1966

Cream / Fresh Cream on British Vinyl

More Cream

More British Blues Rock

  • Fresh Cream returns to the site with excellent Double Plus (A++) sound on both sides of this UK reissue
  • The band’s debut album has much better sound than most of those that followed – it’s surprisingly Tubey Magical, with tons of studio space and lovely vocal presence
  • If all you know is the DCC pressing, or any other Heavy Vinyl pressing, you are in for quite a treat with this Hot Stamper import (here is our review)
  • 4 1/2 Stars: “Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock…”
  • If you’re a fan of the band, this title from 1966 is clearly one of their best, and one of their best sounding

We recently finished a shootout for this band’s hard-rockin’ debut album and were once again delighted to hear how good this music can sound when you get a pressing that sounds as good as this one does. Nothing the band did in the studio was as well-recorded as their first album.

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Simon and Garfunkel – Sounds of Silence

More Simon and Garfunkel

More Folk Rock

  • Boasting two excellent Double Plus (A++) or BETTER sides, this vintage 360 Stereo pressing was giving us the sound we were looking for on S&G’s sophomore release
  • Forget that critical listening stuff and just notice that these hot copies are simply more relaxed, musical and involving
  • Although the rock tracks come to life and really do sound good, the Tubey Magical folkie tracks are the real reason to play the album
  • “A work of finely expressed folk. It’s arguably the duo’s big breakout, a crossover success with some handsome hits.” — COS

The sound is big, open, rich and full, with the performers front and center. This 360 Stereo pressing also has the MIDRANGE MAGIC that’s no doubt missing from whatever 180g reissue has been made from the 50+ year old tapes. As good as that pressing may be, we guarantee that this one is dramatically more REAL SOUNDING. It gives you the sense that Simon and Garfunkel are right in the room with you. (more…)

Dave Brubeck – Time In

More Dave Brubeck

  • Boasting superb Double Plus (A++) sound from first note to last, this early 360 Stereo pressing will be very hard to beat
  • Big, full and lively, with bottom end weight and plenty of space around all the members of Dave’s classic quartet, this pressing of Time In (the last of the albums recorded in Brubeck’s “Time” series) proves that the engineering skills of all concerned at Columbia in 1966 were as strong as ever
  • This copy allows you to hear the clean, clear, solid, lively, smear-free piano that makes Brubeck’s records from the era such a delight for the analog devotee
  • 4 stars: “Though it is seldom celebrated as such, this is one of Brubeck’s finest moments on Columbia.”

This vintage Columbia 360 stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the audience at the live show, this is the record for you. It’s what Live Jazz Recordings are known for — this sound. (more…)

Frank Sinatra – Moonlight Sinatra

More Frank Sinatra

  • You’ll find STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last on this elusive favorite from Ol’ Blue Eyes
  • We’ve been working on this shootout for years – this is one of the few copies to ever hit the site
  • Master engineer Lowell Frank correctly captured the sound of every instrument here: the guitars, piano, strings, drums, percussion instruments — everything has the natural timbre of the real thing
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • “Driven by a set of lush, sparkling Nelson Riddle arrangements, Moonlight Sinatra is a low-key, charming collection. An enjoyable, romantic listen.”

The presence and immediacy here are wonderful. Turn it up and Frank is between your speakers, putting on the performance of a lifetime. On the best, hard-to-find copies, the sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy.

This Blue Green Label LP also has the midrange magic that’s missing from the later reissues. As good as some of them can be, this one is more real sounding. It gives you the sense that Frank Sinatra is right in front of you.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and the best pressings have it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music because there’s no “sound” to distract you. (more…)

Sonny Rollins – Alfie

  • This Sonny Rollins classic finally returns to the site boasting superb sound on both sides of this original Impulse stereo pressing
  • A triumph for Rudy Van Gelder, a Top Impulse Title, and as much a showcase for Oliver Nelson as it is for Sonny Rollins
  • 4 1/2 Stars: “Rollins attempts to capture the textures of life through his incisive and energetic playing, his coherent improvisations, and variations on musical themes.”
  • If you’re a fan of Sonny Rollins, this Impulse from 1966 surely belongs in your collection.

This album is on the TAS Super Disc list, which is probably what first alerted me to it. I know I was listening to this album decades ago, just from the memory of hearing it in the condo I used to live in. It sounded great back then and it sounds even better now! It may just be my personal favorite of all his work.

