pricing-faq

How can Hot Stamper pressings possibly be worth the prices you charge?

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UPDATE 2026

This commentary was written many years ago, about the time (2004) when we started selling Hot Stamper pressings in very limited numbers. The numbers were limited because shootouts were so hard to do back then. Some took days to complete. Many were a struggle.


It starts with the following paragraph:

We freely admit that we paid south of thirty bucks each at local stores for many of the records on our site. We pay what the stores charge, and most good rock records are priced from ten to thirty bucks these days.


ADDENDUM #1

About five ten years ago we added this text to the listing:

This is no longer true, but it was true when this commentary was written. Most rock records cost us double and triple what we used to pay, if they can be found at all.


ADDENDUM #2

As of 2022, we would like to point out that very few good records can be found in local Los Angeles stores these days. Young people have started collecting records again, so the supply of records in the stores is a small fraction of what it was even five years ago, and the prices have doubled and tripled for the better titles. Foreigner and Carly Simon we can still find locally, but Fleetwood Mac and Led Zeppelin? Forget it.

These developments means that we have been forced into buying mostly from dealers on the web, paying the collector prices they charge and, like any business, passing the costs on to our customers. There is no other way to run a business that specializes in old records.

Vintage LPs are practically the only ones that have the potential to be Hot Stamper pressings, and we must pay whatever they cost in order to acquire them in large enough numbers so that our record shootouts can continue.

The rest of the commentary describes a business that no longer works the way it did.


Unfortunately for us, the price we paid for the records you see on the site is only a small part of the cost of the finished “product.” The reality of our business is that it costs almost as much to find a Carly Simon or Gino Vannelli Hot Stamper that sells for a hundred dollars as it does to find a Neil Young or Yes Hot Stamper that sells for five times that.


ADDENDUM #3

Not true, obviously. Neil Young records cost ten or twenty times more than Carly Simon records these days, which is only fitting as they are ten to twenty times better in every way.


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How Can I Possibly Replace Every Record in My Collection with a Hot Stamper Pressing?

What Exactly Are Hot Stamper Pressings?

A customer once wrote to tell us the following:

I never thought I would spend $200 for a record, but I do hear the difference.”

Somewhat faint praise perhaps, but still, any praise is better than no praise, right?

We replied:

If that’s a favorite record of yours, you can now enjoy it for the rest of your life knowing you have a killer copy in your collection to play whenever you damn well please (assuming the kids and the wife are out of the house).

Based on what I am reading, the pressing we sent you is so good it’s practically priceless. But somebody had to put a price on it, and the price we landed on was two hundred bucks.

This is an outrageous amount of money for one record to some people. But not to someone who loves the album and will play it for the rest of his life. Once a month for 40 years comes to $4 a spin. To quote Pete Townshend, I call that a bargain.

Can You Afford It?

Can you afford to replace every record in your collection with a $200 Hot Stamper pressing? Of course not. Almost nobody can. But that’s not really what’s at the heart of our service.

We are offering exceptional copies of your favorite albums. (And of course some records that are soon to be your favorite albums.)

These are records that are guaranteed to be better than any other pressing you can find at any price.

Chasing a Dragon

Here’s an important benefit that often goes unmentioned. We eliminate the need to keep chasing after more and more copies.

If the album is remastered on Heavy Vinyl every two or three years by whatever company hasn’t licensed it yet, who cares? There is not a shred of evidence to back up the contention that any of these labels will ever be able to produce a record that sounds better than the pressing you already have.

How to Buy Hot Stampers

When it comes to Hot Stampers, buy as few or as many as you like. Pay only for records you think are reasonably priced based on how important the music is to you.

Whatever you pay for our record, know that its resale value is essentially nil. Nothing is special about the records we offer other than their superior fidelity.

When you receive a record from us, we ask only that you play it and, in this case, find two hundred dollars worth of sound and music or send it back. You have plenty of time to do that, 30 days.

If lots of customers returned our records, our business would struggle to survive. But we’re doing just fine, thank you very much.


Further Reading

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