One of our good customers wrote us a very special letter recently about two debut albums we share a love for: Led Zeppelin’s and Jeff Beck’s. (Emphasis added.)

Dear Tom, Kenji, and the Better Records Team,

I am writing to share my absolute astonishment after listening to the Hot Stampers I recently acquired. To give you some context, I set up a rigorous shootout against my own collection.

For Led Zeppelin, I prepared seven of my finest vintage vinyl copies:

• • One UK “Turquoise” First Pressing
  • Six US copies (cut by RG or GP; pressed by Presswell or Monarch with △12703 / △18257 matrix codes, spanning the Broadway to Rockefeller eras)

For Jeff Beck, All from my brain memory not real records:

• • Two “Japanese” First Pressing and reissue
  • Two UK “Blue Columbia” MONO & STEREO Pressing and one EMI reissue

If the seven Zeppelin records that rivaled the HOT STAMPER were like 8mm film, then the HOT STAMPER was 70mm Cinemascope!

A vast, rich space—stretching from wall to wall, floor to ceiling—appeared right before my eyes, and the sound that burst forth passed right through me.

I was so astonished by the sheer difference in scale that I couldn’t believe it.

I kept turning up the volume, bathing in the sound like a shower.

When I played the UK Turquoise and GP/MONARCH records again at the same volume, the sound was so blindingly bright and overwhelmingly loud that I had to lift the needle after just a few seconds.

As for Beck, ever since I was a teenager, no matter how many times I listened to *TRUTH*, I could never be satisfied with its sound, so I ended up selling it. I’d concluded that while *TRUTH* is a matter of personal musical taste, it wasn’t a record that sounded good. However, after seeing *SKEPTICAL AUDIOPHILE* recommend this record, I decided to give it one last challenge.

When I turned up the volume, it was as if the band was right there in front of me, in the fifth row. I was sharing that space with them, and the sound came straight at me without any barriers.

It was as if I were actually there at the concert.

This was my first time having an experience like this with my home audio system.

This is what a “WHITE HOT STAMPER” is! What a blissful time I had! Warm, Rich, Dynamic, & Transparent!

P.S.

1. After finishing both records, I felt wonderfully uplifted and clear-headed, and all the noise in my head had vanished. It lasted for hours. All that remained was a smile; my wife even remarked, “You look so happy.”

I can say with certainty that this was due to the chemical effects of the HOT STAMPER. I believe it resulted from a decrease in stress hormones like cortisol and an increase in the secretion of “happiness hormones” such as dopamine and serotonin.

Furthermore, after I finished listening and was tidying up the room where the records were scattered—something I’ve experienced several times before—my digestive system became more active. I attribute this to the relaxation effect of the HOT STAMPER. It’s likely due to the “brain-gut axis,” where my favorite music and the superb sound quality triggered parasympathetic dominance, stimulating intestinal peristalsis.

2. Considering the time, energy, and money spent tracking down this rare Zeppelin record, this is no ordinary man’s job. There is a Bible verse that says, “Ask, and it will be given to you.”

I offer my deepest respect and admiration, as well as my boundless gratitude and love, to the treasure hunters led by Tom, who have successfully completed this mission—a mission truly bestowed upon them by God.

Sincerely yours,
Nobu

Dear Nobu,

Thanks for putting into words what it feels like to finally hear music you have treasured for decades sound the way you dreamed it could sound. I know well the kinds of feelings — bliss, exhilaration, joy — that coursed through you. I’ve experienced them many times myself over the decades.

There is a joy that cannot be expressed when music sounds so right there are no words to describe it. This is what audiophiles such as you and me live for. Few have had the pleasure of experiencing it outside the live event. We were able to do it with records, but they were very special records, the kinds of records few audiophiles know exist, let alone have played.

You describe us as treasure hunters, and that is indeed a very good way of looking at what we are. We have been hunting for treasure for more than 30 years, especially during the last twenty after having given up on the false promise of the modern remastered record.

You played our Hot Stamper pressings (Super Hot for Zep 1, White Hot for Truth) against all the copies that the conventional wisdom would have the best sound, but now you know something that few audiophiles understand, which is simply that when it comes to records, the conventional wisdom is not very good at predicting the best sounding pressings. This blog has well over a thousand commentaries detailing chapter and verse (to use a biblical phrase) how this is simply a fact that cannot be denied by anyone who has studied the matter.

You proved it for yourself. You did your own shootout. Who can gainsay the insights you acquired? Certainly not those who have never played one of our records. What evidence do they have to support their views?

Do they have a theory?

Could be a conjecture? A feeling? Some form of knowledge beyond our understanding?

As you now know as well as anyone, whatever it is, it’s a crock.

I very much enjoyed hearing about the happiness you felt when playing these very special pressings of such wonderful albums.

Thank you for writing and brightening our day here at Better Records!

Best, TP