Country & Country Rock

Bob Dylan – Pat Garrett & Billy The Kid (Original Soundtrack Recording)

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  • An incredible copy of Dylan’s 1973 soundtrack album with Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
  • This one is doing practically everything right – it’s bigger, bolder, richer and more clean, clear and open than almost anything else we played
  • Includes the hit “Knockin’ on Heaven’s Door,” which charted on the Top 20 and would be famously covered in later years by the likes of Eric Clapton and Guns N’ Roses
  • “This record also proved that Dylan could shoehorn his music within the requirements of a movie score without compromising its content or quality, something that only the Beatles, unique among rock artists, had really managed to do up to that time…”

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The Dillards – Copperfields

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  • You’ll find seriously good Double Plus (A++) sound or BETTER throughout this vintage Elektra pressing
  • Both of these sides are relatively rich, full-bodied and warm, yet clear, lively and dynamic
  • Those of you who enjoy the country-fried style of the Flying Burrito Bros., Gram Parsons or The Byrds will probably get a lot out of this one
  • 4 stars: “…it was a similarly eclectic and, for the most part, joyous romp through a fusion of bluegrass, rock, folk, and country, with a bit of pop and orchestration along the ride, and the group’s superb vocal harmonies being the main constant.”

This is the band the Jayhawks grew up listening to, along with, I’m guessing, The Byrds (circa Sweetheart of the Rodeo), The Grateful Dead (American Beauty), The Eagles (first LP), Poco, and no doubt plenty of other bands that never became famous.

Actually, the Dillards themselves never became famous, which is too bad, because based on this album they should have. It’s full of wonderfully melodic songs, with all the boys pitching in for harmony, backed by every stringed instrument that’s fit to pick: guitar, mandolin, banjo, pedal steel, fiddle, dobro — you name it, they play it. They even do one by the Beatles. And that’s not nostalgia: the Beatles were together (sort of) when this record was made!

By the way, the guy front and center is Herb Pederson. I never knew who he was until I attended a concert that Chris Hillman and his acoustic trio gave at a coffee house (!) and then again at a home concert (where I was lucky enough to sit three feet from them and got to chat with them during the break).

They performed mostly old bluegrass and country tunes (with Hillman on mandolin, his first and favorite instrument), some originals, and even covered one or two of The Byrds’ hits. The guitarist in the band turned out to be Herb Pederson, and one day I noticed a similarity between the 55+ year old gentleman I saw that night and the guy on the cover of The Dillards. Sure enough, that’s him.

You can also find his name on dozens of country rock records by artists like Linda Ronstadt and Emmylou Harris. He was the “go to” guy back in the day, with his top notch harmonies and authentic country guitar playing. Which is what he brings to this album too.

We’ve been trying to find great sound for this band for years, but it is one tough task. For one thing, it’s difficult to find clean copies out in the bins and even when we do most of them don’t sound that hot. It took years worth of purchases to get enough of these together for a shootout, and even then very few of them delivered the way this one could.

Our last shootout was 2013, close to a decade ago. Sometimes it takes ten years to find enough copies to do a shootout, and this is one of those times.

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Kris Kristofferson and Rita Coolidge – Full Moon

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  • You’ll find excellent Double Plus (A++) sound throughout this early A&M pressing
  • The vocals are wonderfully breathy and sweet, the bass is killer and everything is natural and musical
  • 4 stars: “Despite Kristofferson’s greater celebrity, the LP was made with Coolidge’s strengths in mind. . . The songs were set in her key, with Kristofferson crooning along in an unusually high register. The tempos were mostly slow, emphasizing the dreamy quality of Coolidge’s voice.”

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Buffalo Springfield – Again

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  • Buffalo Springfield’s sophomore release is back on the site with INCREDIBLE Shootout Winning Triple Plus (A+++) Tubey Magical Analog sound or close to it from from start to finish – unusually quiet vinyl for an ATCO original as well
  • Consistently brilliant songwriting and production: “Mr. Soul,” “A Child’s Claim To Fame,” “Expecting To Fly,” “Bluebird,” “Hung Upside Down,” “Rock & Roll Woman,” “Broken Arrow” and more!
  • A true Desert Island Disc – 5 stars: “…this record stands as their greatest triumph… its classic status cannot be denied.”
  • If you’re a fan of The Buffalo Springfield, this early pressing from 1967 surely belong in your collection
  • The complete list of titles from 1967 that we’ve reviewed to date can be found here.
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. This band’s second and third albums are both good examples of records many audiophiles may not know well but should.

