milestones-in-audio-1975

Small Speakers and Some Audio Lessons I’ve Learned Over the Last 50+ Years

These Are the Fundamentals of Good Sound

UPDATE 2026

The video linked to below is now private. A smart move on the part of its creator.

However, as you will see from our commentary, it really doesn’t make much of a difference whether it is or not. What we had to say about it years ago is still true.


Do not believe a word you hear in this video. [Not a problem!]

You probably shouldn’t even watch it. [Indeed, and now you can’t.]

Let me state clearly one of our core beliefs here at Better Records.

Small speakers are incapable of lifelike musical reproduction in the home.

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Sinatra At The Sands through Dahlquist DQ-10’s – My Neophyte Audiophile Mind Is Blown

Hot Stamper Pressings of the Music of Frank Sinatra Available Now

Back in the early 70s this was actually the album that first introduced me to honest-to-goodness “audiophile” sound.  

I was at my local stereo store listening to speakers one day, and the salesman made a comment that the speakers we were listening to (the old Infinity Monitors with the Walsh tweeter) sounded “boxy.”

I confessed to him that I didn’t actually know what that meant or what it would sound like if it weren’t boxy. 

So he hooked up a pair of Dahlquist DQ-10s and put Sinatra at the Sands on. I was amazed at how the sound just floated in the room, free from the speakers, presenting an image that was as wide and deep as the showroom we were in. That speaker may have many flaws, but boxiness is definitely not one of them.

This description is pretty close to what I thought I heard all those years ago:

The presence and immediacy here are staggering. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime. Very few records out there offer the kind of realistic, lifelike sound you get from this pressing.

This vintage stereo LP also has the MIDRANGE MAGIC that’s missing from the later reissues. As good as some of them can be, this one is dramatically more real sounding. It gives you the sense that Frank Sinatra is right in front of you.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you.

Or so I thought at the time.

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