live-rock-pop-blues

Various Artists / Woodstock

More Live Albums

  • These original pressings boast seriously good Double Plus (A++) sound or BETTER on all SIX sides
  • With Mint Minus Minus vinyl and no marks that can be heard, you will have a very hard time finding a copy that plays this well
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • “As potent a musical time capsule as ever existed, it captures the three-day, 1969 concert event that united close to half a million members of what came to be known as the ‘Woodstock Generation.’ It topped the Billboard Charts for four weeks and sold two million copies.”

You will have a very hard time finding a quieter copy!

Folks, it was a struggle, let me tell you! Not as much of a struggle as putting on the concert itself to be sure, but a struggle for those of us charged with finding good sound on this famously badly recorded album.

First off there are six sides to play for every copy.

Secondly the sound is problematical at best; figuring out what the best copies do well that the run-of-the-mill copies don’t takes quite a bit of concentration, and one has to stay focused for a long time (most of the day in fact). After a while it can really start to wear on your nerves. (more…)

Harry Belafonte / Belafonte at Carnegie Hall

More of the Music of Harry Belafonte

  • Superb Living Stereo sound throughout these vintage pressings, with Double Plus (A++) grades or BETTER on all FOUR sides
  • Side two of this copy is in reverse phase – for those of you who cannot switch your polarity, we will have some more copies coming to the site soon
  • A very large group of musicians will transport themselves directly into your listening room, Harry included, all backing him live on the stage in real time and in ANALOG
  • The palpable presence and performance energy of the man himself are really something to hear, and a copy this good lets you really hear it
  • Harry Pearson made his reputation bringing this kind of amazing recording to the attention of the audiophile public, and for that we owe him a debt of gratitude
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “The granddaddy of all live albums, this double-LP set captures the excitement of a Harry Belafonte concert at the height of his popularity.”
  • This is one of the pressings we’ve discovered with Reversed Polarity.
  • It’s also our pick for the man’s best sounding album. Roughly 150 other listings for the Best Recording by an Artist or Group can be found here.

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The Allman Brothers – … At Fillmore East

More of the Music of The Allman Brothers

  • With four superb sides, all boasting Double Plus (A++) sound, these vintage Pink Label pressings are guaranteed to blow the doors off any other copy of …At Fillmore East you’ve heard
  • This is one of the all-time great live albums, and with a copy like this one YOU ARE THERE at the Fillmore
  • The WHOMP factor here kicks up the excitement – here is the low end foundation that lets the extended guitar jams work their magic
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “At Fillmore East is like a great live jazz session, where the pleasure comes

When the music sounds this good, with this kind of rich, musical tonality and big, open soundstage, it just WORKS.

We’ve been looking for great copies of this one forever, but most of them are trashed and don’t sound all that good. A transparent, lively copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs.

The huge WHOMP factor throughout kicks up the excitement and sets the necessary foundation for the crazy guitar jams to sound correct. The top end has the kind of extension that brings out the ambience and spaciousness of the recording.

You can really hear the extension on the top end when you listen to the drumming. The cymbals are clear and silky sweet. In fact, the drums on this album are some of the most well-recorded drums I have EVER heard on a live rock record. (more…)

The Blues… A Real Summit Meeting

More B.B. King

More Electric Blues

  • You’ll find superb Double Plus (A++) sound or BETTER on all FOUR sides of this vintage Buddah Brown & Pink Label double album from 1973
  • This copy is wonderfully spacious, full-bodied and natural, with a nice extended top end, plenty of space around the instruments and few of the problems that plagued most of the pressings we played
  • Features B.B. King, Muddy Waters, Eddie “Cleanhead” Vinson, Big Mama Thornton, Arthur “Big Boy” Crudup and more
  • Recorded live at Newport in New York, this is an OUTSTANDING blues album

Listen to ’Big Mama’ Thorton’s voice on this record — it sounds like somebody forgot to put a limiter on her mic. It is without a doubt one of the most dynamic vocals I have ever heard on any record in my entire life. You feel like you are sitting front row center.

This record sounds JUST RIGHT to me. It doesn’t sound like there’s anything you could do to it to make it sound better. It’s tonally correct from top to bottom and very transparent. If you want a great introduction to the blues, I can’t think of a better one than this. (more…)

Can’t Hide Love Is the Best Song These Guys Ever Wrote

As you may have read elsewhere on the site, the high point for me on this record is the song “Can’t Hide Love,” the best track this band ever recorded and a work of True Pop Genius. (Check out side four for the best lineup of any side.)

Grammy nominated for Best Arrangement For Voices, it’s hard to imagine that another song beat it. The album was of course nominated as well.

The second best thing about this album is that it allows Earth, Wind & Fire to stretch out and incorporate some funky jazz into their music, like on “Sun Goddess”, a song that they recorded with Ramsey Lewis and which doesn’t appear on any other EW&F album. They do a couple of extended saxophone solos on the live stuff that really take the songs to another level. The band is on fire for practically every track here. This and The Greatest Hits Volumes One get you most of what’s great about the band. Both are Must Owns for anyone who likes Big Production Pop, soulful and otherwise.

