scaggsilkd-lucky

Better Sounding Records? Lucks Explains a Lot

Hot Stamper Pressings of Rock and Pop Albums Available Now

UPDATE 2024

This commentary was written many years ago. It concerns a subject which does not get nearly enough discussion in the audiophile community: the subject of luck in audio and records.

Back in the 70s I was very lucky to have bought some exceptionally good pressings of albums that quickly became personal favorites and have remained so ever since.

This album and others like it were the reason I chose to keep going deeper into audio, which, to be honest, pretty much sums up my life story.

No skill was involved in finding these records. No real knowledge either. It was all just dumb luck. Perhaps you will agree with me that much of life seems to work that way.


Silk Degrees

Most copies severely lack presence and top end. Dull, thick, opaque sound is far too common on Silk Degrees, which may account for some audiophiles finding the Half-Speed an improvement.

Despite all the bad sound I found for this album, I kept buying copies of this record in the hopes that someday I would find one that sounded good. I remember playing this record when it came out in 1976 and thinking that it sounded very good. So how is it that all the copies I’m playing sound so bad, or at the very least, wrong?

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