Hot Stamper Pressings of the Music of Sting and The Police Available Now
A White Hot Stamper shootout winning copy went up on the site recently (4/2025) and this is how we described it:
With INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish, this copy is guaranteed to blow the doors off any other Regatta de Blanc you’ve heard.
Most of the stuff we manage to acquire from overseas is in far worse playing condition – these were popular records in their day, and they got played plenty, so this one came as a pleasant surprise.
Sting’s pulsing bass lines and the massive assault of Copeland’s kick really come to life here – you won’t believe how big and powerful the bass is on this record.
Along with Ghost in the Machine, we think this album captures The Police at their songwriting and performing peak.
However, many of the copies we played left much to be desired, as you can see from the notes we made for two of the copies we played (out of a total of nine):
Bilbo has cut many of our favorite records over the years, but for this album his side two is way too bright and therefore NFG.
Sheffield Labs Mastering (SLM) also cut many great sounding records, but for this album the sound was “very thin.” The grade of 1.5+ means the record is playable and enjoyable, but the top copies we offer will be dramatically better sounding.
Tone (not pictured) is a British mastering house that has mastered many excellent pressings. In the case of Reggatta they can be very good, but they never win shootouts.
British, Dutch or Domestic?
The first two can be good.
The domestic copies are consistently sub-par, as is the Half-Speed, and whatever Heavy Vinyl pressings are available are sure to be mediocre at best, as that has been our experience with the hundreds and hundreds of such pressings we have played to date.
Some of the most recent ones we’ve played were especially bad sounding. When it comes to Heavy Vinyl, devolution seems to be the operating principle.