Listen to the vocal harmonies — you can separate out all the parts much more clearly on these Hot Stamper pressings. You can really hear precisely who’s in there and what part they are playing in the vocal arrangement. I can’t remember ever hearing it sound so clear. The best copies really let you hear into the music. (more…)

Townes Van Zandt – Delta Momma Blues

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  • A Delta Momma Blues like you’ve never heard, with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them throughout this vintage Tomato pressing
  • The overall sound here is rich, full-bodied and Tubey Magical with plenty of energy and bottom end weight
  • No one does beautifully spare and gut-wrenching country music quite like TVZ – this set contains two of his best songs — “Tower Song” and “Nothin’”
  • 4 stars: “On Van Zandt’s fourth album his voice hasn’t yet attained the weary gravitas that made his later albums so shattering, but his dark, skewed visions of life are already in place.”

This vintage Tomato pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Gram Parsons – GP

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  • A KILLER sounding copy and the first to hit the site in many years; both sides have Shootout Winning Triple Plus (A+++) sound or very close to it
  • This copy is doing just about everything right — clean, clear, full-bodied and present with tons of energy and a nicely extended top end
  • “… his first solo album, 1973’s G.P., is probably the best realized expression of his musical personality. Working with a crack band of L.A. and Nashville’s finest, he drew from them a sound that merged breezy confidence with deeply felt Southern soul… this album remains a haunting reminder of Parsons’ talent and influence, and has only gotten better with the passing years.” 

If you’re a fan of country rock, this is some of the finest you’ll ever hear. James Burton, Ron Tutt and Byron Berline all play on here and quite well I might add. The harmonies between Gram and Emmylou are absolutely breathtaking, just drop the needle on ’We’ll Sweep Out The Ashes In The Morning’ to hear what I’m talking about.

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Loggins and Messina – On Stage

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  • Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • A pressing this good puts you front and center at these live performances, recorded on two dates, at the famous Orpheum Theatre in Boston and the incomparable Carnegie Hall
  • 4 stars: “After a gorgeous yet subdued introduction by Loggins as a solo performer on a handful of numbers, Messina and the band take the stage and loft the proceedings into a bracing mix of folk- and country-rock.”
  • If you’re a fan of the band, this 1974 release surely belongs in your collection

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Linda Ronstadt – Heart Like A Wheel

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  • With two outstanding sides, this vintage Capital pressing was giving us the sound we were looking for on Linda Ronstadt’s Best Album
  • “You’re No Good” was the hit but “It Doesn’t Matter Anymore,” “Faithless Love” and “The Dark End of the Street” are every bit as good – and that’s just side one!
  • A Must Own Classic, the best album Ms Ronstadt ever made, and a True Country Rock Masterpiece practically without peer
  • 5 stars: “What really makes HLAW a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. …[they] help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.”
  • If you’re a Country Rock fan, then Linda’s Masterpiece from 1974 belongs in your collection.
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.

I’ve been playing HLAW since the year it came out, roughly 48 years by my calculation, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on the album. Folks, we heard it for ourselves: the Heart Like A Wheel magic is here on practically every song.

Pay special attention to Andrew Gold‘s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

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Emmylou Harris – Evangeline

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  • You’ll find superb Double Plus (A++) sound throughout this original Warner Bros. pressing
  • Both of these sides are clean, clear and spacious with deep punchy bass and plenty of energy
  • The best copies have the kind of analog richness, warmth, and smoothness that make listening to records so involving
  • “…a perky ‘Mr. Sandman’ … was a minor pop hit and a reworking of Robbie Robertson’s haunting ‘Evangeline’ … are outstanding…”

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Willie Nelson – The Troublemaker

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  • An outstanding copy of The Troublemaker with excellent sound on both sides
  • It’s richer, fuller, more musical and more natural – Willie’s breathy voice is reproduced with a solidity and immediacy that’s not easy to find
  • 4 1/2 stars: “The Troublemaker is Willie Nelson’s first all-gospel album, but country gospel in his hands doesn’t sound like traditional country gospel — it’s a Willie album, through and through… Consequently, it’s every bit as wonderfully idiosyncratic as any of his other mid-’70s work and, in some ways, even more so, because inspirational songs and religious material are usually not given arrangements as imaginative and free-spirited as this… “
  • If you’re a fan of Willie’s, a killer copy of his album from 1976 belongs in your collection

When this record was made the tapes were fresh. Now they’re 40+ years old. On audiophile equipment you will have no trouble appreciating the difference. Unless I miss my guess the difference in sound should be night and day.

It’s taken us a long time to pull together enough clean copies to make this shootout happen. Boy, was it worth all the trouble!

The presence and immediacy here are really something. Turn it up and Willie is right between your speakers, putting on the performance of a lifetime. One of our very favorite male vocalists, this copy will show you why — both the sound and the music are superb in all respects.

The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing. (more…)