Rock, Psych

Psych Rock

Big Brother & The Holding Company Featuring Janis Joplin

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  • With two seriously good Double Plus (A++) sides, this was one of the better copies we played in our recent shootout
  • Most copies we played were too compressed or veiled to involve you in the music, but this one has the kind of rich, big, clear sound this Bay Area band needs to work its bluesy magic
  • Turn this one up good and loud (which you can do when the sound is right) and you’ll have a living, breathing Janis Joplin standing right between your speakers
  • A tough record to find with audiophile quality sound and clean vinyl, two reasons you rarely see it on the site

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Frank Zappa / Chunga’s Revenge

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Reviews and Commentaries for the Music of Frank Zappa

This Bizarre Blue Label LP plays about as quietly as they ever do. Zappa in this period provides a musical wild ride on record like no other artist of his day. For those of you who appreciate his music this album is guaranteed to provide plenty of entertainment and will surely reward repeated plays. I listened to it hundreds of times in my high school days; to this day it holds a special place in my collection.

Like many Zappa records from the period, especially the two releases that immediately preceded this one, Weasils and Burnt Weeny, the sound is all over the place. The most you can hope for is that the best sounding tracks sound right, and here they definitely do. Play Twenty Small Cigars on side one, or The Clap on side two to hear that there is good sound on both sides. (more…)

Frank Zappa – Weasels Ripped My Flesh

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Reviews and Commentaries for the Music of Frank Zappa

  • This lively Zappa pressing boasts two excellent Double Plus (A++) sides – one of the better copies we played in our recent shootout!  
  • All Analog Tubey Magical sound from 1970, with a spacious, three-dimensional soundstage and a big bottom end
  • Clear, high-rez sound, crucial to making sense of this complex music – exceptionally QUIET vinyl too
  • “Zappa’s anything-goes approach and the distance between his extremes are what make Weasels Ripped My Flesh ultimately invigorating.”

The sound is big and bold throughout with excellent clarity, presence, and wonderful transparency.

If you’re not already a Zappa fan, be warned that experimental song structures, feedback, dirty lyrics, avant-garde jazz freakouts and gas mask solos (yes, you read that right) all figure into the mix here. I don’t know of anyone other than Frank Zappa who could shape that all into one amazing, fairly cohesive LP. (more…)

Traffic – Last Exit – Our Shootout Winner from 2010

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This QUIET British Import Island Sunray (Pink Rim) pressing has THE BEST SIDE TWO WE’VE EVER HEARD, which is where the two extended live cuts are found. We played a bunch of these recently (nothing but Brits, the only way to go for this album) and no side two could keep up with this one. It’s got more extension up top, more weight down low, and more energy than we heard anywhere else.  (more…)

Traffic – Shoot Out At The Fantasy Factory

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Import versus domestic? You would be hard pressed to find better sound than on the best of these DOMESTIC pressings, and that includes Low Spark of High Heeled Boys!

We just finished a huge shootout for this album and didn’t find a copy that could hold a candle to this one in the huge stack we played. This may not be the best Traffic album ever, but on a copy that sounds this good it’s very enjoyable and certainly an impressive sonic spectacular. 

Side one earned an A+++ grade and side two was close behind at A++. The vocals sound just right and the percussion is full of energy, which really kicks up the excitement here. Check out how open, spacious and transparent the soundfield is, letting you appreciate everything that’s going on musically. (more…)

Spooky Tooth – The Last Puff

  • An outstanding Island Pink Label pressing of the band’s 1970 release, with solid Double Plus (A++) sound or close to it from first note to last – exceptionally quiet vinyl too
  • The reason this is a Must Own Spooky Tooth album is their sludge-metal cover of I Am the Walrus, guaranteed to blow your mind – it sure blows ours
  • Includes “Something to Say,” co-written by Joe Cocker and later featured on his 1972 album
  • 4 1/2 stars: “It’s a good, solid effort that includes a burning cover of the Beatles’ ‘I Am the Walrus.'”

This vintage Island Pink Label pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)