saintdanse

Witches’ Brew – Reviewed in 2007

Hot Stamper Pressings of Living Stereo Titles Available Now

This review from 2007 is way off the mark. We see now just how wrong we were.

To be honest, in 2007 we had a lot to learn. We’ve worked very hard to learn it over the ensuing years, and we have no intention of stopping as long as people keep buying our Hot Stamper pressings.

2007, Here Goes

DEMONSTRATION QUALITY SOUND, of a sort. As I’ve said elsewhere on the site, this is not my idea of natural tonality. It’s not trying to be a realistic recreation of music performed in the concert hall. It’s a blockbuster to be impressive when played on an audio system in your home. On that level is succeeds.

As for the music, I have long held that the Danse Macabre on this album is the best ever. I probably still agree with that [not anymore, here’s a better one], but so much of the material on this record is amazingly good that that’s actually kind of a left-handed compliment. The entire side 2 is outstanding from start to finish.

The excerpt on side 1 from Pictures at an Exhibition and the complete A Night on Bare Mountain are both played with a kind of energy and orchestral technical quality that makes these pieces come alive right in your living room.

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Ibert / Divertissement / Martinon – Reviewed in 2011

More of the music of Camille Saint-Saens (1835-1921)

This London LP has a very good side two.

Lively and not too bright with nice space and clarity, the Jeux D’Enfants is very enjoyable.

Le Rouet D’Omphale (the Spinning Wheel) which follows is even better! Natural and dynamic with rich strings, the tonality is wonderfully balanced. 

Performed with the Paris Conservatory Orchestra under Jean Martinon, this record also features Saint-Saens’ Danse Macabre.

Side one, unfortunately, is not up to the same standard. Both sides, of course, have been through our extensive cleaning process and should sound substantially better than average.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

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