New British import pressings with EXCELLENT SOUND.
There is not a track here that wouldn’t KILL the sound of that track found on any of the Classic Heavy Vinyl pressings in a head to head shootout. And if you don’t agree we are more than happy to take this copy back and refund your money.
These pressings typically have some surface noise at the start of one side or the other, mostly caused by dust in the jacket that scuffed the vinyl in transit, so they have been priced far below what they would sell for if they were quieter, because the sound is, as I said, excellent.
This “greatest hits’ package comes across as a nice overview of his solo career, since he virtually had no hits in this country until So.
“As greatest-hits albums go, it’s pretty good, containing all the hits, plus an effective re-recording of “Here Comes the Flood” and a good new song in the form of the title track.” – AMG
I Don’t Remember
Shaking the Tree
Don’t Give Up
Here Comes the Flood
Games Without Frontiers
Shock the Monkey
Big Time Gabriel
This is an Older Review.
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)
We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.
As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.