1981

J. Geils Band – Freeze Frame

More of the Music of The J. Geils Band

  • A vintage copy with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it throughout – exceptionally quiet vinyl too
  • This is a surprisingly well produced, well recorded album – low-distortion, lively, solid and punchy down low – just what this music needs
  • The title track and “Centerfold” were the big hits off of the album, and hearing them on a Hot Stamper pressing is the only way to hear them right
  • 4 stars: “Good-time rock & roll remains at the core of the group’s music, but the sound of the record is glossier, shining with synthesizers and big pop hooks.”

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The Cars – Shake It Up

More of the Music of The Cars

  • With two solid Double Plus (A++) sides, this vintage copy is guaranteed to blow the doors off any other Shake It Up you’ve heard – exceptionally quiet vinyl too
  • It wouldn’t be a Cars Hot Stamper pressing without big, bold sound flying out of the speakers and friends, let me tell you, this baby’s got that in spades
  • Outstanding sound for some of their most memorable songs – “Since You’re Gone,” “Shake It Up,” “I’m Not the One,” “A Dream Away” and more
  • “The band’s sound may have been evolving with each succeeding album, but Ric Ocasek was still writing compelling new wave compositions despite all the change, many of which would ultimately become rock and roll standards.”

If you have big dynamic speakers and like to rock, you can’t go wrong with a Hot Stamper copy of Shake It Up. For a band with thin ties, leather jackets, jangly guitars, synths and monstrously huge floor toms that fly back and forth across the soundstage, Shake It Up is going to be the record for you, no doubt about it.

The first two Cars albums were both in our Top 100 at one time, with good reason: they’re superb recordings. The Cars have been in “heavy rotation” on my system since the albums came out in the late 70s. We started doing shootouts for both albums right around 2006 or 2007 and they continue to be a regular feature of our rock and pop section, not to mention some of the most fun shootouts we do in any given week.

Before then had you ever read a word in any audiophile or record collecting publication about how amazing the originals can sound? Of course not. These people wouldn’t know a good record from a hole in the ground. If anything the typical audiophile probably has one or both of the disastrous Nautilus half-speed mastered versions, and, having played them, would not be inclined to think highly of the sound.

We knew better than to waste our time with that muck. Recently Mobile Fidelity has taken upon itself to remaster a selection of the band’s titles with the same flawed half-speed mastering approach. We haven’t played any of them and don’t intend to. We know that sound and we don’t like it.

Our point, other than to bash a record we have never played, is simply this: if you have any of those MoFi versions, we would love to send you a Hot Stamper copy of the album so that you can hear for yourself what it’s really supposed to sound like.

The End of the Cars Production Line

I consider this to be one of the last good records the Cars made. Side one is fairly consistent, with the first three tracks all being excellent. Side two starts out with one of their best songs, “A Dream Away,” which is a personal favorite of mine.

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ZZ Top – El Loco

More of the Music of ZZ Top

  • You’ll find solid Double Plus (A++) grades or BETTER throughout this vintage pressing – fairly quiet vinyl too
  • Side two was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • “El Loco follows through on the streamlined, jet-engine boogie rock of Degüello, but kicking all the ingredients up a notch.”
  • If you’re a ZZ Top fan, a killer copy of their album from 1981 belongs in your collection

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The Human League – Dare

More New Wave

  • Superb sound throughout this original UK Virgin pressing, with both sides earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
  • We shot out a number of other imports and this one had the midrange presence, bass, and dynamics that were missing from most other copies we played
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the British LPs are the only way to fly on Dare
  • 5 stars: “Dare! captures a moment in time perfectly – the moment post-punk’s robotic fascination with synthesizers met a clinical Bowie-esque infatuation with fashion and modern art, including pop culture, plus a healthy love of songcraft. The Human League had shown much of this on their early singles, such as “Empire State Human,” but on Dare! they simply gelled, as their style was supported by music and songs with emotional substance.”

This vintage import pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

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The Blasters – Self-Titled

More Roots Rock

  • An original Slash pressing of The Blasters’ sophomore LP (and only the second copy to ever hit the site) with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • These two sides are bigger and richer than most of what we played, and they also have more vocal presence and hard-rockin’ energy, two qualities that we found to be key to the better sounding pressings
  • 4 1/2 stars: “The Blasters wasn’t the only great album this group would make, but it was certainly their best, catching them when they were still fresh but with just enough seasoning to bring out their best performances; it’s practically impossible to imagine the roots rock scene of the 80s and onward existing without this album as a roadmap.”

