1964

Vince Guaraldi – Jazz Impressions Of Charlie Brown

More 5 Star Albums

  • This superb pressing boasts Shootout-winning Triple Plus (A+++) sound on side one and an excellent Double Plus (A++) side two
  • Guaraldi introduced the world to his unique, melodic, elegantly simple style with this very album – only a pressing this good does the timeless score justice
  • Not the quietest copy we’ve ever played, although finding one much quieter than this is simply not in the cards unless you’re willing to settle for much poorer sound quality
  • 5 stars: “The most remarkable thing, besides the high quality of Guaraldi’s whimsically swinging tunes, is that he did not compromise his art one iota for the cartoon world; indeed, he sounds even more engaged, inventive, and lighthearted in his piano work here than ever.”

On both sides, but especially on this Shootout Winning side one, the sound was jumpin’ out of the speakers. There was not a trace of smear on the piano, which is unusual in our experience, although no one ever seems to talk about smeary pianos in the audiophile world (except for us of course).

If you have full-range speakers, some qualities you may recognize in the sound of the piano on this recording are WEIGHT and WARMTH. The piano is not hard, brittle or tinkly. Instead, the best copies show you a wonderfully full-bodied, warm, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants.

In other words like a real piano, not a recorded one. This is what we look for in a good piano recording. Bad mastering can ruin the sound, and often does, along with worn out stampers and bad vinyl and five gram needles that scrape off the high frequencies.

But a few copies survive all such hazards. (Too few, hence our prices.) They manage to reproduce the full spectrum sound of the piano (and of course the wonderful performances of the musicians) on vintage vinyl, showing us the kind of sound we never expected from a ’60s Fantasy pressing such as this one.

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Ray Charles – Have a Smile With Me

More of the Music of Ray Charles

More Soul, Blues, and Rhythm and Blues

  • Have A Smile With Me returns to the site after more than a year with superb Shootout Winning Triple Plus (A+++) sound on side two mated to an excellent sounding Double Plus (A++) side one
  • The richness in Ray’s vocals and the wonderfully Tubey Magical sound overall makes this killer copy especially impressive
  • It’s not easy to find a Ray Charles stereo pressing from the Sixties that plays this quietly, but marks in the vinyl are the nature of the beast with these early LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • “…[Charles] elevates the material with soulful vocals and good arrangements, particularly when the Raeletts back him up (as they do on half the tracks).”

We search high and low for Ray’s records and have played them by the score over the years. We hope to keep a good supply on to the site in the coming years, so keep a close eye on the New Arrivals section.

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Bob Dylan – The Times They Are A-Changin’

More Bob Dylan

  • This 360 stereo pressing offers outstanding sound from first note to last
  • The keys to this stark recording – just Bob, his acoustic guitar, and harmonica – is correct tonality, as well as vocal presence with breathy intimacy, and here you get a good helping of all three
  • If you’ve played the MoFi or Sundazed LP, on the CD, the Tubey Magic here might just blow your mind
  • “These are beautifully crafted, tightly focused mini-masterpieces. And they have a radical edge, a political toughness, that one rarely finds in the folk music of the period. …the songs are uncompromising in their anger and unsparing in their analysis.”
  • If you’re a fan of the man, this title from 1964 is clearly one of his best, and one of his best sounding
  • The complete list of titles from 1964 that we’ve reviewed to date can be found here.

Just about everything you could want in the sound is here: wonderful clarity, mindblowing transparency, clearly audible transients on the guitar, breathy texture to the vocals, full-bodied acoustic guitars, and more. If you’ve played other copies of the album — on MoFi, Sundazed or Columbia LP, on the CD, on whatever — the immediacy of the vocals and the Tubey Magic of the midrange are going to blow your mind. (more…)

Tony Bennett – Who Can I Turn To

More Tony Bennett

More Vintage Columbia Pressings

  • This early Columbia 360 label pressing gives Tony the sound he deserves, earning outstanding grades on both of these stereo sides
  • Transparency and Tubey Magic are key to the sound of the orchestra and you will find both in abundance here
  • Made up mostly of ballads, this is an album for quiet moods – the title track is especially good in that respect, with Bennett’s voice carrying the song, the arrangement understated and well in the background
  • “..[T]he match of singer and arranger made for a consistent and effective album.”
  • If you’re a fan of Tony’s, this 1964 release belongs in your collection

Everything that’s good about Vocal Recordings from the ’50s and ’60s is precisely what’s good about the sound of this record.

