contributions of the other musicians to be heard more clearly, laid out as they are so elegantly across a huge and deep Boston Symphony Hall stage

In orchestral music, when it comes to clarity there is nothing close to the sound of the live performance, but some records, this one especially, give you the sense that you are hearing it all. Audio may be an illusion but it can be a very convincing one.

The spaciousness and three-dimensionality of the recording are also exceptional. Through the efforts and skill of the RCA engineers, that striking openness in the recording is somehow combined with an electrifying immediacy in the sound of the piano, no mean feat. One rarely hears both, except of course live (and not always even then).

There may be other performances of merit, but I know of no recording of this music with better sound. If you are demonstrating naturalistic sound, not bombastic Hi-Fi spectacularity, this pressing more than qualifies as a Demo Disc.

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Rachmaninoff – Piano Concerto No. 3 / Ashkenazy / Fistoulari (London)

More of the Music of Sergei Rachmaninoff

  • A vintage London Stereo pressing of Rachmaninoff’s Piano Concerto No. 3 boasting excellent Double Plus (A++) sound from first note to last
  • Spacious, rich and smooth – only vintage analog seems capable of reproducing all three of these qualities without sacrificing resolution, staging, imaging or presence
  • Looking to demonstrate just how good 1963 Tubey Analog sound can be? This outstanding copy may be just the record for you
  • If you love this well-known piano concerto as much as we do, this is surely a classic from 1963 that belongs in your collection.
  • To read the 60-odd reviews and commentaries we’ve written for piano concertos, please click here

This Decca-engineered recording from the Walthamstow Assembly Hall is rich and natural, with lovely transparency and virtually no smear to the strings, horns or piano.

What an amazing recording. What an amazing piece of music.

The sound is explosively dynamic and on this copy it was positively jumping out of the speakers. In addition, the brass and strings are full-bodied, with practically no stridency, an unusual feat the Decca engineers seem to have accomplished.

Big, rich sound can sometimes present problems for piano recordings. You want to hear the percussive qualities of the instrument, but few copies pull off that trick without sounding thin. This one showed us a piano that was both clear and full-bodied.

With huge amounts of hall space, weight and energy, this is Demo Disc quality sound by any standard. Once the needle has dropped you will quickly forget about the sound (and all the money you paid to get it!) and simply find yourself in the presence of some of the greatest musicians of their generation, captured on one the greatest analog recordings of the day.

The right UK Decca pressings, Boxed and Unboxed, can also have excellent sound.

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Rachmaninoff / De Falla – Rhapsody On A Theme Of Paganini / Nights In The Gardens Of Spain

More of the Music of Sergei Rachmaninoff

  • The rich, textured sheen of the strings the RCA engineers achieved in the ’50s and ’60s is a joy to hear throughout these pieces
  • This is something the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern remastered records the way it does on these vintage pressings
  • Tonally correct from top to bottom and as transparent as practically any vintage recording you may have heard, the combination of clarity and Tubey Magic here will be hard to beat
  • To see more of the best orchestral recordings with top quality sound we’ve done shootouts for, click here
  • If you’re a fan of Rachmaninoff and/or Rubinstein, we think this Living Stereo from 1960 belongs in your collection.

This superb Living Stereo recording checks off a number of boxes for us here at Better Records.

Until we heard the right later pressings, we had always been disappointed with this TAS List recording, wondering what all the fuss was about. The original Shaded Dog pressings we had played left a lot to be desired. Like many of the old records we audition, it was somewhat crude and congested, and badly lacked both highs and lows, our definition of boxy sound.

Well, now we know. The early Shaded Dog pressings have consistently worse sound than the reissues we are offering here.

We never offered the record as a Hot Stamper pressing because we didn’t think the sound of the originals was all that impressive, TAS List or no TAS List.

Mystery solved, and truly Hot Stampers have now been made available to the discriminating audiophile.

Harry’s list, as was so often the case, did not provide the information needed to find the pressing that captured all the qualities of the recording the way this one does.

Did Harry have a good later pressing? Did he have an original and simply liked it more than we did? We’ll never know.

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