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Miles Davis – Agharta

More of the Music of Miles Davis

  • The Hot Stamper debut of Agharta, here with solid Double Plus (A++) sound or BETTER on all FOUR sides of these vintage Columbia pressings – exceptionally quiet vinyl too
  • Remarkably spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a noticeable step up over most other copies we played
  • Rich, solid bass; you-are-there immediacy; energy and drive; instruments that are positively jumping out of the speakers – add it all up and you can see that this copy had the sound we were looking for
  • Our Shootout Winner was too noisy to sell, which makes this the best pressing to come out of the shootout
  • “The music here is almost totally devoid of melody and harmony, and is steeped into a steamy amalgam of riffs shot through and through with crossing polyrhythms, creating a deep voodoo funk groove for the soloists to inhabit for long periods of time as they solo and interact with one another”
  • 4 1/2 stars: “This is the greatest electric funk-rock jazz record ever made – period.”

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Steve Winwood – Arc of a Diver

More Records We Only Sell on Import Vinyl

  • Arc of a Diver appears on the site for only the second time ever, here with a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one on this early UK Island pressing
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied – Winwood’s leads really soar
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Arc of a Diver
  • 4 1/2 stars: “Utterly unencumbered by the baggage of his long years in the music business, Winwood reinvents himself as a completely contemporary artist on this outstanding album, leading off with his best solo song, ‘While You See a Chance.'”

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Ted Heath – Hits I Missed

More Large Group Jazz Recordings

  • Hits I Missed appears on the site for only the second time ever, here with solid Double Plus (A++) grades from start to finish
  • Both of these sides are huge, rich, weighty and dynamic like few records you have ever heard – it sets the Gold Standard for Tubey Magical Big Band sound
  • This pressing is bigger, bolder and richer, as well as more clean, clear and open than most other copies we played in our recent shootout

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Isaac Hayes – Shaft

More Soul, Blues, and R&B

  • Superb Double Plus (A++) grades or close to them bring Hayes’s 2-LP soundtrack album to life on these vintage pressings – fairly quiet vinyl too
  • It took us close to two years to find enough copies with good sound and decent vinyl to do a shootout, and these outstanding pressings are the result of all that digging, cleaning and evaluating
  • 4 1/2 stars: “Isaac Hayes was undoubtedly one of the era’s most accomplished soul artists, having helped elevate Stax to its esteemed status… And with ‘Theme from Shaft,’ he delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release.”

This copy of the Shaft Soundtrack has wonderful sound throughout, and that ain’t no jive talkin’! We collected a bunch of these and after putting them through the shootout process we were delighted to find out that some of the material on here can sound amazingly good on the best pressings. What earned these four sides such good grades? They’re simply richer, fuller and livelier than most. They’re also more open and transparent, with notably improved clarity, much less smear, and tighter, more note-like bass.

Find your favorite song on here, drop the needle, and see if the dramatically improved sound doesn’t bring back some special memories, and maybe even inspire you to bust a move. (more…)

Sergio Mendes & Brasil ’66 – Self-Titled

  • Sergio Mendes and Brasil 66’s debut LP, here with solid Double Plus (A++) sound or close to it throughout this original A&M stereo pressing
  • This side one is rich, full, open, and spacious, conveying a sense of the amazing performances of these great musicians, and side two is not far behind in all those areas
  • The drums and percussion are powerful and punchy with lots of room around them, with plenty of WHOMP and good extension on the top end (particularly on side one)
  • The toughest of the band’s albums to find with audiophile sound and surfaces, which is why it’s been years since our last shootout
  • 4 1/2 stars: “The hit was Jorge Ben’s ‘Mas Que Nada,’ given a catchy, tight Bossa Nova arrangement with the voice of Lani Hall soaring above the swinging rhythm section. But other tracks leap out as well; the obvious rouser is the Brazilian go-go treatment of the Beatles’ ‘Day Tripper’…”

This is one of my favorite albums, one which certainly belongs in any audiophile’s collection. Better sound is hard to find — when you have the right pressing. Unfortunately those are pretty hard to come by. Most LPs are grainy, shrill, thin, veiled and full of compressor distortion in the louder parts: this is not a recipe for audiophile listening pleasure.

But we love this album here at Better Records, and have since day one. One of the first records I ever played for my good audio buddy Robert Pincus (Cisco Records) to demonstrate the sound of my system was Sergio’s syncopated version of “Day Tripper” off this album. That was decades ago, and I can honestly say I have never tired of this music in the intervening years.