Albums such as this live and die by the quality of their vocal reproduction. On this record Mr. Tony Bennett himself will appear to be standing right in your listening room.

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Haydn – 3 Quartets / The Janacek Quartet

More of the music of Joseph Haydn (1732-1809)

Reviews and Commentaries for the music of Joseph Haydn

  • A wonderful album of chamber music with outstanding Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • Another one of those “sleeper” records we chance upon from time to time – it’s the very opposite of those echo-drenched recordings that some audiophiles like, with mics twenty feet away from the performers so that they are awash in “ambience.” Please.
  • If you’re looking for brilliantly performed quartet music recorded on an All Tube chain by the best engineers Decca had to offer (Gordon Parry in this case), hard to imagine you could do much better than this very disc

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Ella Fitzgerald – Sings the Johnny Mercer Song Book

  • With superb Nearly Triple Plus (A++ to A+++) sound on both sides of this Verve stereo original LP, we are fairly certain you could not possibly have heard Ella Fitzgerald sound better than she does on this very record
  • The huge, rich orchestral sound captured so beautifully by Val Valentin is always one of the highlights of these songbooks
  • By the time this one came out in 1964 Ella had already recorded 18 LPs of songbooks – this was the last, going out on a high note
  • Some of the Mercer Classics here are Too Marvelous For Words, Day In-Day Out, Laura, Skylark, Midnight Sun, I Remember You
  • Once you hear Ella sing Skylark on this album, you will have a very hard time sitting through Linda Ronstadt’s rendition of it on Lush Life
  • AMG raves “this is one of the best of Ella Fitzgerald’s songbooks. Fitzgerald’s assured and elegant voice is a perfect match for Mercer’s urbane lyrics and Nelson Riddle’s supple arrangements…”

When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.

The recording is outstanding, with huge amounts of space and midrange richness that might just take your breath away. (more…)

Frank Sinatra / Count Basie – It Might As Well Be Swing

More Frank Sinatra

More Count Basie

  • A KILLER sounding copy with Triple Plus (A+++) sound from the first note to the last
  • These side are doing it all right — big, rich and Tubey Magical yet still clean, clear and present with lovely breathy vocals
  • “It Might as Well Be Swing, was a more structured, swing-oriented set than Sinatra-Basie, and in many ways the superior album… , what makes [it] more successful is the consistently high level of the performances. On their previous collaboration, both Sinatra and Basie sounded a bit worn out, but throughout this record they play with energy and vigor.” 

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Joe Pass / For Django

More Joe Pass

Reviews and Commentaries for the Music of Joe Pass

White Hot Stamper sound on both sides — this is some killer jazz guitar “trio” sound. There are actually two guitarists on this record, John Pisano being the other one, plus bass and drums. We’re big fans of Pacific Jazz recordings from this era, with 1964 live in the studio Tubey Magic to die for. 

We’ve played quite a few of these early jazz guitar records by the likes of Kenny Burrell, Joe Pass, Charlie Byrd, Grant Green, Wes Montgomery and others. Can’t say I’ve ever heard a better sounding one than this.

The All Tube live in the studio approach to the recording results in natural, open, rich, clear, spacious, dynamic sound the likes of which you may have never experienced. The exceptionally clear, tight, note-like bass is an added bonus — not many tube recordings get the bass to sound that way! (more…)

The Sons of The Pioneers – Down Memory Trail with The Sons of The Pioneers

More of The Sons of The Pioneers

More Country and Country Rock

  • Down Memory Trail finally arrives on the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • These sides have a richness and sweetness that’s disappeared entirely from modern recordings yet they’re still incredibly clean, clear and spacious
  • If you want to know why people love Living Stereo records, playing either side of this record should be more than sufficient
  • “Another nostalgic journey through the west”

This vintage RCA Victor pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Wes Montgomery – Movin’ Wes

More Wes Montgomery

More Jazz Recordings Featuring the Guitar

  • Movin’ Wes finally arrives on the site with outstanding Double Plus (A++) sound or BETTER throughout
  • We guarantee there is dramatically more richness, fullness and presence on this copy than anything you have ever heard, and that’s especially true if you made the mistake of buying whatever godawful Heavy Vinyl pressing is currently on the market
  • Credit goes to Rudy Van Gelder once again for the huge space this superbly well-recorded group occupies
  • “The guitarist is in excellent form here, playing a nimble solo on the up-tempo waltz ‘Senza Fine’, as well on old favourites from previous albums like ‘Born To Blue’ and ‘West Coast Blues.”

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