rimskcapri

On This Copy of Espana, Capriccio Espagnol Was Where the Action Was

More of the music of Rimsky-Korsakov (1844-1908)

This London Whiteback (CS 6006) TAS List Super Disc really IS a Super Disc, with SUPERB SUPER Hot Stamper sound on both sides. It easily bested the Blueback we put up against it, and most of the pressings of Ansermet’s performance on London/Decca that we like (CS 6438).

What this album has going for it over the London/Decca with Ansermet is an out of this world Capriccio Espagnol, with the kind of orchestral color and excitement that rivals the composer’s Scheherazade and arguably exceeds it, compressing as it does its bright orchestration into fewer than 15 minutes of unalloyed brilliance.

I would argue that the sound here easily bests nine out of ten copies of LSC 2446, quite a feat when you consider what that record is selling for these days.

(Most audiophiles learn too late just how bad the average pressing of Reiner’s performance is. Take our advice, if you’re going to buy one without hearing it first, make sure you can return it. Chances are, if you’re a critical listener, you will want to. If you’re not a critical listener, feel free to buy the Classic Heavy Vinyl pressing. Although it sounds godawful to us, most audiophiles seem to like it just fine, a fact we regret to say does not reflect well on our fellow hobbyists. Or the venerable HP himself for that matter, as it made his TAS List.)

Who can resist these sublime orchestral works? To quote an infamous label, they are an audiophile’s dream come true. Click on the tabs above to read more about them.

We’ve long been of the opinion that only a small percentage of the copies of CS 6006 actually live up to the hype associated with its status on the Tas List. Our recent shootout provided more supporting evidence, as this copy was dramatically better than the other, more original, one we played.

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Tchaikovsky / Capriccio Italien & Rimsky-Korsakov / Capriccio Espagnol / Black / London Festival

  • Incredible sound on both sides of this London Phase 4 pressing with each side earning Shootout Winning Triple Plus (A+++) grades or very close them – exceptionally quiet vinyl too
  • These pieces are some of THE BEST on record – not only do they have incredibly powerful DEMO DISC sound, but the performances are superb in every way as well
  • The energy and excitement of these works are brought to life by Stanley Black and the London Festival Orchestra like nothing you have ever heard
  • This White Hot pressing may make you reevaluate virtually every classical recording in your collection

The Most Exciting, Colorful Performances of all time — Black gets everything out of these famous works on this Decca Phase 4 recording. Full, rich and clear like no other, with more space and a more three-dimensional stage than we even knew was possible. (Ongoing improvements in the stereo have helped a lot in those areas of course.)

Huge Wall to Wall Demo Disc sound, with the kind of IMMEDIACY that would make the folks at Mercury jealous. You will find very few Living Stereos and Mercuries with this kind of sound, that I can assure you.

Who can resist these sublime orchestral works? To quote an infamous label — infamous around these parts anyway — they are an “audiophile’s dream come true.”

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