Labels with Shortcomings – CBS Half-Speeds

Little Queen – CBS Half-Speed Reviewed

Hot Stamper Pressings of the Music of Heart Available Now

Sonic Grade: D

No slam, no real weight and no truly deep bass, just that 50-plus-cycles stuff and barely any of that, mostly 60 and up if you’re lucky, and BLUBBERY.

Our good customer Roger wrote to tell me how much better he liked our $100 Hot Stamper of Little Queen compared to his CBS Mastersound Half-Speed Mastered LP.

As you can see from our old commentary, I used to actually think the Mastersound pressing was pretty good, with better extension on the top to help overcome this album’s typically dull, thick, opaque sound.

But that’s before I discovered the Hottest Stampers and how to clean them and play them, which fixes EVERYTHING and turns this album into a real Demo Disc. (more…)

Songs in the Attic – CBS Half-Speed Debunked

More of the Music of Billy Joel

Reviews and Commentaries for the Music of Billy Joel

Sonic Grade: F

Records with too much bass and especially too much top end can’t be turned up loud.

The louder you play them the worse they sound.

Try playing the average MoFi at a loud volume. All that extra 10k starts to make your brain hurt.

The CBS half-speed of this album is like that. It’s frustrating — the music makes you want to turn it up but the sound says forget it.

Not the good pressings. They sounds BETTER when you play them loud.  

What’s the Right Grade for the CBS Half-Speed of Willie Nelson’s Stardust?

Hot Stamper Pressings of the Music of Willie Nelson Available Now

Sonic Grade: B to F, depending on the copy

This review was written many years ago, so take it for what it’s worth.

This Hot Stamper CBS Mastersound LP has the BEST SOUND we have ever heard for the Half-Speed of this title. It KILLED the other two CBS Audiophile Stardusts we played. If you think there’s a snowball’s chance in hell that any two records — domestic, import, audiophile, 180 gram, or otherwise — sound the same, then you simply need to do a shootout or two with records like these to be disabused of that notion.

One copy was awful; I’d have to say it’s one of the worst sounding audiophile pressings I’ve ever played. Somebody is going to buy it thinking it somehow guarantees them a higher quality pressing, and to that person I say, think again. That’s not the way it works.

This copy, on the other hand, sounds so good you’d think it was one of our hand-picked multi-hundred dollar Hot Stamper pressings. (One of them sold for $750, FYI.) It may not be the ultimate copy, but it sure sounded amazing to us. On the half-speed scale we give it Two Pluses. That’s the highest grade we’ve ever given ANY half-speed; from guys who can’t stand half-speeds as a rule, that’s high praise indeed.