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Jimmy Smith / Any Number Can Win

More of the Music of Jimmy Smith

  • Any Number Can Win is back on the site for the first time in years, here with solid Double Plus (A++) grades on both sides of this early Verve pressing
  • With richness, clarity, space and timbral accuracy, this is guaranteed to be one of the best sounding big band jazz records you’ve heard in a while
  • Another top jazz recording from Rudy Van Gelder (among others) – big, bold and lively, just the right sound for this music

This is one of Rudy Van Gelder’s triumphs and one of the best Jimmy Smith albums we’ve ever heard. All of side one and the last cut of side two sound stunning! This is dynamic, big speaker sound.

Lots of old Verves weren’t mastered right, but this one was. It’s as good as it gets — it’s right up there with Bashin’.

RVG did not record this entire album. Some songs are recorded by other engineers and don’t have the dynamic slam that his do but the best tracks are amazing.

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The Poll Winners – Exploring the Scene

More Contemporary Label Jazz Recordings

  • Exploring the Scene makes its Hot Stamper debut on this early Black Label Contemporary pressing with KILLER Shootout Winning Triple Plus (A+++) sound from first note to last
  • Tubier, more transparent, and more dynamic than all the other copies we played, with plenty of that “jumpin’ out of the speakers” quality that only The Real Thing ever has
  • As a matter of fact, no other copy in our shootout earned a 3+ grade on either side
  • The right reissues can be very good sounding, but they don’t stand a chance in a shootout with the best early pressings
  • Roy DuNann always seems to get phenomenally good sound in the sessions he records – amazingly realistic drums in a big room; Tubey Magical guitar tone; deep, note-like string bass, and on and on
  • 4 stars: “The trio performs creative versions of such songs as ‘Little Susie,’ ‘So What,’ ‘Doodlin’,’ ‘This Here,’ and Ornette Coleman’s ‘The Blessing.'”

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Henry Mancini – Music from “Mr. Lucky”

More Living Stereo Recordings

  • Music from “Mr. Lucky” appears on the site for only the second time ever, here with excellent Double Plus (A++) Living Stereo sound or BETTER throughout this original RCA pressing
  • This copy is super spacious, sweet and positively dripping with ambience — talk about Tubey Magic, the liquidity of the sound here is positively uncanny
  • If you’re looking to demonstrate just how good 1960 All Tube Analog sound can be, this superb copy may be just the record for you
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you

Al Schmitt

Al Schmitt recorded and mixed Music from Mr. Lucky and on the best copies it should be clear to all that he knocked it out of the park.

We know his work well; he happens to have been at the controls for many albums with audiophile quality sound: Aja, Hatari, Breezin’, Late for the Sky, Toto IV, as well as some we can’t stand (the entire Diana Krall digital-echo-drenched catalog comes to mind).

The guy’s won 13 Grammy Awards, that ought to count for something.

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Tchaikovsky, Schumann, et al. / Ballet Favorites / Ansermet

More of the Music of Tchaikovsky

  • This wonderful collection of ballet highlights debuts on the site with rich, spacious Tubey Magical Shootout Winning Triple Plus (A+++) sound throughout this early Maroon Label Victrola stereo pressing (VICS-1066)
  • The music here has been excerpted from the Royal Gala Ballet Soria Set that sells for many thousands of dollars these days, and the sound here is so good it’s hard to imagine the original being better
  • We will never know of course — finding an affordable (say under $2k) set seems to be getting less likely with each passing year
  • The music here is of course excerpted from the Royal Gala Ballet Soria Set that sells for many thousands of dollars these days, and the sound here is so good it’s hard to imagine the original being better
  • These sides are clear, full-bodied and present, with plenty of live venue space around the players, the unmistakable sonic hallmark of the properly mastered, properly pressed vintage analog LP
  • A record like this lets you get lost in the world of its music, and what could be more important in a recording than that?
  • Enchanting music and sound combine here to make one seriously good Demo Disc, if what you are trying to demonstrate is how relaxed and involved vintage analog can make you feel

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Simply Red / Stars

More of the Music of Simply Red

  • Here is an original import pressing of the band’s fourth studio album (only the second copy to ever hit the site) with solid Double Plus (A++) sound or BETTER on both sides – exceptionally quiet vinyl too
  • Richer, warmer, more natural, more relaxed – this is what vintage analog is all about, that smooth sound that never calls attention to itself and just lets the music flow
  • 4 1/2 stars: “…Stars is Simply Red’s best album since their debut. It’s smoother and more polished than their previous work, yet Mick Hucknall is singing better than ever…”

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