- An outstanding pressing with solid Double Plus (A++) sound or BETTER throughout – exceptionally quiet vinyl too
- Big and rich, with correct tonality from top to bottom, strong bass and plenty of space – this copy sounded just right to us
- Stunning sound for the album’s biggest hits, including With Or Without You, I Still Haven’t Found What I’m Looking For, and Where the Streets Have No Name
- 5 stars: “With the uniformly excellent songs… the result is a powerful, uncompromising record that became a hit due to its vision and its melody. Never before have U2’s big messages sounded so direct and personal”
The soundstage is huge, and the overall quality of the recording is big and bold. Most copies of this album are either thin, shrill and aggressive — like most U2 albums — or thick and veiled. This one is smooth and natural sounding, with the added benefit of some deep punchy bass!
This vintage Island pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of The Joshua Tree Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1987
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
The recordings of the Eighties are often tricky when it comes to sound, and U2 is not a band we have ever associated with audiophile-quality sonics. We’ve been through a number of their albums now, including this title, War and October, and while Demo Quality Sound may never be in the cards for these guys, we have at least found pressings that do a much better job communicating the music than others.
Bottom line? While this may not be a record that’s going to blow anyone’s mind, it does do a very good job of bringing this music to life in a way that most copies, the CD, and of course any Heavy Vinyl pressing cannot begin to.
If you’re a fan of U2, we guarantee you simply cannot find a better sounding copy than this (unless you trade up to one of our even hotter stampers).
By the way, the British copies we played were awful. Perhaps there are good ones out there but we sure didn’t hear any.
What We’re Listening For on The Joshua Tree
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
One More Thing
If you have the time and like the album I recommend you watch the DVD on the making of The Joshua Tree. It’s not only entertaining but, if you’re like me, you’ll come away with a whole new appreciation for the effort that went into the recording of it. There is a lot going on in these mixes and it would have to be a very special stereo indeed that could manage to bring even half of what’s on the tape out into the open where it could actually be heard and appreciated.
A Must Own Modern Rock Record
Where the Streets Have No Name
I Still Haven’t Found What I’m Looking For
With or Without You
Bullet the Blue Sky
Running to Stand Still
Red Hill Mining Town
In God’s Country
Trip Through Your Wires
One Tree Hill
Mothers of the Disappeared
AMG 5 Star Rave Review
It’s a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey through its aftermath, trying to find sense and hope in the desperation. That means that even the anthems — the epic opener “Where the Streets Have No Name,” the yearning “I Still Haven’t Found What I’m Looking For” — have seeds of doubt within their soaring choruses, and those fears take root throughout the album, whether it’s in the mournful sliding acoustic guitars of “Running to Stand Still,” the surging “One Tree Hill,” or the hypnotic elegy “Mothers of the Disappeared.” So it might seem a little ironic that U2 became superstars on the back of such a dark record, but their focus has never been clearer, nor has their music been catchier, than on The Joshua Tree.