Older Classical / Orchestral

Most of these older reviews are for records that did not go through the shootout process, the revolutionary approach to finding the best sounding pressings we developed in the early 2000s. We found the records you see in these listings by cleaning and playing a pressing or two of the album, which we then described in the listing and priced according to how good the sound and surfaces seemed to us.

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a very long way since then.

As you may imagine, our current approach requires a great deal of time, effort and skill, which is why we currently have a staff of ten. No individual or business without such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone, besides us, would ever be able to do the kind of work we do.

Mendelssohn / Scotch & Italian Symphonies – Abbado

Hot Stamper Pressings of the Music of Felix Mendelssohn Available Now

NM original 1968 Decca British import LP with very good sound and lovely performances. Of course the music should be part of any serious record collection. This recording may have its faults and limitations, but I listened to both sides all the way through and enjoyed each immensely.

A good source for your minimum daily requirement of Decca midrange magic — the strings are just right. Plenty of ambience too.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

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Schubert / Symphony No. 9 (“The Great”) / Skrowaczewski

More of the music of Franz Schubert (1797-1828)

  • A Superb Super Hot side two – rich strings on a Merc? Yes!
  • Nearly as good on side one – spacious and open, with a huge stage
  • Reasonably quiet vinyl for a vintage Mercury
  • One of the great symphonic works of the Romantic period

This Colorback Maroon Label RFR pressing (SR 90272) has wonderful orchestral sound, with both sides having Hot Stampers. Side two earned the full Two Pluses for its relatively rich strings, a quality one rarely hears on Mercury recordings from this era. The string texture is superb here, so critical to the enjoyment of a large scale romantic symphony such as this. 

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Fiedler / Boston Tea Party – Reviewed in 2010

This original Shaded Dog pressing of LSC 2213 from 1959 has EXCELLENT SOUND AND QUIET VINYL ON SIDE TWO, where you’ll find a wonderful rendition of Hernando’s Hideaway.

The sound is excellent — lively, full-bodied and super three-dimensional. Check out how great the castanets sound.

Side one is nothing special and a bit noisy in the right channel, so we’re really only charging you for the strong side two. Hernando’s Hideaway is really worth the price of admission alone, you’ll see.

As I’m sure you know by now, Fiedler on this sort of material is very hard to beat. (more…)

Chopin / Ashkenazy in Concert

Superb sounding Decca British Import LP!

This live recording has very natural sound. I normally do not care for Ashkenazy’s playing, but here he plays with a conviction that is usually lacking. Check out the 2nd movement on the sonata.

This album includes Chopin’s Sonata No. 2, Two Nocturnes, Mazurka in A and Grande Valse Brillante.

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Brahms / Violin Concerto / Szeryng / Dorati – Our Shootout Winner from 2012

Hot Stamper Pressings Featuring the Violin

These later Mercury stampers are wonderful: gorgeous woodwinds, a large, full-bodied orchestra and of course a Tubey Magical violin to die for. Both sides earned SUPERB Super Hot Stamper grades (but for very different reasons). The exciting sound is matched by an equally exciting performance by Dorati. Dorati and the LSO pull out all the stops; they’re staking out a position as to just how powerfully and emotionally this work ought to be performed.

The opening is so dramatic — in the style of the First Brahms Symphony — that it’s hard to imagine there is any recording medium that can capture it without a fair amount of dynamic compression. This vintage pressing suffers from a relatively (in our experience) small amount of congestion and shrillness at the opening and elsewhere.

I find it hard to believe that any attempt to record the work would not encounter quite a lot of difficulty with the prodigious dynamic power of the piece. (more…)

Rachmaninov / The Bells / Previn

More of the music of Sergei Rachmaninoff (1873-1943)

This is a Minty EMI original looking pressing of the famous TAS List title. You will have a very hard time finding a nicer one than this!

Since it is such a famously well-regarded recording we decided to clean it up and gave it a spin. Side one has sweet string tone and an extended top end, and it plays very quiet.

Side two is not quite as good; it’s fuller but lacks the extension on the top that side one has in spades. It’s also quiet at mostly Mint Minus. (EMIs from this period are almost never quieter than that.) (more…)

Mendelssohn & Schubert / Symphony No. 4 & Symphony No. 5

Hot Stamper Pressings of the Music of Felix Mendelssohn Available Now

The strings are rich, with lovely rosiny texture and virtually no tube smear. Played with zest and the recording is every bit as lively. 

The grade on side one could even be better than Two Pluses — we just don’t have enough clean copies to know. Big bass at the end, powerful dynamics too.

Side two was good but nothing like this amazing side one. Too much smear hurts it badly, and the mark is not helping either.

We’re pricing this one for just the one side. Fortunately it’s the complete symphony, one of Mendelssohn’s most famous works.

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Holst / British Band Classics Vol. 1 / Fennell – Our Shootout Winner from 2011

Hot Stamper Mercury Pressings Available Now

More Recordings Conducted by Frederick Fennel

This RARE Super Hot Stamper Mercury Mono original pressing has the kind of BIG, LIVELY, tonally correct sound that not one out of fifty mono records we play can lay claim to. If more mono records sounded like this one I wouldn’t be so down on mono all the time.

But they don’t. Most mono records sound SMALL. When you have big speakers, set far apart and far from the back wall, in a pretty good sized room, small is just not the sound you want to hear! Especially when it comes to classical music. I want a front row seat, and this record is a first class ticket to one.  (more…)

Holst / British Band Classics Vol. 2 / Fennell

More of the music of Gustav Holst (1874-1934)

Side one big, full and dynamic, with horns and winds that are never screechy. (Side two of this first LP is very screechy and not at all to our liking.) 

Side two of the second record has the sound of live music. Huge space, clear yet rich, this is the sound we were looking for! (more…)

Brahms / Piano Concerto No. 2 / Gilels / Reiner – Reviewed in 2010

More of the music of Johannes Brahms (1833-1897)

This is one of the pressings we’ve discovered with Reversed Polarity

This Very Nice Plum Label Victrola has excellent sound — sweet and spacious — but only if you reverse your absolute phase. The vinyl is quiet and, most importantly, this is arguably the greatest performance of all time. The LSC might be a tad better overall; they’re so darn rare it’s hard to know.