What makes this album so great? For starters, great players. Kenny Burrell is wonderful as always. Interestingly, I never realized that Roger Kellaway is the pianist on these sessions. I saw him live years ago with Benny Carter (who was 90 at the time) and he put on one of the most amazing performances at the piano I have ever seen. For some reason, he was never able to make it as a recording artist, but the guy is a genius at the keyboard.

Of course, any orchestration by Oliver Nelson is going to be top flight and this is no exception. Two of his records are Must Owns, in my book: Jimmy Smith’s Bashin’ and his own The Blues and the Abstract Truth. No jazz collection without them can be taken seriously.

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Bob Dylan – Blonde On Blonde on the ’70s Red Label

More Bob Dylan

More Vintage Columbia Pressings

  • These vintage Columbia Red Label pressings boast very good Hot Stamper sound on all FOUR sides – exceptionally quiet vinyl too
  • Dramatically richer, clearer, more transparent and with more vocal presence than the average copy
  • The right 360 Label pressings are going to win all the shootouts, but the best of the Red Label pressings can still beat the pants off anything pressed after 1972, which is probably when this copy was made
  • Includes tons of quintessential Dylan classics: “Rainy Day Women,” “I Want You,” “Just Like A Woman,” and more
  • 5 stars: “Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play… It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.”

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Rachmaninoff / The Complete Piano Concertos – Wild / Horenstein

More of the Music of Sergei Rachmaninoff

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  • An excellent copy of this wonderful original 4 LP Box Set with roughly Double Plus (A++) orchestral sound across these 8 magical sides
  • The vinyl is as quiet as we can find it – like most Shaded Dogs and Mercs, Mint Minus Minus is about the best you can hope for
  • We have been readying this shootout for probably twenty years – we had 8 box sets to play, 32 discs in all, searching for the best sound we could find on these famous TAS List records
  • There is not much chance we will be able to do such a comprehensive shootout in the near future — we find at most one nice set per year, which means the next big shootout is a very long way off
  • Wild’s playing of the Rhapsody On A Theme Of Paganini here is one of our favorites on vinyl
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case
  • “Rachmaninoff’s music . . . changes as the composer goes along, moving from Romantic to a tentative Modernism in such works as the fourth piano concerto and the Symphonic Dances. In this sense, he walks a path similar to Puccini’s, incorporating new approaches to extend that [which was] already essentially his. Certainly, the works here show these changes, as the composer picks up more experience, both in writing and in hearing music.”

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Strauss / New Year’s Concert / Boskovsky

More Classical and Orchestral Recordings

  • New Year’s Concert makes its Hot Stamper debut with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it throughout this original unboxed Decca pressing
  • Tons of musical energy, loads of rich detail and texture, superb transparency and excellent clarity – the very definition of DEMO DISC sound
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate

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Vince Guaraldi & Bola Sete – Live At El Matador

More Vince Guaraldi

 More Live Recordings of Interest

  • This early Fantasy pressing of Live at El Matador earned excellent Double Plus (A++) grades or BETTER from start to finish
  • Both of these sides are rich, clean, clear, lively and spacious with little of the grittiness that plagues the average copy
  • This is the third and final collaborative effort between Vince Guaraldi and Bola Sete, and if you’re a fan of either, you should find much to enjoy here
  • “… a virtuoso guitar performance; even as a living room listening experience, Sete demonstrates the mastery that so impressed club patrons.” – Five Cents Please

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Junior Wells – It’s My Life

More Electric Blues

More Soul, Blues, and Rhythm and Blues

  • A superb copy of Junior Wells’ recording from Chicago in ’66 (this is the read deal, folks!) with Nearly Triple Plus (A++ to A+++) sound – just shy of our Shootout Winner – exceptionally quiet vinyl too
  • Bigger and bolder, with more bass, more energy, and more of that “you-are-there-immediacy” of a live performance that set the best vintage pressings apart from reissues, CDs, and whatever else might be out there
  • “Cut from the same cloth as Wells’ classic Hoodoo Man Blues LP from the same period, It’s My Life, Baby! captured the Junior Wells-Buddy Guy team in great form, both in the studio and live at Pepper’s Lounge on 43rd Street. This album tends a bit more towards slow blues, including a rare example of Wells’ chromatic harmonica playing on ‘Slow, Slow,’ but there are fine uptempo pieces…”

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