Old News

A while back, I happened to have heard the Joe Gastwirt mastered CD and noted:

What a joke. LIFELESS and DULL. This record kills it. If you want to hear this music right you better own this record or one like it, otherwise you are wasting your time.

Of course, since this is a Hot Stamper copy, “one like it” is hard to find. But if you don’t want to buy one from us, get a hold of any LP you can, because this music belongs in your collection.

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Do Reviewers Have What It Takes to Play an Album Like This?

More Albums that Come Alive When You Turn Up Your Volume

Big speakers and expensive equipment might seem like the ticket, but they are not enough.

If you want to hear some smokin’ Peter Frampton power chords from the days when he was with the band, this album captures that sound better than any of their studio releases, and far better than Frampton Comes Alive on even the hottest Hot Stampers.

Grungy guitars that jump out of the speakers, prodigious amounts of punchy deep bass, dynamic vocals and drum work — the best pressings of Rockin’ The Fillmore have more firepower than any live recording we’ve ever heard.

We know quite a few records that rock this hard. We seek them out, and we know how to play them.

Who knew?  We didn’t, of course, until not that many years ago (2014 maybe?). But we are in the business of finding these things out. We get paid by our customers to find them the best sounding pressings in the world. It’s our job and we take it very seriously.

Did any audiophile reviewers ever play the album and report on its amazing sound?

Not that I know of.

Do they have the kind of playback systems — the big rooms, the big speakers, the speed, the energy, the power — that are required to get the most from a recording such as this?

Doubtful. Unlikely in the extreme even.

They don’t know how good a record like this can sound because they aren’t able to play it the way it needs to be played.

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Loggins and Messina – On Stage

More Loggins and Messina

More Country and Country Rock

  • Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • A pressing this good puts you front and center at these live performances, recorded on two dates, at the famous Orpheum Theatre in Boston and the incomparable Carnegie Hall
  • 4 stars: “After a gorgeous yet subdued introduction by Loggins as a solo performer on a handful of numbers, Messina and the band take the stage and loft the proceedings into a bracing mix of folk- and country-rock.”
  • If you’re a fan of the band, this 1974 release surely belongs in your collection

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The Rolling Stones – Get Yer Ya-Ya’s Out!

More Rolling Stones

  • This boxed Decca UK pressing boasts superb Double Plus (A++) sound from start to finish
  • Remarkably quiet vinyl too – for those of you who prize audiophile quality surfaces, you are unlikely to see a quieter copy with grades this good hit the site again for a very long while
  • With rock and roll energy and you-are-there presence, turn this one up good and loud and you will find yourself at the Stones concert of a lifetime
  • The live performances of “Sympathy For The Devil,” “Midnight Rambler,” and “Honky Tonk Woman” are MAGICAL from these shows – the Stones in 1970 were taking their music to a whole new level
  • 4 1/2 stars: “Recorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era… Often acclaimed as one of the top live rock albums of all time…”

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Transparency, Energy, and Whomp Are Key on Eat a Peach

xxxMore of the Music of The Allman Brothers

Reviews and Commentaries for Southern Rock Albums

What do high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL.

This and Live At Fillmore East are the two monumental albums these guys put out, and they have a lot in common. You know what you’re gonna get with the Allmans: dueling electric guitars, sweet acoustic guitars, energetic drumming, and full-bodied vocals throughout. There’s obviously a lot of exploration — two complete sides are dedicated to the song Mountain Jam — but the heartfelt radio-friendly songs such as Melissa and Little Martha keep up the energy and provide maximum enjoyment factor.

The Three Keys: Transparency, Energy, and WHOMP

A great copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs. The huge WHOMP factor throughout kicks up the excitement factor and sets the foundation for the extended guitar jams to work their Southern bluesy magic. The top end extends beautifully to bring out all the ambience and spaciousness of the Fillmore. (more…)

Mike Bloomfield & Al Kooper – The Live Adventures Of…

More Al Kooper

  • The Live Adventures Of… is finally back on the site after a twenty-six month hiatus, here with INSANELY GOOD Shootout Winning Triple Plus (A+++) sound on all FOUR sides of these early 360 Stereo pressings
  • This copy is doing everything right – it’s clean, clear, spacious and present with a big bottom end, just the right sound for this raw, live blues rock music
  • Great material to be found here, including covers of well-known tracks by Paul Simon, The Band, and Traffic
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “One of the seminal live albums of the late 60s… The idea of musical spontaneity both in live performance and in the recording studio had reached a certain apex in 1968… But it was the union of Bloomfield and Kooper that can truly claim an origination of the phenomenon, and this album takes it to another level entirely.”

Outstanding sound for this double LP of superb live blues-rock! We rarely have a copy of this title on the site, so if you’re a fan of Super Session, you should jump on this one right away.

Some of the tracks here (recorded on the second night) feature none other than Carlos Santana. (more…)