
This Milstein record has exquisite violin tone and of course the performance is magical. These comments only apply to the Lalo on side two. (Side one never sounds good on this album.)

This Milstein record has exquisite violin tone and of course the performance is magical. These comments only apply to the Lalo on side two. (Side one never sounds good on this album.)

This Minty British “Sitting Angel” pressing has Super Hot Stamper sound on side two, reproducing accurately the sound of a solo violin in what sounds to us like a fairly lively and resonant rehearsal hall. Perhaps accurately is not the right word, since obviously none of us have ever set foot in whatever room the music was recorded in. “Realistic” might be a better choice in that regard, since the sound is believable for what we would expect that room might have contributed to the sound we hear on the pressing in hand.
Interestingly, the sound on side two is a tad better than side one — the violin is more present and warm, the room less resonant (in a good way). (more…)

This RARE Super Hot Stamper Mercury Mono original pressing has the kind of BIG, LIVELY, tonally correct sound that not one out of fifty mono records we play can lay claim to. If more mono records sounded like this one I wouldn’t be so down on mono all the time.
But they don’t. Most mono records sound SMALL. When you have big speakers, set far apart and far from the back wall, in a pretty good sized room, small is just not the sound you want to hear! Especially when it comes to classical music. I want a front row seat, and this record is a first class ticket to one. (more…)