If you click on the video you can read some of the silly comments people are making about this awful pressing, one of the worst sounding versions of Sticky Fingers ever committed to vinyl.
When you stop to consider how awful most pressings are compared to the only version that actually has ever sounded good to us, the right original domestic LP, that’s really saying something.
The MoFi pressing of this album is a joke. It’s so compressed, lifeless, and lacking in bottom end that it would hardly interfere with even the most polite conversation at a wine tasting. I consider it one of the worst sounding versions ot the album ever made.
It’s an Audiophile Record in the worst sense of the word.
A well-known reviewer actually — I kid you not — was still defending the sound of the MoFi as late as 2010. In one of his reviews earlier in 2008 he used it to test a piece of equipment he was evaluating(!) What could be more preposterous? Like I say, I kid you not.
In 2010 he wrote this:
Mo-Fi’s half-speed mastered edition (MFSL 1-060) was controversial when issued in 1980, with its jacked up lower bass, icy top end, sucked out midrange and low overall level. I’ll tell you though, as my system has improved, the more I’ve come to appreciate it. It offers outstanding focus and clarity and its portrayal of inner detail and transient snap is unsurpassed. Admittedly the sound is not for everybody.
It’s not for me, that’s for damn sure.