jazzpianobest

The Dave Brubeck Quartet / Newport 1958 – Reviewed in 2011

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This is a very nice looking Columbia Six-Eye LP. The sound here is actually pretty good, particularly on side one. It’s open and present, relaxed and natural, with some nice weight to the piano and fairly tight bass. It’s not exactly a knockout, but if you’re looking for a musical and enjoyable copy this one should do the trick. Side two is almost as good, and both sides have been through our extensive cleaning process. 

This is an Older Jazz Review.

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

Not just a good sounding record. A record that was played in a shootout and did well.

The result of our labor is the scores of jazz titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

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Horace Silver – Horace-Scope

  • This superb stereo pressing boasts nearly Double Plus (A++) sound from start to finish
  • This shootout was years in the making – few copies survived in this kind of audiophile playing condition, and fewer still – far fewer still – sound as good as this one does (thanks RVG!), so Silver fans should get while the gettin’ is good
  • 4 stars: “…every selection is full of soulful grooves and well-honed group interplay, the qualities that made this band perhaps the top hard bop outfit of the early ’60s. Silver was in the midst of a hot streak that wouldn’t let up for another few years, and Horace-Scope is another eminently satisfying effort from that period.”

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Gary Burton and Keith Jarrett – Gary Burton and Keith Jarrett

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  • This superb collaboration finally makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last
  • Huge space, size and clarity, with Tubey Magical richness befitting the 1970 recording dates of these sessions
  • Dave Sanders’ engineering is brilliant as usual – if you go to the blog you can see some of his finest recordings, with this soon to join the group
  • 4 1/2 stars: “This combination works. . . Elements of pop music, rock, country, and the jazz avant-garde are used in the mixture of styles and the results are quite logical.”

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McCoy Tyner – Plays Ellington

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  • Superb sound throughout with both sides earning solid Double Plus (A++) grades; exceptionally quiet vinyl too! 
  • With a lively and present piano, clarity, space and timbral accuracy, this is guaranteed to be one of the better sounding jazz records you’ve heard
  • Credit goes to Rudy Van Gelder once again for the huge space this superbly well-recorded ensemble occupies (the ensemble being a piano trio with two percussionists, but it works!)
  • 4 stars: “An interesting project that works quite well… This is an excellent outing that displays both Tyner’s debt to the jazz tradition and his increasingly original style.”

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The Ramsey Lewis Trio – Down To Earth

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More Jazz Recordings Featuring the Piano

  • Down To Earth finally makes it to the site with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
  • As soon as the needle hit the groove on a copy we had picked up locally we knew the sound was top notch – the excellent music was a plus as well (!)
  • 4 stars: “Their concise interpretations (only two songs are longer than 3:15) feature swinging solos by Lewis and respect for the melodies. The music is quite accessible while still being jazz oriented. Worth picking up.”

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Count Basie & Oscar Peterson – The Timekeepers

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Reviews and Commentaries for the Music of Oscar Peterson

Hot Stamper sound on both sides of this Pablo original pressing of the Two Masters in a small group setting. Basie and Peterson recorded five albums together, and this may very well be the best of the bunch, though I have yet to hear one that I didn’t enjoy. I wrote a rave review about this title when I first heard it more than ten years ago. If you like small group piano jazz — here we’re talking two pianists accompanied by Louie Bellson on drums and John Heard on bass — this should be right up your alley. 

Side One

Big, rich pianos. Everything here is clear with no smear, with a fair amount of space. This side is a bit opaque compared to the best we heard, and the bass isn’t quite as deep as it was on the top copies, but overall this side is doing most of what we wanted it to.

Side Two

This side is lively and tonally correct — getting the music right — but lacks extension on both ends. (more…)