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Journey – Captured

More Live Recordings of Interest

  • Journey’s 2-LP live album debuts on the site with INSANELY GOOD Shootout Winning Triple Plus (A+++) sound on all FOUR sides – exceptionally quiet vinyl too
  • Guaranteed to be a huge improvement over anything you’ve heard, these pressings are big, punchy, and full-bodied – Steve Perry’s leads really soar
  • Spaciousness, richness and freedom from grit and grain are key to the best pressings, and here you will find all three
  • “‘Separate Ways’ and ‘Faithfully’ were still a few years away, but the band had plenty of hits by this time and they blast through them all, including a blistering version of ‘Any Way You Want It.’ The band [is] in rare form and vocalist Steve Perry uses Captured as his coming out, while the thousands of diehards sweating in the blistering sun give the album an underlying hum of energy that tops even Perry’s.” 

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Elvis Costello – Almost Blue

More Elvis Costello

  • Here is an original British F-Beat import pressing (and only the second copy to ever hit the site) with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • Big, lively and dynamic, with plenty of bass (Elvis’s trademark sound) and energy, this copy is really rockin’
  • Note that the song Almost Blue is found on Imperial Bedroom, one of those Costello albums that tends to grow on you over the years after many plays
  • To get the flavor of it, play one of Elvis’ best tracks from Punch the Clock: Shipbuilding, with a solo from Chet Baker that will show you just how much feeling a three-minute pop song can hold
  • 4 stars: “Elvis Costello’s ‘country record’ is usually written off as a vanity project, but Almost Blue is quite a bit more than that. It’s one of the most entertaining cover records in rock & roll, simply because of its enthusiasm. The album begins with a roaring version of Hank Williams’ ‘Why Don’t You Love Me’ and doesn’t stop. Costello sings with conviction on the tear-jerking ballads, as well as on barn burners like ‘Tonight the Bottle Let Me Down.'”

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Squeeze – East Side Story

More Squeeze

  • With solid Double Plus (A++) grades or close to them throughout, this original British A&M pressing is guaranteed to handily beat any other East Side Story you’ve heard – fairly quiet vinyl too
  • The sound on side two of this superb import is rich, full-bodied, lively, and warm, with solid bass and breathy, clear vocals, and side one is not far behind in all those areas
  • Don’t waste your money on whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Squeeze’s fourth studio album, a vintage 80s pressing like this one is the only way to go (particularly on this side two)
  • 5 stars: “…it stands as Squeeze’s tour de force, the best pop band of their time stretching every one of its muscles.”

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Journey – Escape

More Journey


  • A vintage Columbia pressing of the band’s 1981 release that was doing just about everything right, with both sides earning solid Double Plus (A++) grades
  • This copy was bigger and bolder than most others we played, with huge choruses that really come alive – just the way we like our Journey albums to sound
  • A #1 album jam-packed with hits: “Don’t Stop Believin’,” “Stone in Love,” “Who’s Crying Now” and “Open Arms”
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “Outside of the singles, there is a certain electricity that circulates through the rest of the album. The songs are timeless, and as a whole, they have a way of rekindling the innocence of youthful romance and the rebelliousness of growing up, built from heartfelt songwriting and sturdy musicianship.””

We’ve been trying to find good sound on Journey records for close to a decade, and finally we have something to show for all that work — killer sound on their only Number One album, with monster jams like Don’t Stop Believin’, Stone in Love, Who’s Crying Now — the first three tracks on side one! — and the big closer for side two, Open Arms.

Most greatest hits albums don’t have this many classic rockers. Not sure how we’ll fare with the rest of their catalog, but this one is a good place to start if you’re a fan of the band.

The vocals on Who’s Crying Now are sweet and breathy like no copy you’ve heard. Texture without grit — now that’s hard to do on a Journey album. (Or Queen, see below.)

Mike Stone

The producer and engineer for Escape is none other than Mike Stone. This was his first album with Journey after engineering all of Queen’s albums from the first through News of the World. If you hear some Queen in the music and sound of Escape it’s safe to say it’s not entirely accidental.

Nice to have your first album for the band go to Number One. The reverse is true for the former Santana-man Greg Rollie. As soon as he left the band, they hit it big. Their next three albums were all Top Five as well.

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Earth, Wind and Fire – Raise!

More Earth, Wind and Fire

  • With STUNNING Shootout Winning Triple Plus (A+++) sound or close to it throughout, this vintage copy is guaranteed to blow the doors off any other Raise! you’ve heard – exceptionally quiet vinyl too
  • These sides are doing practically everything right – they’re big, full-bodied and remarkably present with an abundance of space around all of the players
  • “In such songs as the hit single “Let’s Groove” and the fast, cutting “Lady Sun,” the horn section screams like a car running a red light. This is city music, a welcome departure from the somewhere-over-the-galaxy mooniness that group leader Maurice White has too often succumbed to in the past. On Raise!, White’s romanticism is slinkier, more seductive. The lyrics of “My Love” may prattle, but the guitars that frame the tune are light and sexy. Even at his dizziest – e.g., “Evolution Orange,” a variation on seeing the world in a piece of fruit, White roots his music in the earth.” – Rolling Stone

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