Gounod – Does Your Copy Have Clipped Bass?

This RCA Plum Label Victrola LP, the budget reissue of the incredibly rare LSC 2449, has some of the best and worst Golden Age sound I’ve ever heard. It has most of the magic of the better VICS copy I rave about.

When a cutting amplifier runs out of juice, the bass simply “clips.” The beginning of the bass note is heard, and then it just stops. A fair number of RCA Shaded Dog originals have this problem. The cutting amplifiers of the day were often not up to the job. They ran out of power.

It’s amazing to me that so few collectors of these records even know what I’m talking about when I mention this shortcoming. They just assume it’s something in the recording perhaps. But it’s not. Oftentimes it is simply stamper variations that separate the clipped records from the unclipped records.

The more compression that is used, the less likely it is that the amplifiers will clip at all. But that’s obviously not the solution. And of course if you play records like this back on say, Quads, a notoriously compressed and bass-shy speaker to begin with, you’ll never notice any of this.

You also won’t hear it on this system.

Ah, but here is a wonderful recording that, on the better pressings at least, has deep, powerful, unclipped bass that can rattle the walls and sound like your flooring is in danger of being warped. But you need big woofers to get that effect, and lots of them.

But side two actually sounds quite good. Not as good as the best Shaded Dog copies possibly, but since those are $1000 and up, this has to be considered a good alternative at a fair price.

Lots of Living Stereo magic and a wonderful performance by Gibson make this record easy to recommend.


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